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Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.

Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.

Diabolical Masquerade was the solo-project created by Katatonia's Anders 'Blakkheim' Nyström in 1996, to let off more creative steam away from the gothic/doom metal styling of Katatonia. 

Nightwork, DM's third album, was recorded at The Sanctuary in April 1998 and produced by Dan Swan (Opeth, Katatonia) with Blakkheim.

Although a solo-project, Blakkheim enlisted the help of Dan Swan to perform the drums, as well as contributing with some keyboards and backing vocals.

Diabolical Masquerade was based primarily around symphonic/melodic black metal; creating eerie atmospheres through keyboards and utilizing more high energy & technical compositions than those of his main band, with complex patterns of riffs and hooks. This particular album saw a greater integration of synths than previously, to convey a strong horror theme. To further expand this atmosphere, cello and flute were also incorporated.

The second studio opus of meticulously crafted epic Black Metal from Katatonia's Anders ‘Blackheim’ Nyström. 

Released in 1997, The Phantom Lodge was the second of four albums from this symphonic extreme Metal solo-project (before the band was ended in September 2004).

Diabolical Masquerade was based primarily around symphonic/melodic Black Metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia, with cold, dark riffs with a firm emphasis on mood, given life with strong fantasy-based lyrics.

The Phantom Lodge was a natural progression from debut album Ravendusk In My Heart; delving further into the realm of experimentation and atmospherics. 

The album was recorded at Unisound, September 1996 and was produced and mixed by Dan Swano (Opeth, Marduk, Dissection) and Blackheim.

The infamous MAYHEM return this year with an EP called “Atavistic Black Disorder / Kommando” that presents the band in a way that has never been heared before! The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways. For this goal, cover versions of bands like Discharge, Dead Kennedys, Rudimentary Peni and Ramones were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkenened sound. Nevertheless, MAYHEM would not be MAYHEM, if this musical creation would do without own composed songs. In addition to named cover versions, a brand new track called “Voces Ab Alta” was recorded to continue the musical journey alongside previously released tracks “Black Glass Communion” and “Everlasting Dying Flame”, which were used as bonus tracks for the 2019 album “Daemon”. The EP comes as a 180g LP format which features a two-sided cover artwork and two-page insert, as well as a Ltd. CD Digipak with sleeve and 12-page booklet.

 Originally released on April 14th, 2014, IMPALED NAZARENE 12th studio album VIGOROUS AND LIBERATING DEATH is now re-issue properly. Recorded at City Lights and S/Mental studios, mixed at Studio Fungus by Max Kostermaa who also did the band's previous album Road To The Octagon.

Vigorous And Liberating Death continues the band´s brutal legacy, featuring 13 brand new songs.

Cover artwork was done by Impaled Nazarene´s former bass player Taneli Jarva (who is known as a tattoo artist). Vigorous And Liberating Death was mastered at Finnvox Studio by Mika Jussila (Nightwish, Children Of Bodom).

Reprint, 200 x grimace purple 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, download card, A1 poster full-color on 150g art paper, gatefold jacket full-color on 350g, all assembled in a PVC overbag.

Dormant for over a decade, Beyond Man has been awakened like an ancient curse from an old and sandy burial ground. In an epoch of records in which resounds the dull embellished atmosphere of a cozy bedroom, Beyond Man‘s self-titled album smells of old amplifiers drenched in rotten blood, ash and whisky, the reek of a cave I dare you to enter, where the frustrations of a group of Satanic cowboys take sonic form together with their zealot visions and nightmares, veiled by a truly ferocious and sinister aura.

Call it black metal if you wish, or envision Morbid Angel sitting down with Black Sabbath and listening to Norwegian black metal while sharing a bottle of red wine followed by straight shots of heavy smoked whisky.

Nidrosian Black Metal at its very finest, straight from the source with MARE, ONE TAIL ONE HEAD etc. members

Dormant for over a decade, Beyond Man has been awakened like an ancient curse from an old and sandy burial ground. In an epoch of records in which resounds the dull embellished atmosphere of a cozy bedroom, Beyond Man‘s self-titled album smells of old amplifiers drenched in rotten blood, ash and whisky, the reek of a cave I dare you to enter, where the frustrations of a group of Satanic cowboys take sonic form together with their zealot visions and nightmares, veiled by a truly ferocious and sinister aura.

Call it black metal if you wish, or envision Morbid Angel sitting down with Black Sabbath and listening to Norwegian black metal while sharing a bottle of red wine followed by straight shots of heavy smoked whisky.

Nidrosian Black Metal at its very finest, straight from the source with MARE, ONE TAIL ONE HEAD etc. members