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Purple Vinyl
11-Year Anniversary Edition of the since long unavailable EP
includes 4 bonus tracks and newly written essay on the featured songs by Kvarforth
mastered to perfection by Andy La Rocque in December 2022, and clad in refined artwork by Tuomas Tahvanainen and Nucleart Design.
Crystal clear & white marbled 12" vinyl in jacket with 4-page insert, including lyrics, liner notes, and pictures.
Limited to 450 copies worldwide.
In 1991, ROTTING CHRIST planted the seeds to their legacy with the release of their first ever EP, ‘Passage to Arcturo’.
The offering demonstrates the band’s feral infancy as they set forth on their journey to define their sound as we know it today.
Now, Season of Mist is reissuing this long-out-of-print gem to celebrate the band’s now-storied legacy.
Limited to 200 copies.
• Deluxe 4-Panel Digipak, 4-page booklet with lyrics.
THECODONTION and VESSEL OF INIQUITY join forces in a conceptual split release to tell us about the Permian-Triassic extinction event (commonly known as "The Great Dying"), and life emerging anew afterwards.. THECODONTION's side explores two different creatures which lived after that catastrophic occurrence, thus during the Triassic period: Thecodontosarus antiquus was a an ancestral relative to sauropods; Procompsognathus triassicus was a small bipedal carnivorous theropod. VESSEL OF INIQUITY's side is sonically destructive, yet it features an evocative and almost poetic description of the inevitable cataclysm that occurred, putting an end to the Permian period and paving the way for new lifeforms during the Triassic. VESSEL OF INIQUITY's sole member A. White is a master in audial annihilation and ultra-violence in the form of furious drumming and non-stop slab of harsh noise, behind which lies a vortex of sprawling riffs. After two masterpieces such as "Vessel of Iniquity" and "Void of Infinite Horror", this entity is certainly not holding back regarding musical extremity.
Elegant cd digipack version printed on 300gsm w-w cardboard, coated paper with black tray
Pure Vampyric Black Metal majesty and darkness!
This is an official rerelease of this cult 1996 debut album from Crimson Moon approved by Scorpios.
Filled with Occult mysticism and bloodlust, "To Embrace the Vampyric Blood" has stood the test of time and remains one of the most revered pieces of haunting Vampyric art from not only the 90's but also to this day.
With original cover art, sigils and fonts from the legendary Blood Moon Ausar, this rerelease is for all those who missed the original CD from the 90's.
Remastered by Scorpios.
CD limited to 300 copies.
Occult and Vampyric symphonic Black Metal Magick from the depths of Astral Chaos! Recorded in the Serpent's Chamber from 1996 - 1997 on a portable 4 track recorder, this cult underground second album, that did not originally see a release until 2005 is finally out again on CD. Officially approved by founding/remaining member of the band Scorpios, "Under the Serpentine Spell" is one of the most underrated albums of its era. Spellbinding atmosphere filled with synth-scapes and lyrics that lift the veil from the Abyss, revealing the Serpentine path! .... for Tiamat lays Dead, but Dreaming... and the Cult of the Crimson Moon remains eternal!
Meditating upon the night waves. A being possessed by the storm upon the cliffs as heavy fog rolls over the jagged rock. The ethereal skin pierced and opened as portals to a time forgotten. The lone wolf binding these nexus walls and setting alight the new age of man. Dance in it's ashes and levitate without chains between the hands of time. Majestic raw Black Metal darkness from the ocean beaten cliffs of Kernow. CD limited to 300 copies.
CD limited to 300 copies.
This CD is a compilation of three demos; "Diabolical Winter Spells", "Rise of the Black Serpent" & "Lost Kingdoms of a Dark Age".
Golden Vinyls.
To understand the defining traits of Greek Black Metal, one need only to listen to “The Tressrising of Nyarthotep” by the mighty Varathron. This track, first appearing on the “genesis of Apocryphal Desire” demo, possesses all of the victorious grandeur and tragic melancholia that are the essence of the early 1990’s Greek Black Metal sound. Along with contemporary releases by Rotting Christ and Necromantia, Varathron’s demo material firmly established a style that is thoroughly Grecian in character. Thick with a damp and heavy Hellenistic darkness, Varathron explored a sound that was infused with the epic and the ancient. As with so much of the most evocative and potent Black Metal, the ancient currents are revealed through the expression of the modern. Varathron’s music is as mystical as it is visceral. The recordings on this compilation comprise the earliest seeds of what would become one of the greatest bands in the history of the genre. This collection contains all of Varathron’s work leading the band toward the creation of their monumental debut LP, “His Majesty at the Swamp.” The two demos, “Procreation of the Unaltered Evil” and “Genesis of Apocryphal Desire” reveal the steps that Varathron took that would later come to fruition on their first album. This collection also contains the more refined tracks that were utilized on their first vinyl releases – the “One Step Beyond Dreams“ EP and “The Everlasting Sins” tracks from the split LP with Necromantia – and three additional bonus tracks recorded during the early years. As with the forthcoming Rotting Christ demo collection that NWN! will soon release, the songs on this compilation of Varathron’s early recordings reveal the painstaking emergence of a band’s identity. Absorbed in the context of early works by Varathron’s Greek contemporaries, one also witnesses the development of a sound uniquely specific to a geographic region, so specific, in fact, that it is impossible to imagine such a multidimensional approach to Black Metal originating anywhere else. Both the Regular and Die Hard editions of this release will feature gatefold jackets with artwork by Manuel Tinnemans and layout by Tilmann Benninghaus as well as a 48 page zine booklet. The Die Hard edition will also come with a separate LP (with jacket) featuring the “Live at the Swamp” demo material. Originally released on tape in 2004, “Live at the Swamp” features a live recording and rehearsal recording from 1991. These recordings have been remastered and cleaned up by James Plotkin and the sound quality on this LP, although still quite raw, is markedly better than the original tape version.
The relationship between Abigail and NWN! goes back to the 2002 vinyl release of the band’s first album, “Intercourse and Lust.” Since that time, Abigail and NWN! have each mutated into different beasts; however, the relationship between these two forces has remained intact through the years. To honor the nearly 20 year legacy of Abigail, NWN! is proud to present this vinyl collection of some of the band’s earliest work. Along with pioneers Sabbat and Sigh, Abigail have long been recognized as among the most influential Black Metal bands to have emerged from beneath the banner of the Rising Sun. While, in recent years, Abigail has shifted its focus to a more depraved blackened thrash sound, the early work presented on this LP is pure Black Metal played in a manner that is harsh and hostile. This LP opens with the five Abigail tracks featured on the band’s 1995 split CD with Funeral Winds. This material, which has never before been released on vinyl, displays the characteristic wickedness that permeates all of Abigail’s work. These tracks are not merely excursions in sound, however. Each song stands out on its own and the work as a whole evinces a sophisticated level of composition and production. Side B of this LP contains the tracks from Abigail’s first two EP releases. Nearly impossible to find now, “Descending from a Blackened Sky” and “Confound Eternal” contain some of Abigail’s most powerful and blackened revelations. The 1993 “Descending from a Blackened Sky” EP, executed entirely by Yasuyuki, is a magnificent breath of annihilation. Guided by furious and relentless blast beats, Yasuyuki’s style on this EP is more harsh and raw than most of Abigail’s other work. Yet, as with all Abigail recordings, amid the chaos there are well-crafted riffs and song structures that draw the listener deep into the demonic frenzy of the songs.