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Sear Bliss delivers their opus magnum after a 30 year long journey of epic darkness!

Welcome to a journey into space itself in which its divinity is formed by progressive components and blackened chaos: Sear Bliss’s “Heavenly Down”. Externally mighty and internally filling, Hungary’s metallic frontrunners once again apply their signature formula of conjoining elegance and evil; two separate worlds that flawlessly connect into one special entity of supreme distinction. A galactic quest in which Sear Bliss rewrites the rules of experimental metal is found within “Heavenly Down” and the trip is very exciting, believe us.

Though containing common Black Metal qualities, “Heavenly Down” shows a neat shape of Sear Bliss’s own originality mixed in with several usual endowments. As expected,
Sear Bliss preserves their blackened roots intact with epic tremolo picking sections, firing blastbeats, and András Nagy’s graceful shrieks, yet the use of beautiful clean guitars and majestic keyboards add to the already-mighty picture. But don’t fear for too much soft stuff, because there are some massive head-banging riffs that just shred your eyeballs out of their sockets. The harmony between two separate musical extremes is reached in precise unison, and such a joyous tension is never broken from its state of wonder; this is how Black Metal and empyrean moods are supposed to wed. During the voyage, Sear Bliss keeps the ride interesting with the band’s hidden weapon that seems a bit odd at first, but ends out working excellently: the trombone. Zoltán Pál‘s strange position in Sear Bliss is not that of a clueless musician hitting symphonic notes, but rather an individual that can intelligently wrap the trombone around the harsh guitars and ethereal surroundings superbly. The thing is, however, that the trombone takes absolute control of Sear Bliss’s music whenever the master permits its freedom: you’ll be enjoying a cool riffing section, and then a blast of brass just explodes like no other instrument. It’s truly a unique experience that needs to be heard to be believed.

Overall, we dare to say “Heavenly Down” is a fantastic album with countless incidents of atypical independence and atmospheric delight. Everything is solid as a rock, and the
consistent display of cosmic instrumentation definitely make this record a highlight in Sear Bliss’ discography. Those looking for something outside the musical norm will most
certainly appreciate “Heavenly Down” and its metaphysical significance as a Black Metal recording unlike most of the genre itself.

Therion’s classic pure old school Death Metal demo’s remastered on “Beyond the Darkest Veil of Time”! These recordings are for the first time officially available on CD and LP!

Audio restored and remastered by Erwin Hermsen at Toneshed Studio! With massive thanks to all the help from the underground!

The essential debut full-length from funeral Doom/Death legends Evoken remastered and available again! A majestic sight of everlasting reign!

Evoken are an essential Funeral Doom Metal band. Give “Embrace the Emptiness” a listen and end up being immensely impressed...

4-panel digipack printed on 300 gsm carton scratch-resistant matte lamination w/12 page booklet printed on 135gsm art paper with matte machine varnish.
Features different artwork than the vinyl versions!

New York City experimental black metal tacticians IMPERIAL TRIUMPHANT present their new album titled Abyssal Gods, mixed and mastered by Colin Marston (Gorguts, Krallice, Nader Sadek, Atheist, Origin etc.) at Menegroth, The Thousand Caves in New York and boasts the apocalyptic cover craftings of Andrew Tremblay (Deadbots, Downlow’d, Deathface etc.). Focused on urban decay and the imminent extinction of mankind, IMPERIAL TRIUMPHANT’s Abyssal Gods serves as the follow-up to the band’s critically applauded, 2013-released "Shrine to the Trident Throne" album and contains ten punishingly traumatic odes of strategically composed black-addled mayhem bedecked in angular riff incursions, bestial vocal tirades and an overall air of disease.
 

jewelcase

Reunited italian death metal legends Electrocution present their highly anticipated new album “Metaphysincarnation”. Over 20 years after their critically-acclaimed debut (1993 “Inside The Unreal”), “Metaphysincarnation” was produced by guitarist-producer Alex Guadagnoli at The Strands Studio in Los Angeles and it includes 11 new songs of supreme Death Metal. cover art designed by Portuguese artist Gustavo Sazes (who previously worked with the likes of Arch Enemy and Morbid Angel)


 

Lussuoso Digipack CD a 6 ante con Libretto.

Info: gli Electrocution sono autentiche Leggende del Death Metal italiano, attivi fin dal lontano 1990 ed autori nel 1993 della Pietra Miliare dal titolo "Inside The Unreal", che li fece balzare agli onori delle cronache come una delle migliori band della scena, a cui seguirono Tour con i piu' grandi mostri sacri dell'Epoca come Death e Carcass. Goregorecords, la sublabel Death Metal di Aural Music è fiera di presentare il nuovo lavoro in Studio della band Bolognese, che spazza via ogni cosa fin dal primo ascolto e mette subito in chiaro le cose: Psychonolatry è una Bomba Sonica da un miliardo di megatoni pronta ad esplodervi nelle orecchie, la band si è letteralmente superata con un certosino lavoro nei piu' minimi dettagli per offrire quello che senza ombra di dubbio è il disco Death Metal DEFINITIVO del 2019.  
Artwork esclusivo di Gustavo Sazes, già all'opera sui dischi di Arch Enemy e Morbid Angel.