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Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
WEREWOLF RECORDS is proud to present SORGETID's striking debut album, Natt av Tusen Dödsfall
SORGETID exclusively play Nordic black metal, from Finland. The name SORGETID may be new, but the creator behind it isn't: Finnish underground veteran V-Khaoz, renown for such bands as VARGRAV, DRUADAN FOREST, GRIEVE, and EMBRYONIC SLUMBER among many others, stretching back to the late '90s. With SORGETID itself, V-Khaoz indeed delves even deeper (and earlier) into the '90s, presenting vintage obsidian, both style- and production-wise, that respects the now-ancient time when black metal was only made by individuals who were truly dedicated to it. "In my reality, no other kind of black metal exists," he firmly states.
WEREWOLF RECORDS is proud to present FÖRGJORD's highly anticipated sixth album, Ruumissaarna Pt. 1, Black Vinyl
Official reissue in limited edition six panel Digipak Cd of the legendary Ep originally released in 1997 with restored original cover artwork and unreleased photos.
A masterpiece made of epic songs, furious harsh vocals, tight drumming and a strong romanticism which built the very essence of 90's Black Metal.
“Et Hav av Avstand" is the 8th full-length studio album from the legendary Norwegian Black Metal band Taake.
It consists of four songs clocking in at 42 minutes, displaying some of the finest songwriting yet from this epic one-man band.
Fierce, but melancholy. Vigorously old-school but also progressive. retaining that unfiltered sense of unique rawness that is synonymous with Hoest’s charismatic sound and musical identity.
Taake still manages to stay relevant and at the forefront of the genre and Hoest, who plays every instrument on the album, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.
This is unmistakably Taake, and as always, an intense work that surprises and enthrals.
020 repress of the praised Diaboli album. Remastered with artist for more clarity and punch. All original artwork, but in digipak format.
Finnish cult Black Metal. Recorded at Fullmoon Studios in 2002/2003; additional mixing at Total Noise Studios (2003) and Pop Studios (2004).
2023 album of Clandestine Blaze. Black Metal to the bone! Northern Heritage
Since 1988, CANNIBAL CORPSE have been at the forefront of death metal, shaping and defining the genre. In 2021, they raised the stakes again with Violence Unimagined. And in 2023, the band's thirty-fifth anniversary, they return with its successor, the equally monstrous Chaos Horrific, starting a new chapter in their storied legacy.
Written shortly after the conclusion of the Violence Unimagined sessions, echoes of that album exist in Chaos Horrific. "To me, this album feels sort of like a continuation of Violence Unimagined," says bassist Alex Webster. Rutan has now produced six CANNIBAL CORPSE albums, starting with 2006's Kill, and this is Rutan's second release as a full-fledged member, since officially joining in 2020. Tracking at Rutan's Mana Studio in Florida, the band's home state, was comfortable for all involved, who were at the top of their game and ready to give it their all. Things went smoother than ever, particularly on the guitar front thanks to Barrett and Rutan having.
The album artwork by longtime collaborator Vince Locke is also suitably CANNIBAL CORPSE-esque, featuring a chaotic tangle of the living and the undead, evoking the lyrics of the title track.
