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Back in stock - musica Black Metal e Dark estrema
- 350gsm Jacket with inside flooded in black and matt varnsih
- 140g Black Vinyil (400 copies)
- 250gsm cardboard Insert
The very earliest works of the kings of sickness, Autopsy!
Following the band's 30th anniversary, Critical Madness: The Demo Years compiles the earliest recordings by the kings of sickness.
Chronicling the band's formative years, the collection contains Autopsy’s first demo from 1987 as well as 1988’s legendary Critical Madness demo (which quickly resulted in the band inking a deal with Peaceville and the subsequent release of the genre staple debut, 1989’s Severed Survival).
This special archive release is completed by the rare track Christ Denied and a selection of raw rehearsal recordings from 1987 and 1988, most of which would later feature on the band’s studio debut.
Stand-alone vinyl release containing Autopsy’s studio tracks originally recorded for the ‘All Tomorrow’s Funerals’ collection, plus the ‘Horrific Obsession’ 7” tracks.
‘Sign of the Corpse’ contains Autopsy’s original studio tracks recorded for the ‘All Tomorrow’s Funerals’ collection in 2012. Hot on the heels of their triumphant comeback opus ‘Macabre Eternal’, Autopsy continued where they left off with a set of gore-soaked ditties to strangulate the senses with their highly influential brand of death metal. The release also contains a re-recorded version of early Autopsy classic, ‘Mauled to Death’. Also included on ‘Sign of the Corpse’ are the 2 tracks from the ‘Horrific Obsession’ 7” release in 2009 which contained Autopsy’s first studio output in 15 years, originally recorded to celebrate the 20th anniversary of the band’s debut. All tracks were recorded at Fantasy Studio, CA with Adam Munoz. One of the early breed of US death metal acts, Autopsy formed in 1987 in San Francisco, & originally released 4 albums on Peaceville Records - beginning with the classic debut 'Severed Survival' in 1989 - before disbanding in 1995, with members going on to form Abscess.
Förslavad is the second release from the Swedish black metal band Avslut.
An EP with three eminent tracks, this is the first stage of what to expect for the full-length album to be released later this year. With the concept of writing misanthropic lyrics in Swedish, and composing distinctive riffing with dark melodies, the band continues its desolation.
Let us guide you through the aphotic path of mortal extinction.
300 x black 12" (140g) - SIDE B SILKSCREEN PRINT, innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag.
Black 12" (140g) with 1/0 K labels in a black poly-lined innerbag, INSERT: 2pp., 1/1 K/K on 150gsm art paper, SLEEVE: simple pocket, 1/1 K/K - black flood inside on 350gsm uncoated (matte) w-w stock, 3mm spine, all assembled in a PVC overbag (vinyl aside of the sleeve)
Limited to 300 copies on standard black vinyl.
Comes in gatefold cover sleeve and with LP-size 12-page lyrics booklet.
Limited to 300 copies on black vinyl.
Reverse board jacket.
Reverse board inner sleeve.
Record sits in a separate protective inner sleeve.
Acephalix wakes from five years in morbid repose with a new offering upon the glistening altar of flesh, a devastatingly tormented study on Theothanatology, the idea or belief that God is dead. Within this cerebrum shattering inquiry lies, as always, a primal spewing forth of vicious death metal malignity and bomb-raid hardcore dispersions.
Across a decade and a half lifespan, the evolution of Acephalix into the bludgeoning instrument of discord and dead faith displayed on Theothanatology has never felt so urgent. The crumbling siege-like mentality of modern life leaves no doubt God has left the building and Acephalix adeptly soundtrack the contradictions, atrocity and inner turmoil of such massive loss and decay.
From the opening title track to closer “Atheonomist,” Acephalix is razor-focused on its greatest strengths, commanding the unambiguous sonic pulverizing of a bulldozer over the decimated skull pile of a once thriving civilization. Simultaneously more musically complex and savagely barbaric, Theothanatology heralds a collapse already in motion.
Pressed on gold / black galaxy effect heavy vinyl. Comes with a 2-page insert, an A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
The wonderfully productive Swiss atmospheric Black Metal band AARA return with urgency to unleash "Triade II: Hemera", their 4th full-length since 2019 and the second chapter of the Melmoth trilogy.
Based upon the 1820 Gothic novel 'Melmoth the Wanderer' by Charles Robert Maturin - and closely connected in style and atmosphere to 2021's initial instalment "Triade I: Eos" - each of the 6 brutally melodic tracks follows the book's chronological mid-point narrative in a dazzling critical examination of theism and scepticism through the medium of top-tier Black Metal.
Although conceptually aligned with part one of the trilogy, "Triade II: Hemera" further-advances the AARA sound into realms of progressive extremity: defined once again by the beauteous lead melodies of composer/guitarist Berg, the record combines a raw violent undertow with subtle rhythmic shifts, left-field riffs/refrains and sublimated vocal savagery - interweaving Christian choirs, the Jewish shofar horn and traditional Indian vocal samples into yet another outstanding offering from an unstoppable young band overflowing with ideas and confidence.