Vinili

Formed in 2017 Devastator quickly proceeded to take the local Derbyshire and Nottinghamshire scenes by storm with their unrelenting take on the primitive ‘Black Thrash Attack’ following the release of their self-titled three track demo heavily inspired by the titans of yesterday such SODOM, BATHORY, VENOM, HELLHAMMER and MOTÖRHEAD – the foundations were laid for what was to come.

In 2020, Devastator signed a one-album deal with the UK-based indie label Clobber records and would go on to release their debut album “Baptised in Blasphemy” to strong critical acclaim in the press across five continents and garnering the attention of recognised industry figures such Ben Ward (Orange Goblin), Tony Dolan (Venom) and Dom Lawson(Metal Hammer/The Guardian) – an exceptional feat for an underground debut album that was released during the difficult times brought on by the worldwide pandemic.

Long out of print and sold out, The band’s debut album ‘Baptised in Blasphemy’ is now re-released

For fans of : VENOM, early BATHORY, SODOM, MOTÖRHEAD, MIDNIGHT

WHITE 180g Vinyl limited to 200 copies. 360gsm Jacket with inside flooded in black and matt varnish. Comes with 20-page booklet.
Mord’A’Stigmata returns with highly anticipated 6th studio album "Like Ants and Snakes".

“Like Ants And Snakes” was recorded, mixed and mastered at Prusiewicz Studio by Marcin Prusiewicz. The album cover and artwork was done by Derek R. Setzer while the layout was done by P. (Cursed Art).

Double 180g GALAXY GREEN Vinyl in gatefold sleeve with printed insert. 2025 pressing on black vinyl limited to 400 copies.

The new Furia album. Ten premiere songs recorded at Czyściec Studio by Nihil, Namtar, Sars and Artur. Lay out by Sars.    

Black Metal. Some of the best Cosmic Church material available again on DLP. Housed in gatefold jacket

Compared to the sheer brutality of ‘Angrep', ‘I utakt med verden' is quite the opposite.
If Angrep was the war, ‘I utakt med verden' is conceptually the time after a lost one, where we lick our wounds and count our dead. Slowed down.
Someone said that listening this album was like being trapped under water, and there was no chance to breathe air until the end of it.

Re-issue, 300x heavyweight white 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Originally recorded in 2013 during the "Kriegserklärung" sessions and released in 2017 as a split with Kommandant. These tracks convey the aftermath of the Great War in early 1919 by covering the brutal street fighting of factions in the early Weimar Republic. Some of the fastest and most intense songs of the band's early period are here, as well as the first experimentation with neofolk.

200x heavyweight milky clear 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag. Specially remastered for vinyl with a complete new artwork and layout.

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

Reprint, 300x heavyweight orange crush with black marble 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g; download card; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Norwegian dissonant death black metal unit Zustand Null is hailing from Oslo and formed in 2009 by Max Engvik and Ion Solounias

The music they offer could be described as simultaneously chaotic and refined; dissonant, punchy, and melodious. Blending blackened metal with thrash and industrial undertones..

After two amazing singles Zustand Null has finally released the highly anticipated full length album titled "Beyond the Limite of sanity" which is a forward-thinking venture through the realms of black/death and industrial metal with progressive touch far beyond the usual confines of the genre

Back after a long silence, Norwegian black metal

w/ poster A3
w/ Insert

THE OMEGA SWARM,
an atmospheric death metal group from Germany, started in 2022, very humble, very secluded.
T., renowned from crafting four fabulous albums to date with Sulphur Aeon, did not have a fully fledged live act in mind when composing early demos and shaping the skeleton of his – at that time – nameless new creature. A true creator at heart, T. embraces the meticulous work on riffs, tones, sounds, the adventurous spirit of building and realizing ideas, experimenting with his much beloved set of guitars and synths to produce astonishing vibes and songs that are meaningful yet extreme, melodic yet harsh and mount in THE OMEGA SWARM’s debut album, a record, a testimony dedicated to the essence of art itself.

As down-to-earth T. is, he is not the type of person to stick with one sonic formula, he looks out for ‘something more’, ‘something different’. Having finalized what Sulphur Aeon wanted to express for the time being on 2023’s monumental “Seven Crowns and Seven Seals”, THE OMEGA SWARM are his main focus right now, and the band’s line-up completed by vocalist Christian Schettler (known from his work in label mates Wound) and drummer Max Scheefeldt (ex Misanthrope Monarch), gels perfectly.
Musically, THE OMEGA SWARM were spawned from T.’s experiments with rhythmic patterns, layers of synths, elaborate leads and slightly more technical riffing structures. Probably, the only obvious parallels to Sulphur Aeon are an emphasis on a dense, captivating atmosphere, epic elements, and an overarching darkness as well as realizing after completing their first recordings that also THE OMEGA SWARM bear the quality to be more than just a ‘bedroom project’.

For something to be “ecstatic,” the feelings and emotions it evokes must transcend what one tends to experience most regularly in their lives. Ecstatic joy isn’t just happiness; it’s a feeling of jubilation which impacts one emotionally and in a metaphysical, arguably spiritual sense too. Although it has long been associated with connotations of the dark and macabre, extreme music has the ability to be a powerful mode of expression for these feelings of absolute bliss, overwhelming love, and awe-inspiring sublimity. Extreme emotions no less and those which black metal quartet Agriculture evokes with its ecstatic subversion of the subgenre’s tropes.

What was initially a meeting and subsequent series of jam sessions between Kern Haug and Daniel Meyer, two musicians in the Los Angeles underground noise scene, would eventually manifest as a shared vision to portray the sublimity of the human experience through the vehicle of heavy music. Following the additions of veteran guitarist Richard Chowenhill and bassist / vocalist Leah Levinson to the band’s lineup, this idea would crystalize into the “ecstatic black metal” backbone of Agriculture’s music, first heard on the band’s 2022 debut EP, The Circle Chant.

With Agriculture’s self-titled record and first full-length LP, it’s abundantly clear that the band’s use of heavy music to showcase the most resplendent emotions and moments of the human experience has a far deeper meaning. Woven between the flurries of soaring tremolo picking, crescendoing guitar harmonies, celebratory screamed vocals, thoughtful improvisation, and meditative atmospheric passages is the record’s mission statement to experience the wonders and joys of both the esoteric and physical world.