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E-L-R's sophomore full-length "Vexier" oscillates elegantly between velvet darkness and flaring bursts of high energy. The style of the Swiss has been dubbed 'doomgaze' and 'post-metal' and both terms apply loosely to the trio's meandering, down-tempo doom-epics. E-L-R's hypnotic phrases that are constantly varied and warped in repeating loops are reminiscent of shamanic rituals imbued with psychedelic colours. The trio weaves a subtle tapestry with diligence and persistence that depicts a labyrinth full of intricate details and hidden treasures.

Clear splatter vinyl

Green, white & black marbled 12" double vinyl in deluxe gatefold (with linen laminate) with 2 double-sided inserts.
Limited to 350 copies worldwide.

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as Finland's SHAPE OF DESPAIR.
SHAPE OF DESPAIR’s latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal.
The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, SKEPTICISM.

CD in deluxe Digipak with 8-page booklet

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as SHAPE OF DESPAIR. The Finns’ latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal. The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, EVOKEN.

Screenprint on side B.
Track A4 is a Dead Can Dance cover.

Shadows Call comprises a total of 37 minutes and two epic-length tracks, one each from Signal Rex‘s most striking discoveries in recent years, Nathr and Ordo Cultum Serpentis. Nathr are up first with “The Burial,” a nearly-20-minute track that duly lives up its namesake. Plaintive and placid, yet unsettlingly so, for more than half its massive duration, “The Burial” mesmerizes with a strangely beautiful aspect before exploding into a slo-mo crush akin to the cosmos crumbling away, deceptively peaceful in its resigned oblivion. Ordo Cultum Serpentis are second, with the nearly-17-minute “Filii Serpentis Nigri.” Much like their two celebrated EPs last year, the duo sonically approximate a massive boulder ritualistically opening into an impossibly vast tomb. But, like their split-mates, halfway through the track, they surprise with a jarring-yet-somehow-seamless transition into ritualistic blasting, sealing that same tomb with utter finality.

Simply put, blackened doom doesn’t get much better than this. And Nathr and Ordo Cultum Serpentis together a create a complementary work rather than a split “album” full of throwaway tracks. Feel their Shadows Crawl!

Digipak CD with booklet

Five long years after their fascinating debut, Milan-based duo A Pale December deliver their sophomore album, Death Panacea. Compared to The Shrine Of Primal Fire, Death Panacea steers towards more aggressive, warring sounds. The “atmospheric black metal” label which so aptly described their debut album, is now just one of the many, partial definitions which could be used to define the band’s music.

When asked about their new opus, multi-instrumentalists Riccardo Di Bella and Ernesto Ciotola provided the following, strong statement: “While many metal albums seem to appeal to a feeling of fierceness, a call to war, an urge to fight something, we wanted to express the opposite. Death Panacea is an album about defeat and hopelessness, about the inherent futility of human strife and all our laughable attempts at masking this unescapable nature.

We wanted to praise failing and giving up, as opposed to perseverance, pride and the grinding mentality. We wanted to praise the rejects above the leaders, who naively think they can escape this race towards oblivion, and the coward above the fighting man, whose only fault was believing in the frail concept of nation and a false sense of belonging.

While distancing ourselves from these delusional sentiments, we also didn't want to fall into optimistic nihilism; the idea that the awareness of an impending void can grant any peace is simply preposterous. 

Ultimately, this is the meaning that lies behind the title of the album: death is what keeps us in check and yet is the one and only panacea to all our anguishes. In all this, one could almost find a cold comfort, knowing that the top step of the podium is eventually just a springboard to the abyss”.

Digipak CD with booklet

After two decades devoted to the dark arts within obscure black metal, Wraith (Vanquished) and Luzifaust (Kaifrun, Hostium) present a new chapter, going by the name of Vastatum.

An ancient parallelled entity born into modern existence. Rich with atmospheric maturity and an emphasis on existential impermanence, Vastatum have executed the sonic experience of passing beyond life into death’s immeasurable grasp. Thus melding the elusive soundscapes of disembodiment with the haunting distinctions of absolution. Poetic, and potent, melodic and malevolent.

Vastatum is driven by the dark innate will of creativity and the seductive allure of the occult, and Mercurial States Of Revelation is the first chapter in the band's history. A chapter written in black metal and contemplations upon human existence.

Mercurial States Of Revelation reflects upon the conceptual philosophy that since time immemorial the earth, world and existence (as we comprehend it) have been in a constant state of flux and continual transformation. Thus compelling all planetary inhabitants toward perpetual states of adaptation within a world that is rapidly evolving and transcending beyond the depths of the human species.

Through mighty riffs deeply rooted in both the classic sounds of Norway in the early ‘90s and the Cascadian tradition of the ‘00s, Vastatum find a perfect balance between the old, the contemporary and the esoteric, picturing visions of growing shadows and perishing bodies.

brand new copy and unplayed, came-in with a very small corner ding, therefore sold at reduced price