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Il carrello è vuoto
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
“Endo Feight” , the 8th full-length of pioneering Norwegian metal act SARKE, covers everything from SARKE’s lightest parts to the hardest. Prepare for a unique musical journey that breaks barriers within the metal scene, of course featuring Nocturno Culto from the legendary DARKTHRONE on vocals.
“Endo Feight” was recorded and mixed at H10 Productions by Lars-Erik Westby and mastered by Sofia von Hage and Thomas Eberger at Stockholm Mastering. The cover illustration was created by Kjetil Nystuen.
SARKE continue to exploit their unusual mix of 70`s rock, 80`s speed metal and 90`s black metal, resulting in an album full of heavy-rocking and groovy metal while not forgetting the unique psychedelic, doomy and dwelling passages. A monster of an album by a beast of a line-up ft. (ex) members of Darkthrone, Enslaved and Khold!
Jewel case cd with clear tray, 8-page booklet printed on 135gsm art paper.
Bootleg release containing various demos in poor sound quality. Release is actually a CDr with silver backing even though it was advertised and sold as a real CD. A silk screened patch also comes packaged with this release. Limited to 100 copies.
DEATHSPELL OMEGA “The Furnaces of Palingenesia” CD/LP
11 songs, 45 minutes, recorded live and mixed on analog gear, 2018
With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.
The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.
The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.
With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.
The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.
The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.
