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Drawing frequent comparisons to mind-altering progressive death metal acts, Artificial Brain have distinguished themselves from their peers through an emphasis on rich, melancholic melodic figures, contextualizing the harmonic and emotive qualities of black metal within a more aggressive death metal framework. Dissonance is threaded through elegiac, otherworldly chordal structures; saturnine tremolo melodies float along in the high registers of the instruments; guitars and bass traverse distinct paths before locking into harmonic orbit. These elements, anchored by blast beats and bellowing guttural vocals, create a sense of contrast that has come to characterize the band’s sound over the past decade. 
Artificial Brain, the group’s final recording with original vocalist Will Smith (Afterbirth), is the terminal instalment in a trilogy that includes 2014’s Labyrinth Constellation and 2017’s Infrared Horizon. Smith’s lyrics on this eponymous album take a retrospective look at the sci-fi mythology developed on the previous records, using these ideas to explore themes of isolation, madness, and the inexorability of nature. Rounding out the recording is an impressive roster of guest performers, including death metal legends Mike Browning (Nocturnus A.D.) and Luc Lemay (Gorguts) as well as long time collaborators Paulo Paguntalan (Miasmatic Necrosis) and Colin Marston (Krallice).

Here at Sidereal we take our commitment to Solar Fields very seriously.
This effort is now taking us towards one of Magnus Birgersson’s beatless albums, namely Altered - Second Movements.
Originally released in 2010 on a limited CD run and never reissued since, Altered is a reworked and beatless version of the album Movements, released one year before (and reissued by Sidereal in 2018). Such close connection can be seen in each track title, too, which clearly reminds of their original Movement version.
Altered is one of the many examples of Solar Fields ability to paint different moods, always maintaining a strong, recognizable personality. A darker, yet dreamy atmosphere permeates these eleven tracks, which wil find their way to wax for the first time ever.

Hailing from Poland and making their public debut with the demo Ancient Darkness Triumphant in 2020, TEUFELSBERG are a band out of time. The modern "black metal underground" is a vacant void to be shunned, spit upon; for the trio, the elder ways of black metal militancy reflected in the Polish underground during the glorious '90s are to be proudly upheld. And upheld they did with a successive split with comrades MINNESJORD last year, once again through the auspices of SIGNAL REX, in the process building their own dead Christ commune.

And now, TEUFELSBERG fortify it further with their full-length debut, Ordre du Diable. No great changes have been made, thankfully - cold and grim is their march, rendered in raw-yet-clear tones that remarkably retain an era-authentic vibe - but the trio's songwriting has undoubtedly advanced, moving at many speeds and effortlessly evincing a focus that's fiery and finessed in equal measure. Further, their integration of synths is subtle and tasteful, coloring Ordre du Diable in rich hues of velvety purple emanating from deepest black. More simply stated, TEUFELSBERG deliver a record that could've easily come out in 1995: that same mysticism is alive and well here, and DEAD.

Opening with a fug of crypt-dwelling ambience, and the distant howls of the bloodthirsty Wampyre, building through riff and atmosphere towards a clearer skied climax in the more epic medievalism from Ages of Blood. A perfectly ascendent split with euphoric trajectory from the raw to the radiant, balanced by the pivotal Beulenpest who features in both projects.

Furious violent black / death metal, tracked live for extra rawness

Fantastic cover art executed perfectly by Italian master Paolo Girardi

- 300g black vinyl
- 300 hand-numbered copies
- Handmade silk-screen printed sleeve
- Including two stickers and patch

MCMXCV: The Ultimate Blasphemy contains both seminal 1995 recordings previously released as promo- and rehearsal-tapes.
Crude Black Doom/Death Metal strangulated by the hands of veterans A.J. van Drenth (Beyond Belief a.o.) and Bob Bagchus (Asphyx a.o.).

Reissue

Le cassette sono nuove, mai suonate, complete di copertina e scatola, scelte a caso dal nostro staff dal catalogo / sito sound-cave.com 

Non è possibile scegliere i titoli, per ovvi motivi

Black vinyl version. Compilation of the "Satanist Stryken" demo tape and "Hail Satanas, We Are The Black Legions" 7" EP.

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Winterlong, the psychedelic new album from Executioner’s Mask is set for release on Profound Lore Records. An epic bouquet of swelling synths, hypnotic melodies, and noisy guitars marry post-punk and shoegaze in ten songs exploring themes of liberation and self-destruction in these end-times. In the studio, the core group of Gambit, Mickle and Wilson added Christian Molenaar into the fold on synths, adding an ethereal edge to the band’s hard-driving melancholy. Additional touches were added by Kennedy Ashlyn (SRSQ) and Jake Superchi (Uada, Ceremonial Castings), their distinct sonic fingerprints sending the compositions further into territories unexplored. 
Featuring production from Jeff Zeigler (The War On Drugs) and Ryan Schwabe (Oneohtrix Point Never), Winterlong is the type of sublime and immersive album that inspires the same visions often conjured by masters like The National, Alcest and Deerhunter. On stage, Gambit, Mickle, and Molenaar are joined by Anthony Charletta on bass, Melissa Lochambon on drums, and Daniel Gaona on guitar to create an explosive force of sound that come together with the potency of Children Of God-era Swans. 
Expanding on the kaleidoscope of ambition, expect to see re-mixes of the album released in a series of their own by an ensemble cast that features members of Deafheaven, Full Of Hell, No Joy, Xiu Xiu, and The Armed amongst an army of others. The first of these Winterlong re-mix albums will be released as a bonus disc that will come with the CD release, mastered by Angel Marcloid (aka Fire-Toolz).