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Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.
OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
Special preorder promo price! After 15/10 price will be increased and set to 22.00€
After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).
The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.
Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.
By command of the Hermetic Order of Ytene, "Nova Nativitas Mundi" is a majestic, soaring and Diabolical Black Metal space opera in 3 acts. In Act 1 the listener follows the journey of the royal alchemist, Myrddin, as he is appointed his holy mission to, one way or another, set the ball rolling on the formation of a new Galactic Imperium in the name of the king. The King has long viewed the distant astral bodies as a means to connect with divinity, and now after communion with what he perceives to be Jesus Christ, he sees it as his destiny to reach them and become a godlike figure himself. In Act 1 Myrddin develops his unholy formula to propel man to the stars and reach the neutron star that the king perceives to be his portal to divinity. In Act 2 the listener follows Myrddin and his crew to the stars, where they reach the neutron star to find only that it is no such thing. The crew is sucked into a wormhole and greeted not by divinity, but by Satan himself. It was he that visited the king that fateful night, A diabolical trick by the prince of darkness to tempt the once holy men into the construction of a new Galactic Imperium, but not in the name of a divine god king, but in the name of dark and powerful entities. In Act 3 the listener follows the crew as they undergo this iniquitous task, by first constructing a cosmic temple to Satan, where worship and sacrifice will replace life on earth with the rule of galactic satanic worship and eventually the formation of the final Galactic Imperium.
High Roller Records, 2nd pressing, transparent ultra clear vinyl, ltd 200, 4 page insert, poster, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and handlettering by Alexander von Wieding.
High Roller Records, booklet, slipcase, poster, mastered by Patrick W. Engel at TEMPLE OF DISHARMONY
Whilst admiration of the US American masters is unquestionable, Ageless Summoning display a jaw-dropping level of originality in their approach to the sub-genre. “Our goal has never been to just imitate what has come before, but we’re not trying to hide our influences either. We include plenty of deliberate references, but we’re also trying to develop our sound and continue the exploration of vast and desolate otherworlds.”
Featuring members of such long-running U.K. acts as Of Spire & Throne, Haar, Úir, Scordatura, and Abyssal, the band has several combined decades of desecration under their belts. Wrapped in one of the most stunning and sinister Paolo Girardi artworks in recent memory, Corrupting The Entempled Plane is not to be missed.
Compilation of both demos, vinyl coming later in conspiracy with URTOD VOID.
All demonstration material recorded at the Apocalyptic Sunrise Family Bunker in Philadelphia Pennsylvania.
Black Vinyl, gatefold
By now, GRAFVITNIR require no introduction. Since their fiery birth in 2007 and successive NâHásh debut album in 2009, this still-mysterious Swedish formation have dependably - and provocatively - stoked the fires of ancient black metal, becoming veritable royalty by the end of the decade. From that fiery beginning, GRAFVITNIR's aesthetic has been firm and unyielding: exquisitely and restlessly melodic, its sulfurous fire paradoxically as cryogenic as it comes, medieval in atmosphere and literally bewitching in feel and fury. To suggest that the band harken back to a time when Dissection sired countless clones - but, crucially, each one of them as satisfying and significant as the next - is to underline the gravitas of GRAFVITNIR's particular vision of black metal: a steadfast and enduring classicism that's timeless then, now, and forever into the future.
And so it goes with GRAFVITNIR's ninth album, Into the Outer Wilderness. No compromise, no quarter: this is GRAFVITNIR further distilled into 43 minutes of menace and majesty. But the title Into the Outer Wilderness is telling, as the duo here evoke that sensation of plunging into a clandestine world of witchcraft and sacred rites, spun into a delirium through somehow shimmering and even sparkling melodicism. And yet, for however organic their productions have always sounded - rough and raw, sure, but most importantly, human - there's conspicuously more grit here on Into the Outer Wilderness as well as clarity, making for a unique entry into GRAFVITNIR's nigh-untouchable catalog. Elsewhere, it's righteously ripping songwriting as only these Swedes can deliver, entrancing and enervating as ever; there is only one GRAFVITNIR then, now, and especially forever. Venture forth Into the Outer Wilderness!
