Vinili

Third Offence album - "You`ll Never Rest In Peace" 9 songs of totally devastating, Fucking DEATH METAL! - There will be no more recommendations! Cover by Robert A. von Ritter Illustrations

Almost 4 years after their debut album “Drapsdalen” Valdaudr returns with the mighty follow up!
“Du Skal Frykte” brings even more nostalgia and atmosphere from the past to the table. There's a bit more melodic touch to it, but in the right way. Often reminding of the great early Satyricon, Ulver and other scene pillars, this album still brings you back to the early 90's and the whole reason why we started enjoying this epic and majestic genre. Hail Norwegian Black Metal!

This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".

The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.

One of the mysterious and select entities that made up the extinct The Temple of Paroketh Death Current under the glossolalic atrocities of dark ambient Experimental, has been stalking and digging in the depths of the most twisted shadows with dizzying and oppressive acts since 2018, serving an evolutionary and cyclical purpose, with this new aberrant, exhaustive and cavernous opus titled “Nosophoros- The Pale Specter From the Unholy Graveyard” drags us towards glossolalic atrocities composed of two ominous hymns attached to the delirious sacrilege of fatal weapons, an amazing but painful act of resurgent malignancy towards the old rotten chrysalises of the dark Eden that comprise a reverse odyssey, an arduous gloomy pilgrimage combined with the crushing terrifying mess of vociferations that have been carved and diminished towards the vampire / philosophical directions of the rotten astral. Not only does it encompass the old twilight orgies that melted as pillars of dark ambient, but it now strongly embraces solid structures of glossolalic raw black metal that it ferociously dislocates with the thunderous funeral march of Inexorable cursed paths that alter and cause an uncomfortable and incomprehensible tension to worldly ears, a hysterical odyssey that is disturbing in the inverse pyramidal structure of the ghostly black metal and profane art of this title. The twilight star, the voices that swallow their roots to flourish like the oscillating spectre that will remain perpetual for a long time like a dark unhinged pylon.

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike. 

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

From the cold dank fog of Portland, Oregon USA re-emerges Petrification with their highly anticipated sophomore album nearly 5 years in the making titled “Sever Sacred Light”! Conjuring all the dark powers of DEATH, DOOM, PUNK and THE OCCULT, Petrification brings their most barbaric, heavy, and yet sophisticated release to date. This new full-length opus will be released on Svart Records 9^th of February 2024.

“Sever Sacred Light” paints a mental landscape of a crumbling universe magnified through the hysterical mind of a deranged and rottenly eccentric undead enigma “Arach-Ned”.  “Sever Sacred Light” illustrates vast musical growth from the critically acclaimed 2017 demo “Summon Horrendous Destruction” and the 2018 full length debut of “Hollow of the Void”. They continue to advance and evolve while honoring the traditions and influence of ungodly masters of Autopsy, Bolt Thrower, Coffins, and all the celebrated favorites of the early 90’s Finnish death metal scene such as Rippikoulu and Demigod. With Petrification’s top tier sonic depravity this album is promised to be looked back at as the measuring stick of what an old school death metal album of this era should be.

Rotten Bowel Of Pestigore – Complete works of obscure Finnish death metal maniacs PESTIGORE available on vinyl for the first time ever

Classic Finnish grinding death metal demos by PESTIGORE compiled together for the first time ever on vinyl via Svart Records! Take a vomit-soaked time machine back to the early days of truly ghoulish death metal with the putrid sounds of these five demos spanning from 1991-1992. Rotten Bowel of Pestigore, originally released only on CD through Headsplit Records in 2023, holds all the recorded material of PESTIGORE before the band’s untimely disbandment in 1993, plus rare photos & liner notes from vocalist Kari Kräkin. Killer stuff and essential listening for fans of classic death metal.

PESTIGORE was founded in 1990 in Järvenpää, Finland. They were an active part of the first wave of Finnish death metal scene back in the day, but decided to call it quits after only three years of existing. In 2015 the band reactivated with founding members Kari Kräkin (vocals), Saku Manninen (guitar), Teme Grönberg (guitars) and Pekka Sauvolainen (bass) along with Pete Raatikainen (drums) in order to annihilate venues again.