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crossfolded Digipak, limited to 500 numbered copies

including the songs from "A New Path" and the split with Goath

The concert was recorded in Kyiv on the 26th of February, 2016.

Packaged in 4-panel gatefold sleeve

Re-issue, 500x bloodred with black marble effect 12" (180g) in a microtene innerbag, printed innersleeve on 220g, download card, jacket - black flooded inside, 350g with matte lamination and UV spot lacquer, all assembled in a PVC overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That second album, Nihilistischen, took a moodier turn from MINENWERFER's throttling debut album, Volkslieder. But while a relative expansion of dynamics made their songs sound even more epic, the duo likewise upped the muscle to their attack, arriving at a thicker soundfield than that no-less-considerable predecessor. What results is a work equally steeped in the ugly underground and the yonder battlefields of professionalism.

Re-issue, 296x gold 12" (180g) in a black poly-lined bag, download card, gatefold jacket full color on 350g, all assembled in a plastic overbag.

Re-issue, 299x white 7" (42g) in a black paper bag, simple pocket, full-color on 350g, all assembled in a PVC overbag.

After laying dormant in the primordial waters for four years, Mournful Congregation emerge from the face of the deep with the first release since 2018's "The Incubus of Karma".

Announcing here "The Exuviae of Gods". Part one of a two-part EP series.
"The Exuviae of Gods" Part 1 features three songs equalling 37 minutes.
Two brand new compositions, plus a brand new re-recording of 1995's "An Epic Dream of Desire" featured on their second demo tape.
"The Exuviae of Gods" Part 2 will follow in the latter part of 2022.

Five years after "Non omnis moriar", MEYHNACH is back with a second opus called "Miseria de profundis", a full-length piece of black metal with some weird elements.
The album contains the seven prophecies of a visionary digging into the depths of human misery.

"Miseria de profundis", lamentum in fine saeculi predicts the world's downfall through the eyes of a mad man that travels through feelings like paranoia, pandemics, terrorism and other faces of Evil of the 3rd millennium.

"Forfader is an emotional and triumphantly executed epic and an album that consistently pushes the band to bolder heights. This is black metal done right, going for the throat and proving Glemsel's excellence. Forfader excels in its blazing fury."

A Vision of A Dying Embrace captures a night of spellbinding Doom Metal magic from an Anathema live show in Krakow, Poland, in 1996. 

Presented on the vinyl for the first time (with a printed inner sleeve).

Whilst still reasonably early in the career of the band, and with rhythm guitarist Vincent Cavanagh taking on vocal duties only relatively recently for the sublime ‘The Silent Enigma’ opus, the set contained a whole selection of now-established classics from Anathema’s first two studio albums and ‘Pentecost III’ EP, with epics like ‘A Dying Wish’, ‘Sleepless’, and ‘Mine is Yours’ captured in their purest and rawest form in the live setting. 

Anathema has spent the vast majority of their career making music that defies description. As part of the “Peaceville three”, along with Paradise Lost & My Dying Bride, Anathema have carved a strong legacy since their inception at the turn of the 1990s, to become a widely revered & respected band within both the metal world & beyond, as their sound & compositions progressed from doom/death metal into more rock & progressive territory with each subsequent release, becoming one of the UK’s most cherished and critically acclaimed rock bands.

Deathbell is a five-piece band from Toulouse/France, that create eerie and heavy fuzz-laden Doom. Having released their debut album With the Beyond in 2018 that garnered underground attention, Deathbell have been lying in wait, taking their time to craft and hone their new juggernaut “A Nocturnal Crossing”. Incanting her melancholic and haunting vocals, Lauren Gaynor calls through cavernous walls of funeral organ and distorted slabs of riff-witchery to shepherd “A Nocturnal Crossing” into a hypnotic otherworld. With morbid clanging trips of psychedelic rhythms and shadowy atmospheres, Deathbell’s brand of mystical Doom is both transcendent and sombre.