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Elegies of the Stellar Wind" marks the 5th full-length for Poland's epic one-man Black Metal outfit Evilfeast. On the successor to 2011`s lauded, 'Wintermoon Enchantment,' sole member GrimSpirit hasn`t changed much on the band`s majestic formula. Sprawling, epic keyboard arrangements paired with cold and harsh walls of guitars and dedicated vocals whispering of old times and solitarity. Unfolding its layers track by track, the album unlocks a dripping atmosphere. At times freezing in solitude, at others resolute melodic with choral pillars. Enhanced like never before, these elegies reach an almost monumental peak.
 

2nd Press

On their sophomore full-length, “Cult of a Dying Sun”, Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly.
 

Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.

'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.

A bludgeoning autopsy of death metal, gore and deathgrind, the low-tuned grooves, discordant leads and mid-tempo rumble of Cerebral Rot is evident in tracks like “Spinous Forms Of Mortal Abhorrence” and the title-track while setting the bar for a melted transformation into more ghastly liquified forms. The gargling slime vox of Ian Schwab are dangerously radioactive, summoned straight from the sealed basement of a nuked morgue narrating a splatter-fest of morbid poetry, decomposing flesh, absurd experiments, and gruesome transgression. Each song plays out like a medical examiner’s case file crossed with the fevered ramblings of a psychopath—precise in its anatomical horror and repugnant in its bizarre depravity.

For fans of All Out War, Bolt Thrower, Earth Crisis, Xibalba, Kruelty, Gatecreeper

Olio Tähtien Takana is one of the artistic expressions of Finnish multi-instrumentalist v-KhaoZ (Vargrav, Druadan Forest and many others), here joined in his artistic endeavour by singer Hellwind Inferion (Desolate Shrine, Sargeist).

Spectral Katharsis is the third album by Olio Tähtien Takana, and is described by Hellwind with a series of key terms: “Cosmic, majestic misanthropy and ultimate devil worship”. Expect fury, rage and patterns of keyboards to surround you and bring you on your journey through the cosmos.

On the musical side of things, v-KhaoZ says: “We wanted something different than our other bands, a more straightforward, yet melodic approach. To this we added a varied singing style and otherworldly, space-like keyboards, to reach the multidimensionality we were aiming for”. Spectral Katharsis will tickle fans of Limbonic Art, Odium and the mid-’90s symphonic black metal scene.

The band's very name is probably the best expression to describe what v.KhaoZ and Hellwind Inferion are trying to accomplish with their collaboration, as Olio Tähtien Takana is Finnish for 'A Creature Beyond the Stars'.

This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Cream black marbled 2-LP limited to 850 copies with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

Although it had a very troubled birth, all detailed in the liner notes included with those different versions here, CRADLE OF FILTH almost-album-length 1996 EP V Empire, Or Dark Faerytales In Phallustein proved to be a superb triumph over adversity.

Despite all their legal problems, line-up changes and insane pressure after the gigantic success of their debut album, the Brits nevertheless managed to write and record a slab of new even grander songs, next to a new version of the already classic ‘The Forest Whispers My Name’, some would argue even bettering their debut in the process.

Another undeniable 90s symphonic black metal masterpiece, available again for the first time officially since 2017!

Red black marbled LP limited to 850 copies with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

 Gatefold LP (crystal clear vinyl), incl. padded inner sleeve and protection sleeve 

100 copies limited - black double  vinyl in gatefold cover

Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.

Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.

Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.

Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen

Cover Artwork by Valnoir/Metastazis