CD

After their highly acclaimed avant-garde debut album "Secret Ambrosian Fire", released by Eisenwald in 2019, Thuringian folklorists MOSAIC return to their black metal roots with their new full-length album "Heimatspuk", delivering a primal symbiosis of atmospheric metal, mystical soundscapes and traditional primal folk elements.

The album continues where its predecessor "Secret Ambrosian Fire" left off. The modern world lies in ruins and has consumed itself. Lyrically, it is permeated by various leitmotifs, such as darkness, sanguine and forest mysticism - as well as the central elements of earth and air - whose attributes and symbolism characterize the album.

Unlike previous MOSAIC releases, there are no guest appearances on this album. The album was written and recorded entirely by Martin van Valkenstijn at his House of Inkantation in Gotha, with musical assistance from Danijel Zambo (Walden, Skognatt) and mastered by Markus Stock (Empyrium, Sun of the Sleepless) at Klangschmiede Studio E in Mellrichstadt.

Formazione tedesca nata in epoca pandemica, nel 2020, che raccoglie elementi di Endstille, Tauthr, Dysangelium, i quali si indirizzano verso un sound solido, granitico ma svelto e frutto della collisione tra thrash e death metal. L’ossatura dei pezzi però sembra propendere maggiormente verso il thrash metal, con distorsioni rocciose e voci che toccano punte in growl e comunque modulano spesso pur urlando. Diabolisches Werk presentano la doppia voce, infatti al microfono c’è Smellhammer, anche batterista, e Knochenmark, anche chitarrista come Pissmark il quale suona anche il basso. I due generano un doppio cantato con una voce improntata su una tonalità quasi ‘harsh’, un po’ stile Martin van Drunen, e l’altra con un tendenza leggermente più growl. Il trio è feroce, potente, d’impatto. Sprigiona qualche cavalcata in stile melodic death metal e con forti influenze hardcore. 

Limited to 1000 copies MCD with exclusive bonus track.
 

Super jewel case version
Comes with an 8 pages booklet.

CD in deluxe Digipak with 8-page booklet

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as SHAPE OF DESPAIR. The Finns’ latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal. The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, EVOKEN.

Second installment “二度目の災害” (‘second disaster’) from the enigmatic black metal entity Arkhtinn takes us on a dark voyage into the cold dead space. Arkhtinn is a part of the Prava KolleKtiv consisting of an anonymous group of musicians. Over the past few years, the band has released a number of demos, but it was until the year 2018 that this enigmatic outfit released its debut album. “最初の災害“. The band provides a cosmic sense of the palpable atmosphere creating a brooding mood for the listener with the use of electronic samples combined with the oppressive percussion and rhythm guitars adding immense sensibility to the growing atmosphere of the music transcends in the sonic realm of cosmic black metal. The keyboards here form thick layers on top of the blistering tremolo-picked riffs that are meticulously infused with the massive outburst of the drums keeping the music flowing deep.

Noircure is the musical endeavor of multi-instrumentalist Raffaele Galasso from Apulia, Southern Italy. Albeit born in 2021, Noircure comes after years of experience and hard work in a number of different underground projects, managing to be both something completely new and perfectly self-aware as well.

Galasso describes his latest one-man band as follows: “Noircure was born in 2021 as the result of blending two of my great passions: atmospheric black metal and certain shoegaze and new wave sounds. I recorded, mixed and mastered Kyrie inspired by these musical atmospheres, favoring improvisation in the recording phase, preferring "natural" sounds over production editing and trying to limitate effects as much as possible. I wanted Kyrie to personify a living entity capable of communicating a wide range of emotions in the most direct way possible. In order to do this, I tried to recreate all the sounds that I had figured out in my head only with my guitar and without the use of synths”.

The result is an honest, breathtaking album, plunging into the depths of blackgaze, where guitars are paramount, accompanied by a wide range of vocal styles, adding some Mediterranean vibes which make Klimt 1918 come to mind. If the likes of Alcest, Lantlôs and Sadness are part of your everyday music digest, Noircure will surely leave its mark.