€ 0,00
Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
Ufomammut formed in the late ’90s by Poia (guitars, FXs) and Urlo (bass, vocals, FXs, synths), rising from the ashes of past band Judy Corda, together with Vita (drums). With Levre taking over on drums in 2021, the band has undergone a rebirth, culminating in the release of the album Fenice and the Crookhead EP. Over the course of twenty-five years, the band has developed a unique sound that combines heavy, dynamic riff worship with a deep understanding of the psychedelic tradition in music. This has resulted in a cosmic, futuristic, and technicolor sound that fully immerses listeners. The band has produced ten records along with various other releases, such as compilations, EPs, and live albums.
Now, in 2024, as they celebrate their quarter-century milestone, the band is set to release their latest album, Hidden. This album marks a shift in the band’s musical composition, aiming for a more intense and heavy sound, and it’s the third release featuring Levre as the band’s new drummer. The title reflects the concept of the presence of everything in existence and the ability to bring to light what lies within.
With Hidden, Ufomammut delves into a sonic journey that traverses vast expanses of space and time. From the crushing heaviness to the haunting melodies, from the textured compositions to the otherworldly atmospheres, it testifies to the never-ending evolution of the band and their mastery of creating immersive sonic experiences: a fitting celebration of their twenty-five years of sonic exploration and experimentation.
Issued in a jewel case with a transparent double tray. Comes with a 12-page booklet.
Limited to 300 copies
Comes in a 6 panel digipack with a 12 panel poster insert including lyrics and old version of cover art for the vinyl edition
High Roller Records, lyric sheet, ltd 460, Picture shape vinyls are special accessoires, which will look unique, but surely won't provide the listening experience of a conventional vinyl pressing. Primarily they should be considered as collector's items with an optical aspect. Slight deformations caused by the pressing process, which won't affect the record's playability, can occur.
DESTRUCTION - Total Desaster/ Satan‘s Vengeance, ltd 460, insert, deluxe plastic bag
Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.
Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
Transparent "beer color" vinyl - Gatefold cover / 250 copies limited
Spanish doom/post-metal quintet Ikarie is back with their sophomore album Arde, two years after the acclaimed debut Cuerpos En Sombra. Here is how the band introduces their work…
“If Cuerpos En Sombra was about pain, Arde is about transformative rage. In the first part we presented a series of characters and desolate places, with bodies and souls sunk in misery and mud, of ghosts who are victims but are not aware of the fact that they are being victims.
In this part of the trilogy that doesn’t happen, although the denunciation and lamentation is maintained, it is no longer spoken of the land in that sense but of burning everything for a new beginning, from that fire, so deep and painful, which hanges the shape of things, like magma and the creation of stars, like a collision of planets, there is no way back after that.
With the advice of a forensic psychologist and criminologist, we have selected passages from history, victims and paradigmatic and tremendous characters that exemplify Hannah Arendt’s concept of the “banality of evil” properly, because as a society we are part of it, and therefore, it is a call to revolution.”
