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Gatefold embossed cover, double black vinyl

“Hypnagogia” is an expression of doom metal artistry where the listener will bear witness how EVOKEN can create a new and even more daring expression with a monument that will be recognized as a landmark. This tends to happen regardless with every EVOKEN release, but “Hypnagogia” sees the band expand their musical dynamics even more through the meticulous care and discrimination of the band’s song writing process, “Hypnagogia” being a listening experience through a multitude of varying yet flourishing emotions. 

For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”

While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.

The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

Reissue 2024- "The Flenser is proud to unleash this new pressing of a classic moment in contemporary US doom history. Artwork by the band’s own Adrian Guerra (R.I.P.) presented with an updated layout and in a more sustainable package than the initial pressing."
 

Recorded live 31.08.2024 at Obscure Selections Vol. 1, MeetFactory in Prague, Czech Republic.
Mixed and Mastered by Matti Kynsijärvi, Graphic Design: Kalle Pyyhtinen.

An amazing soundboard recording of their performance captured in Prague CZ.
A true testament to their live ritual power that conjures darkness from beyond human existence.
 

• Highly anticipated fourth album from Italian Lucio Fulci death metal fanatics, based on his film The New York Ripper

• Full US Devastation in the Nation Tour in November / December 2024 with Morbid Angel, Suffocation, Mortiferum and more

• For fans of Cannibal Corpse, early Madball, Merauder, Mortician, Goblin, Giorgio Moroder, Slayer, Bolt Thrower

Total playing time: 67:24

Recorded live 31.08.2024 at Obscure Selections Vol. 1, MeetFactory in Prague, Czech Republic.
Mixed and Mastered by Matti Kynsijärvi, Graphic Design: Kalle Pyyhtinen.

An amazing soundboard recording of their performance captured in Prague CZ.
A true testament to their live ritual power that conjures darkness from beyond human existence.
 

Influences drawn from the esoteric realms of death, black, doom metal, dark ambient, and arcane literature converge to shape Spectral Voice’s most realized manifestation. Featuring the sonic prowess of M. Kolontyrsky (guitar), P. Riedl (guitar), and J. Barrett (bass)—also of Blood Incantation fame—alongside the drummer / vocalist E. Wendler, Spectral Voice weave a sonic tapestry with a level of excellence that surpasses even their own formidable standards.

Sparagmos unquestionably stands as a definitive death metal highlight of 2024.

With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.