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Back in stock - musica Black Metal e Dark estrema
Nortfalke is a new and enthusiastic project creating a very unique and sophisticated form of complex electronic music. Fans of Ambient will be pleased with the new album Seefunktjonderee as will those who have taken to liking to Dungeon Synth. However, Nortfalke replaces the lo-fi aspect with something that is found too rarely nowadays: skill.
It is somewhat hard to describe the many details that make Norttfalke's first epos so special. Meditative and clearly fleshed out loops form an atmosphere of melancholy and dreaminess that immediately captures the listener and holds his attention throughout the entire running time. As opposed to some of the lesser artists creating similar material, the sound is fleshy and full, always pleasant and filled with many subtle nuances that make the songs interesting despite the lengthy running time.
Although Seefunktjonderee is rather homogenous, the three respective tracks still manage to evoke their own atmosphere and identity. The second song „Yn it schymenryk“ almost seems like a hymn from a fantasy film. Aetherial synthsounds and strong upfront melodies clothe the piece in a semi-medieval majesty that has been rarely reached before. The following Jeeuwne Mone is more calm but still highly catchy with its rhythmic qualities and allround superb composition. Seefunktjonderee by Nortfalke is a highly ambitious and well-crafted album which absolutely should not be missed!
https://dungeonsdeeprecords.bandcamp.com/album/seefonktj-enderee
High quality cassette, noble gold ink over black cardstock j-card, black ink over gold cassette shells housed in gold norelco audio cassette cases.
Limited to 100 pieces.
High quality cassette, noble gold ink over black cardstock j-card, black ink over gold cassette shells housed in gold norelco audio cassette cases.
Limited to 100 pieces.
Shadows Call comprises a total of 37 minutes and two epic-length tracks, one each from Signal Rex‘s most striking discoveries in recent years, Nathr and Ordo Cultum Serpentis. Nathr are up first with “The Burial,” a nearly-20-minute track that duly lives up its namesake. Plaintive and placid, yet unsettlingly so, for more than half its massive duration, “The Burial” mesmerizes with a strangely beautiful aspect before exploding into a slo-mo crush akin to the cosmos crumbling away, deceptively peaceful in its resigned oblivion. Ordo Cultum Serpentis are second, with the nearly-17-minute “Filii Serpentis Nigri.” Much like their two celebrated EPs last year, the duo sonically approximate a massive boulder ritualistically opening into an impossibly vast tomb. But, like their split-mates, halfway through the track, they surprise with a jarring-yet-somehow-seamless transition into ritualistic blasting, sealing that same tomb with utter finality.
Simply put, blackened doom doesn’t get much better than this. And Nathr and Ordo Cultum Serpentis together a create a complementary work rather than a split “album” full of throwaway tracks. Feel their Shadows Crawl!
NARGAROTH Era of Threnody
Era of Threnody burns with rage and repose - a war cry from a battlefield long forgotten, a remembrance of sorrows past, present, and future. Across its 65-minute landscape, the 10 songs which comprise Era of Threnody paint a portrait of NARGAROTH at its most dynamic: nearly every unique era of the band is represented, but executed with a startling sense of professionalism. But let it be known that "professionalism" in no way should be conflated with mainstream ambitions, for this is still pure 'n' pristine BLACK METAL in all its monochromatic grandeur. More accurately, perhaps, Era of Threnody is the sound of NARGAROTH at the height of its powers, well rested from the studio hiatus and eager 'n' emboldened by an upcoming European tour with Absu and Hate.
Acrostichon is one of the earliest and still existing death metals band from The Netherlands. Acrostichon was formed in August 1989 when Jos (guitar), Richard (guitar) and Corinne (vocals / bass) finally found a suitable drummer. March 1990 they recorded their debut demo. In early 1991 Acrostichon entered RS29 to record the “Dehumanized” demo. It proved to be the final breakthrough in the underground death metal scene worldwide. More than 1000 copies were sold. Songs of the demo were featured on the “Where is your god now” LP published by D.S.F.A. records and they released a 7? e.p. on Seraphic Decay Records (The “Lost Remembrance”). Several labels showed interest in signing the band. The songs “Relics” was recorded to be featured on the “Peaveville Volume 4? sampler. Acrostichon signed a contract for an album with the French Modern Primitive Records. In March 1992 they recorded their debut album, called “Engraved in Black”, with producer Colin Richardson.
Their live album ‘Return to Killburg’ was recorded live at 013, Tilburg, The Netherlands on October the 4th 2009. The album contains an overview of the bands best and most successful tracks,12 in total. Live mix, editing and mastering by Robin Cornelissen (Pentacle, Dead End, Morthra). The booklet and inlays contain several outstanding special made artworks from guitar player Richard (Master, Massacre, Napalm Death).
2022 SACRED BONES RECORDS
Four panels digipack Limited to 200 copies
Includes unlimited streaming of Echoes On A Windswept Plain via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.