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Back in stock - musica Black Metal e Dark estrema
Influenced by bands such as Caladan Brood, Elderwind, Saor and Gallowbraid, Cân Bardd was founded in 2016 as a one‐man project by then 18 year old Malo Civelli from Switzerland, with the purpose of creating an outlet for his feelings and ideas that would be at once heavy and aggressive, yet also melodic and atmospheric. Dylan Watson later joined him as permanent drummer. With the first two albums Cân Bardd already managed to enthrall a lot of fans in the Atmospheric Black Metal community, and with “Devoured by the Oak” the band set their sights even higher. The goal was to create a perfect blend of the strengths of the first two albums ‐ the ambience, textures and atmosphere of the debut, and the composition and quality of the sophomore album, culminating in a more mature sound and a more intense experience for the listener. To reach that goal the band once again teamed up with Vladimir Cochet as producer and asked the painter Michael Handt to create a very unique oil painting for the cover.
Etoile Filante play Cosmic Black Metal. Founded in 2013, "Magnum Opus Caelestis" is the band's debut full length, written and recorded a few years after their first EP "Traité sur le Monde et la Lumière" in 2014. It comes highly recommended for fans of the Cosmic Black Metal sub genre and bands such as Midnight Odyssey, Mesarthim or Mare Cognitum.
The long awaited split release between two of today's most promising Scandinavian bands features two exclusive songs + a live recording of Angantyr and a brand new 25 minutes epic of Nasheim.
reissue on northern silence
Grim, holocaust, and eerie black metal from Denmark, sound like Arckanum and early Burzum
JEWELCASE
"Forvist" once again showcases Ynleborgaz' uncanny ability to create epic, raw and powerful Black Metal hymns that seem to draw their boundless strength from the cold darkness and eternal solitude of the frozen north. The lyrics continue the epic story of Arngrim, a medieval Scandinavian warrior.
With "Disguised Masters" released in 1999, ARCTURUS delivered a striking and for some even provocative afterthought to their previous works. The WHEN intro 'White Tie Black Noise' was followed by the new track 'Deception Genesis' and a re-recording of the classic 'Du Nordavind' before the Norwegians launched into an adventurous re-visiting of six "La Masquerade Infernale" tracks that got unapologetically treated with EBM, trip-hop, rap, ambient, and other musical means. Drawing up fresh angles onto their music, the re-imagined songs revealed the wide open mind of ARCTURUS.