CD

Near Mint

VG++

With their fourth album "Cosmocrator", KHNVM are entering a downward spiral into the abyss of the human experience. The death metal brainiacs explore the crossroads of psychology, philosophy, and spirituality. The album title "Cosmocrator" carries a dual significance. It symbolises the "Ruler of the World" and, within religious vocabulary, also stands for "Satan". This reflects the album's exploration of common phenomena, expressed through an adrenaline-fueled artistic lens. With the thought-provoking lyrics and harsh yet to the point musicality of "Cosmocrator", KHNVM promise not to just deliver on musical terms but also to captivate those who are drawn to complex narratives and philosophical depth. KHNVM are a death metal band that has walked the line between old school death metal and contemporary influences without stumbling. Fronted by Bangladeshi-born guitarist and vocalist Obliterator, the band was founded and is firmly based in Germany. When KHNVM entered the scene with their debut album "Foretold Monuments of Flesh" on Testimony Records in 2019, they were immediately met with acclaim both from critics and fans alike. In the wake of the second album, "Portals to Oblivion" (2021), KHNVM began to perform live. Meanwhile, KHNVM have toured, entered stages at many festivals, and played headliner and support shows across Europe. With "Cosmocrator", KHNVM offer a dual approach: The easy way is to enjoy the album simply for its outstanding musical merit. Yet there is also the far more winding path to take with its intricate lyrics and rich thoughts to be analysed, explored, and discussed for many years to come - and new meanings to be found as well as discoveries of fresh ideas to be made with each new turn!

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

Nota bene, il disco verrà spedito soltanto verso il 20 di Ottobre!!

Six panels digipak CD

Mike Lamb (Sojourner) and Heike Langhans (Sojourner, ex-Draconian) are back with their personal gothic/doom project, Remina. The duo’s sophomore album, The Silver Sea, will follow their 2022 debut Strata and will be released on October 24th 2025 on CD and digital, once again via Avantgarde Music. Here follows the band’s statement.

The Silver Sea was written over the three year period following the release of our debut album Strata, and it is the product of the changes we experienced as both a band and on a personal level.

Remina took to the stage for the first time in 2023, and through this process we got to spend a lot of time in beautiful northern Italy bringing to life live versions of our songs with our excellent live lineup. The process of seeing how our sound translated to a live setting ultimately impacted how we approached this album. We didn't want to deviate from our vision for the band or the sound, but we did incorporate a much more musically 'direct' approach in the way the songs were written this time around. This was helped massively by the excellent drum tracking of Shayne Roos, who lifted our original ideas to an entirely new level. We are also honored to be joined by guest vocal spots from two musicians we greatly look up to, Mick Moss of Antimatter (Algol) and Tony Dunn of Sgàile (Vanta Ray).

On a personal level, we were dealing with the decision of having to uproot our lives in Europe and move back to New Zealand to be closer to family. The weight of the decision to move across the world, so far from the lives we had built, was reflected in the overarching themes and atmosphere of the album. While each song deals with its own subject matter, there is an overarching story running throughout as an invisible thread tying the album together. 

Official release of Ad Nauseam's Live performance in Tilburg (Roadburn Festival) on 21/04/23

Six panels digipak CD

MINT

NORDIC METAL

HELHEIM, founded in Bergen, Norway in 1992 were eager to establish themselves in the Norwegian Black Metal scene and released their first demo in 1993. Heavily influenced by BATHORY and including a cover of VENOM`s “Countess Bathory” to pay tribute to one of their foremost influences, the first demo, while being an interesting document of the time and showing potential, still lacked the depth and ambition of their later work.

Their second demo entitled Niðr Ok Norðr Liggr Helvegr and released in 1994 marked a major leap in style and quality. With a for a demo unusually long playing time of nearly 50 minutes, HELHEIM`s second effort saw the horde introducing female vocals, folk and Viking elements and even trumpets. Obviously influenced by compatriots ENSLAVED, it featured non-linear compositions and a unique sound. This demo is considered a landmark in Norwegian Metal and far surpasses the typical expectations of a demo release. It`s with Niðr Ok Norðr Liggr Helvegr that HELHEIM found their sound and catapulted themselves to the forefront of Norwegian Black Metal.

Remastered from the original DATs by Patrick W. Engel at Temple of Disharmony.

A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.
The jewel-case CD comes with a 20-page booklet including the interview and many never before-seen pictures.

For the 30th anniversary we are proud to present you this special edition of HELHEIMs classic debut-album Jormundgand in various formats.

In 1995, only one year after their second demo, HELHEIM’s eponymous debut album Jormundgand made its appearance.
Marked by its nearly eight-minute title track, it immediately establishes a powerful presence with sharp drums, piercing guitars, intense musicianship, and a distinct vocal performance reminiscent of early screams of Count Grishnackh. The track “Jormundgand” stands as a defining moment in Black Metal, encapsulating the band’s epic style and Norwegian roots. However, it’s the consistent quality and cohesion of the entire album that truly cements its legendary status. Although musically and thematically still drawing inspiration from early ENSLAVED “Jormundgand” is far from being a carbon copy of said band.
Even thirty years after its release, “Jormundgand” retains its raw power and enduring energy, solidifying its place as a classic in the Black Metal genre.

Recorded in the legendary Grieghallen Studio, this album is still a living witness of a time full of awakening, rebellion, creativity and nordic coldness.
A truly timeless creation released exactly 30 years ago and which has lost none of its hseer power nor energy.

Av Norrøn Ætt, HELHEIM`s second album released in 1997 basically continues where the band left off with their predecessor. All the elements present on Jormundgand are part of their sound again – only intensified and more proficient. Thus, Av Norrøn Ætt features more chaotic Black Metal, more pronounced folk and Viking influences, and an even grander epic scope. Only the high-pitched screaming vocals are gone and have been replaced by grim croaking. The album is intense and ambitious, with long, complex tracks that showcase intricate arrangements. Its title track especially stands out as a fusion of Black Metal, Viking music, and even prog-rock influences. Often compared to early ENSLAVED, particularly their Eld album from the same year, Av Norrøn Ætt represents a peak of creativity for HELHEIM. It remains their most ambitious work and a unique, unmatched moment in their discography. Av Norrøn Ætt truly ranks among the masterpieces of Norwegian Black Metal.

Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.