Vinili

Gold / Bone Merge

B6 Baby Blue/Olive Green Merge

The 1996 debut of cult classic medieval Black Metal mastery from Monaco's Godkiller. 

Remastered vinyl edition featuring the original artwork, and marking 25 years since its original release.

Dopo l'EP ""Pesta"" del 2020, giustamente intitolato, i norvegesi Mork riprendono la loro ascesa tra i ranghi della scena BLACK METAL scandinava con il quinto capitolo, ""Katedralen"", avventurandosi sempre più lontano dalle primitive fondamenta dei primi Darkthrone, pur mantenendo viva la fiamma cupa della vecchia scuola nel suo DNA. “Katedralen” è senza dubbio il lavoro più completo dei Mork fino ad oggi, spingendo nuove frontiere creative con un approccio più dinamico alla composizione delle canzoni e un'ampiezza estesa ai riff e alle melodie, tessendo un nuovo capolavoro di groove, durezza, grandiosità, tristezza, bellezza e potenza. “Katedralen” è stato eseguito, registrato e mixato dal leader Thomas Eriksen, con il mastering ancora una volta effettuato da Jack Control a Enormous Door (Darkthrone). L'album include anche notevoli apparizioni di Nocturno Culto dei compagni di etichetta Darkthrone, Dolk dei connazionali Kampfar, e infine Eero Pöyry dei maestri del doom Skepticism. L'artwork adeguatamente oscuro appare ancora una volta per gentile concessione del riverito artista francese David Thiérrée. Un album assolutamente imperdibile per i fan di Darkthrone, Taake, Burzum, Kampfar, Craft, Satyricon, Sarke e Aura Noir!"

The classic Dzö-Nga 2017 album with new tracklist and reworked artworks, but most of all, now remastered by no less than the glorious man, Dan Swanö

Black Vinyl

SERPENTS OATH is a new creature comprised of 3 Belgian scene’s adepts.

Their rebellious debut album 'Nihil' is set to take the world by storm with its relentless and unforgiving mix of nihilistic black metal. Witness the unleashing of the beast on December 4th through Soulseller Records!

Alternate cover art compared to cd version! Wonderful vinyl edition housed in outer sleeve on 350gsm w-w carton, coated paper with silver lamination and matt machine varnish; double sided printed inner sleeve on 220gsm w-w carton & double sided insert on 250gsm art paper with matt machine varnish.

Something dark, melancholic, and at times even sinister is haunting each of the eight tracks collected on NOÊTA's sophomore full-length, "Elm", which is lyrically based loosely on emotions connected to the eponymous poem by the celebrated American writer Sylvia Plath. The music of the Swedish duo comes with an inherent ethereal beauty, which is carried by Êlea's both lucent and lucid voice. The focus on the singer's bewitching vocals is further underlined by a subtle and nearly minimalistic instrumentation by her long-time collaborator Andris, who masterly captures and enhances the musical moods.

Taking their name from the ancient Greek philosophical notion of universal thoughts or ideas that exist independently of any agent having them, NOÊTA embark on their musical journey into the otherworld with the highly praised 2015 EP "psykhē", which also refers to classical Greek philosophy where it denotes the wholeness of a person. This was followed by the equally acclaimed debut album "Beyond Life and Death" in 2017, which added more depth and audible confidence to the duo's compositions.

With the recording, production and mix again firmly controlled by NOÊTA, mastering of "Elm" was for the first time left to the expert hands of Tore Stjerna at Necromorbus Studio (MAYHEM, WATAIN). Guest contributions by KNOKKELKLANG and P.Stille of STILLA and BERGRAVEN also hint to Êlea's roots in black metal that remain present although her darkness takes a different stylistic direction.

"Elm" witnesses NOÊTA charting their very own left hand course through the rising tide of unique female artists such as CHELSEA WOLFE, ANNA VON HAUSSWOLFF or EMMA RUTH RUNDLE to name but a few of the highly individual female voices claiming their territory in the world of dark music.

The Swedish misanthrope is back with his third album

Includes lyric sheet, A5 post card and poster.

Blue red marble

White/ black splatter vinyl, ltd 200, insert printed on uncoated paper, 350gsm cover with inside out print, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020.

Hardcore thrashers insisting that Assassin´s two early demos were superior to the re-recordings of the very same songs that ended up on the band´s debut album The Upcoming Terror might have a point. When the first tape Holy Terror started to circulate at the beginning of 1986, it not only put Düsseldorf on the map of German extreme metal but was also an instant classic of Teutonic steel because the quintet married instinctive ferocity with an already impressive degree of musicality.

Transparent ultra clear/ red splatter vinyl, ltd 200, insert printed on uncoated paper, 350gsm cover with inside out print, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020.

Considering that The Saga of Nemesis came out in April 1986, meaning just about three months after Assassin´s debut demo Holy Terror, the group had taken a big leap forward – not least regarding its production values, making the four songs plus intro an abrasion-proof set of thrash from a time when the German scene was maturing at a frantic pace.