Shop

official reissue on Vic Records

Released in 1997 A DEEPER KIND OF SLUMBER is the most experimental TIAMAT album and a native progression from the fully successful WILDHONEY. Produced by: Dirk Draeger

Recorded in Woodhouse studio in Germany Jan-March 1997. Featuring Anders Iwers (In Flames, Cemetery, Dark Tranquillity). Produced, mixed and mastered at Woodhouse Studios by Siggi Bemm (Kreator, The Gathering,  Melechesh). Produced and engineered by Dirk Draeger (Morgoth, Despair). Photography art by Harald Hoffmann (Apocalyptica, Heaven’s Gate, Kreator).

After many years of silence, the legendary death metal force of NECROPHAGIA, one of the very first death metal acts, has reawakened. The band’s revamped line-up have signed to Time To Kill Records for the release of the their final album, “Moribundis Grim”.

In the years of 2016-2018, the band’s last line-up - Killjoy, Serge Streltsov, Shawn Slusarek and Jake Arnette - composed and started recording what became their final opus, “Moribundis Grim”.

Unfortunately in 2018 Killjoy passed away before finishing the album. In 2022 with the help of special guests and former Necrophagia members - John McEntee from Incantation, Titta Tani (ex Goblin) and Mirai Kawashima from Sigh - the album was finally completed.

In a way, it is quite sensational to see another NECROPHAGIA album released at this point in time, meaning 40 years after their first demos were released!

2024 Reissue: gatefold with 8 pages book, completely reworked graphics and layout

Black vinyl

Music and lyrics by Sorh,
except lyrics to "Blady Świt" (by S.)
and ambient elements (by Exurge).

Guest vocals:
"Blady Świt" and "Antychryst" - S.
Melodeclamation in "Imię Gwiazdy" - Ashgan

Vocals and guitars recorded in various places,
with the help of: Paweł "Chudy" Chyła, Renz.
Drums recorded at Roslyn Studio.
Mix and mastering by Marcin Rybicki - Left Hand Sounds studio.
Samples taken form "The Seventh Seal" by Ingmar Bergman.
Bible quote taken from "Biblia Tysiąclecia".

This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

Australian Death Metal 4-pieces Writhing is finally back with the highly anticipated debut album 'Of Earth & Flesh', 8 new tracks expanding the ideas already heard in the demo and incorporating even more US death metal influence as well as more atmospheric parts!

For fans of Tomb Mold, Skeletal Remains, Adramelech, Undeath

The Minneapolis' full heaviness purveyors Nothingness are finally back with their sophomore album!
Crushing, extreme, dissonant, atmospheric and genre bending Death Metal, a cauldronous mix by naturally blending multiple extreme styles together with respect for the history of metal. Enjoy a journey filled with riffs for days!

Formed in Minnesota in Late 2018 by Alex Walstad and Barclay Olson, Nothingness would fill out its line up and self-release their first record “The Hollow Gaze of Death” in 2019. That debut record was rereleased by Memento Mori on CD, and Barbaric Brutality on tape in following years. Now Nothingness has teamed up with Everlasting Spew for their second full length “Supraliminal”.

Chicago's WOUNDS finally deliver their long awaited full length after a thunderous Ep that made heads turn. Mixing the best of the 2000' tech death tradition with some more recent nuances, "Ruin" will nail you to the chair from start to finish.

Wounds originally formed as “Wounds of Ruin’ on the outskirts of Chicago in 2006 when friends Rick Mora and Nate Burgard started writing material that would eventually evolve into the iteration of what Wounds is today. Shortly after beginning their journey playing shows as an instrumental band, Norman Hale joined on Vocals. Throughout the years the band has transformed and refined their sound through countless hours of honing their craft aiming to maintain a balance of complex melodies, gigantic grooves, and skull splattering riffs, an amalgamation of influences coming together to form a bone crushing and intricate sound. Wounds was on a long hiatus but returned to writing and playing in late 2016 adding Franco Caballero on Bass and finally releaseing their first EP “Light Eater” with Everlasting Spew Records on February 14th 2019.
After their debut release and fierce live appearances, Wounds started working on their first full length album, soon to be released with the title "Ruin" by Everlasting Spew Records on March 15th 2024.