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Digibook CD with UV spot varnish and golden hotfoil embossing on cover, and booklet.
FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. On his third full-length, "Ok nefna tysvar Ty", the German continued to navigate straight along the course that he had set on the previous two releases. This meant a further reduction of obvious black metal elements, while adding more melodic and folkish parts. Yet musically as well as in their lyrics, FALKENBACH firmly went on to spearhead the pagan metal style that became so very popular only a few years down the road. Vratyas Vakyas starting to work with guest musicians from this album on, gave his sound more of a band feeling as well.
Digibook CD with UV spot varnish and golden hotfoil embossing on cover, and booklet.
FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. When FALKENBACH's second album " ...Magni blandinn ok megintíri..." appeared in 1998 it offered a refined, matured and more melodic continuation of the blackened pagan metal style that took influences from both Bathory and the second wave of Nordic black metal, which the German multi-instrumentalist had established two years earlier on the debut full-length " …En their medh riki fara…" (1996). " ...Magni blandinn ok megintíri..." is widely considered to be an important milestone of its genre.
Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Skirnir".
FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. With the fourth full-length, "Heralding – The Fireblade" (2005), the German released material that was originally intended for the debut album, but due to production issues got delayed and later re-worked. This meant a somewhat hybrid album that to the delight of their early fans had more of the black spirit of the legendary first full-length " …En their medh riki fara…" (1996), but also featured the matured pagan metal sound, which FALKENBACH had gained over the course of the following two albums.
Comes in digibook packaging with a gold foil logo on the front. It has a 12-page booklet inside.
Track 8: The Heralder is marked as a bonus track.
Pressed on gold / black galaxy effect heavy vinyl. Comes with a 2-page insert, an A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
The wonderfully productive Swiss atmospheric Black Metal band AARA return with urgency to unleash "Triade II: Hemera", their 4th full-length since 2019 and the second chapter of the Melmoth trilogy.
Based upon the 1820 Gothic novel 'Melmoth the Wanderer' by Charles Robert Maturin - and closely connected in style and atmosphere to 2021's initial instalment "Triade I: Eos" - each of the 6 brutally melodic tracks follows the book's chronological mid-point narrative in a dazzling critical examination of theism and scepticism through the medium of top-tier Black Metal.
Although conceptually aligned with part one of the trilogy, "Triade II: Hemera" further-advances the AARA sound into realms of progressive extremity: defined once again by the beauteous lead melodies of composer/guitarist Berg, the record combines a raw violent undertow with subtle rhythmic shifts, left-field riffs/refrains and sublimated vocal savagery - interweaving Christian choirs, the Jewish shofar horn and traditional Indian vocal samples into yet another outstanding offering from an unstoppable young band overflowing with ideas and confidence.
Comes in a 4-panel digipack with a 12-page booklet.
The wonderfully productive Swiss atmospheric Black Metal band AARA return with urgency to unleash "Triade II: Hemera", their 4th full-length since 2019 and the second chapter of the Melmoth trilogy.
Based upon the 1820 Gothic novel 'Melmoth the Wanderer' by Charles Robert Maturin - and closely connected in style and atmosphere to 2021's initial instalment "Triade I: Eos" - each of the 6 brutally melodic tracks follows the book's chronological mid-point narrative in a dazzling critical examination of theism and scepticism through the medium of top-tier Black Metal.
Although conceptually aligned with part one of the trilogy, "Triade II: Hemera" further-advances the AARA sound into realms of progressive extremity: defined once again by the beauteous lead melodies of composer/guitarist Berg, the record combines a raw violent undertow with subtle rhythmic shifts, left-field riffs/refrains and sublimated vocal savagery - interweaving Christian choirs, the Jewish shofar horn and traditional Indian vocal samples into yet another outstanding offering from an unstoppable young band overflowing with ideas and confidence.
Pressed on blood red w/ black spinner effect heavy vinyl. Side B contains no music but features a white screen print. Comes with a 2-page 12"x12" insert and a download card.
"All Christianity Ends" is a brutally-focused reminder that while the infamous Finnish Black/Death Metal legends continue to evolve, develop and even 'refine' their hellish sound over recent full-lengths, the elemental building blocks of classic ARCHGOAT remain sequenced in their DNA.
An essential companion piece to "Worship the Eternal Darkness" and a natural continuation of 1993's "Angelcunt" EP, Ritual Butcherer (guitars/composition) and Lord Angelslayer (bass/vocals) here vomit forth with the magickal energy, raw guttural power and bowel-churning savagery to which we've become accustomed since the band’s 1989 formation.
4 bludgeoning, inimitable new tracks to reaffirm that oldest adage: you can never have enough ARCHGOAT.
E-L-R's sophomore full-length "Vexier" oscillates elegantly between velvet darkness and flaring bursts of high energy. The style of the Swiss has been dubbed 'doomgaze' and 'post-metal' and both terms apply loosely to the trio's meandering, down-tempo doom-epics. E-L-R's hypnotic phrases that are constantly varied and warped in repeating loops are reminiscent of shamanic rituals imbued with psychedelic colours. The trio weaves a subtle tapestry with diligence and persistence that depicts a labyrinth full of intricate details and hidden treasures.
