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Los Angeles trio Faetooth sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds.

Following the band’s 2022 debut Remnants Of The Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost.

• Los Angeles-based doom outfit blending shoegaze with crushing heaviness

Re-issue of LEVIATHAN’s infamous “True Traitor” album re-mastered from the original mixes and for the first time properly mastered for vinyl, in turn this re-issue being is the definitive vinyl edition of the album and the album’s first proper vinyl release the way it was supposed to be presented. “True Traitor” re-issue also features new artwork courtesy of Abomination Hammer and features the “Now Nigredo” bonus track.

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”

Gold / Bone Merge

B6 Baby Blue/Olive Green Merge

There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.

Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.

Pressed on dark grey marble vinyl. Comes with printed innersleeve. Colors on final record may vary to a degree from the mockup.

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

Release date: 12/05

Furious and intimate, exciting and intriguing, "Futility Report" stems from a thoroughly modern vision, an innovative interpretation of Extreme Music which breaks down established codes whilst simultaneously deep -rooted in the obscurehistory of Black Metal.
"Futility Report" - or the metallic version of ULVER’s legendary "Perdition City" - is a new form of Dark Music, a serious piece of Art far removed from usual clichés and a significant forward step.
Embark on a uniquely fascinating journey and let yourself be enchanted by an ambitious entity with designs on your soul!

First batch comes in black polycarbonate CD.
 

Comes in a 4-panel digipack with 20-page booklet.

The ever-inventive Ukrainian Black Metal band WHITE WARD unleash their defining third full-length "False Light", a grand work of exploratory depth which shape-shifts rhythmically creative, furiously melodic Black and Death Metal through brass-led darkjazz, stately post-rock and gothic Americana/post-punk into an indispensable record from a stunning band at the top of their game.