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Following their first album "Infernal Comedy" released a few years earlier on Lavadome Production, Ad Vitam Infernal returns to release their brand-new offering "Le Ballet des Anges", to be released on November 8th on Dolorem Records.
The band delivers an album that is both brutal, blasphemous and of an unmatched precision. Each track is an ode to the Floridian death metal of the 90s and promises a suffocating journey into hell where the band unleashes all its power. An album that will mark you for a very long time.
Still written by Samuel, the lyrics focus on the Book of Enoch. It is in this work that the origin of demons and Nephilim is told, as well as the origin of fallen angels such as Shemihazah, who was the angel at the head of the Watchers and the instigator of their descent to earth to teach sciences forbidden to Man.

• 7" EP GATEFOLD
• Black colour
• Limited to 300 copies

In some cases, split releases do compile together random acts who have little to do with each other. But in some (rare) cases, the end result bears a greater purpose, forging an alliance in darkness if you will. Such is the case here with cult black/doom/progressive Sicilian act SINOATH, sharing this highly collectable piece of wax with fellow countrymen MALAURIU.

Both bands don’t just share Sicilian origins. Besides, compared to SINOATH whose never-ending quest started all the way back to 1990 MALAURIU is a rather ‘new’, if quite productive with already two full-lenght and a whole lot of EP and demos under its belt, act, having being active for ‘only’ ten years. So one could also argue that stylistically speaking, the two are quite different: whereas MALAURIU is more or less acquainted with black-metal, albeit a quite experimental version of it, SINOATH sound is far more old-school oriented, if as everchanging. Yet both acts are all about pushing boundaries and following a very personal path.

MŮRA. The only band of its kind in the Czech music scene. This brooding death/doom metal ensemble got together in Prague in 2020 and immediately scored with all death/doom worshippers. Their successful EP "Doom Invocations and Narcotic Rituals" was released one year later on the American label Caligari Records. MŮRA will impress you with their creeping brand of doom metal, which offers a very wide overlap into old school death metal and true heinous black metal. Although there are some faster parts as well, the band keeps the tempo mostly slow and the music has all the necessary ingredients; varied rhythms, long drawn out gloomy guitar riffs, and subtle licks that contribute unobtrusive but impressive melodies. All this is dominated by morbid vocals reciting dismal lyrics.

The B-side of the vinyl version contains bonus material from the debut demo "Doom Invocations and Narcotic Rituals".

The band’s 2 rock solid demo tapes + the track of the split 7’’ with Gouffre available on CD for the first time. All tracks have been mastered by Herjan of Heidens Art for this release.

After 2 rock solid demo tapes and a split 7’’ with Gouffre, the band pushes things one step further and brilliantly combines rawness and maturity. All tracks are exclusive. Playing time: 34+ minutes. Phlegethon’s Majesty is part of the Ancient Hounds and shares members with Crypts of Wallachia, Selenite Scrolls, Orkblut, Mischievous Wraith and Regnum Tenebrarum.

High Roller Records, reissue 2025, slipcase, 16 page booklet, remastered by Patrick W. Engel/ Temple of Disharmony

"Reuniting together on one supreme release, the exclusive songs that originally appeared on the 2012 split album with Monarque, and the four epic tracks that graced the 2016 split release with French black metallers ENDE, originally know as "Le Puits Des Morts". The dark hymn "Le Puits Des Morts" is featuring important figures of the Métal Noir Québécois scene as guest vocalists, including Athros (Forteresse), Blanc Feu (Cantique Lépreux / Chasse-Gallerie), Monarque (Monarque / Sanctuaire), Nordet (Brume d'Automne). It also features I. Luciferia from ENDE with guest backing vocals.
"Sous La Lune Noire" present some of their darkest and evil material, but also have epic and highly atmospheric moments."

Snowland MMXII" is the complete re-recording of the first Sorcier Des Glaces album "Snowland".
The band wanted to give an updated vision of their very first work, as they thought the original one had great riffs and atmosphere, but was poorly executed and recorded. They managed to preserve the rawness and the primitive essence that characterized their first album, but with a more defined sound and production values.

Also, Sorcier Des Glaces didn't use any keyboards on "Snowland MMXII" in opposite to the original 1997 "Snowland".

SDG don't use keyboards anymore in their songs since the third album (The Puressence of Primitive Forests), so that re-recorded version of Snowland is more in tune with the actual sound of the band.