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“Mysteria Mystica Zothyriana” is the legendary debut published by the greek label Unisound. After the demise of the label it was bootlegged countless times through the years increasing the band fame and still stands as a fine example of second wave black metal. Reissued in jewelcase format with slipcase with a rich booklet with liner notes and pictures!

“Abyss Calls Life” is the second album, considered a fine example of evolution towards a wider idea of extreme music. The record was instrumental in securing a celebrated european tour alongside Dark Funeral and was also the last release with founding member Carlo Bellotti. Reissued in jewelcase format with slipcase with a rich booklet with liner notes and pictures!

Across The Veil Of The Past" is a collection of the "Connected Body Pentagram" demo, the "His Eyes" and "Bhoma" EPs, the experimental "Chrysalis Gold" EP, the pre-production demos of "Abyss Calls Life" and a couple of rare live-tracks recorded in 1996. Part of this material has been published in various reissues through time but with "Across The Veil Of The Past" finds its place in a single collection with a rich booklet with liner notes and pictures!

This limited edition comes in black polycarbonate CD, 4-panel digipack w/ a 16-page booklet and an exclusive slipcase printed with silver lamination.

After delivering the triumphant 2023 affirmation that they are "…still fucking I.C.E.!" via 20-year-awaited second album "Ancient Glacial Resurgence", the inimitable battalion strikes immediately again with another shattering full-length of mystical Black Metal savagery.

The third revelation from IMPERIAL CRYSTALLINE ENTOMBMENT is the latest apocalyptic statement from a legion once seemingly cryogenically frozen in time - advancing their legacy in a hostile whirlwind of compulsive new paeans to the ancient anti-God Råvaskieth.

New Album, out in July!

jewelcase CD with 8 pages booklet

Finally, one of the most melancholic and intriguing albums of the Finnish '90s scene is available again on CD !

Languid sensations of searing nostalgia pierce the hearts of lost souls, drifting among the blurred glimmers of impalpable horizons. Dead leaves sink into the muddy paths of wooded lands, distant and forever forgotten. Like tears of radiant melancholy, silent tributaries flow into the river of betrayed passion, of emotions burning in the crackling hearth that illuminates the darkest nights.

If lament has a meaning, it explodes in an orgasm of sounds, echoes faded by a love sadly lost. A love clung to with the fragile strength of nails broken by the most lacerating anguish, screaming despair to the winds of silence, to the currents of abandonment. And no one listens, because among the branches of oblivion, the goddess of pain bestows eternal torment, an irrevocable exile to the lands of unhappiness, where the roars of deformed ogres erase the memory of sweet feminine choirs. There are few words left to describe the dazzling splendor of this work, tormented by the solemn progression of slow notes drowning in the deepest dismay. Ivory keys embrace the delicate six-string, at times "electrically" agitated, at times soft and acoustic; Gregorian chants virtuously duet with the seductive femininity of a weeping maiden, while drowsy rhythms lazily support the eleven hymns to decadence presented here.

Classical music infused with virtuosic pianos, dreamy synths, and guitar echoes suspended between the darkest doom and Floydian solos give birth to a unique monolithic blend where melody reigns supreme. No space for metallic accelerations, no sign of life in the motionless drumming—only a bleak sense of burning defeat emphasized by the slowness of tracks that celebrate the funeral of hope. This, without the need for screams or shrieks, using harmonies of torturous sweetness that push the listener to the limits of sonic endurance, generating a chant of pure and profound gothic essence.

A well-deserved tribute goes to the individual, talented musicians, particularly to the penetrating Gregorian voice of Jukka Vuorinen (skilled in weaving highly emotional riffing) and to the crystalline warbles of guest Sini Koivuniemi, capable of conveying both delicate and tempestuous emotions. For an hour, surrender to the desolate caresses of this dark oblivion.

Emptiness you will all sink in.

A distinguished symphonic black metal multicultural project with Russian folk influences, based in Italy, VOLAND are back with a new opus called "The Grieving Fields". For the readers and Russian literature freaks, Voland is the manifestation of Satan in "The Master And Margarita" by M. Bulgakov. Rimmon and Haiwas - masterminds of the project since its beginning - start exactly from the same concept: musical unpredictability, but at the same time a true love for history and its tales full of passion.
Musically speaking, Voland stand for symphonic black/death metal in the vein of Dark Lunacy or the later Rotting Christ, made of epicness and emotional transport. Songs like "Don" or "227" are a succession of strong feelings, always balancing between love, hate, desperation, pride. Throughout historical facts, legends and folklore, Voland keep their focus on people, highlighting their lives, struggles, victories and demises.
One of the best-kept secrets in the European underground, Voland are back with their first full album "The Grieving Fields" after a series of celebrated EPs released in the last fifteen years. Well, this time they're here to stay!