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Acrostichon is one of the earliest and still existing death metals band from The Netherlands. Acrostichon was formed in August 1989 when Jos (guitar), Richard (guitar) and Corinne (vocals / bass) finally found a suitable drummer. March 1990 they recorded their debut demo. In early 1991 Acrostichon entered RS29 to record the “Dehumanized” demo. It proved to be the final breakthrough in the underground death metal scene worldwide. More than 1000 copies were sold. Songs of the demo were featured on the “Where is your god now” LP published by D.S.F.A. records and they released a 7? e.p. on Seraphic Decay Records (The “Lost Remembrance”). Several labels showed interest in signing the band. The songs “Relics” was recorded to be featured on the “Peaveville Volume 4? sampler. Acrostichon signed a contract for an album with the French Modern Primitive Records. In March 1992 they recorded their debut album, called “Engraved in Black”, with producer Colin Richardson.
Their live album ‘Return to Killburg’ was recorded live at 013, Tilburg, The Netherlands on October the 4th 2009. The album contains an overview of the bands best and most successful tracks,12 in total. Live mix, editing and mastering by Robin Cornelissen (Pentacle, Dead End, Morthra). The booklet and inlays contain several outstanding special made artworks from guitar player Richard (Master, Massacre, Napalm Death).

Malevolent Creation is formed in Buffalo, New York in 1987. The original members were vocalist Brett Hoffmann, guitarists Phil Fasciana and Jim Nickles, bassist Jason Blachowicz, and drummer Dennis Kubas. The band moved to Florida a year after it formed And easily emergent in local death metal scene. In 1990 they signed a deal with Roadrunner Records. Their debut album ‘The Ten Commandments’ is widely considered as a death metal mile stone. Cover artwork for this complete demo discography is made by Thomas Pinheiro (Possessed, Lobotomy, Defiance). All tracks are remastered at Suncord Audiolab (Varathron, Celestial Season, Sacramentum). Booklet design by RaDesign (Reverend, Heir Apparent, Sacramentum, Lord Belial). Extensive liner notes by Christopher Dick (Decibel Magazine). Disk I contains the 3 tracks demo 1987, demo 1989, their ground-breaking demo 1990 (recorded at Morrisound Recording, Tampa, Florida (Death Cannibal Corpse, Deicide) and finally 5 live tracks recorded at The Thrash Can, Miami, Florida, September 1990. Disk II contains the 8 tracks official live demo 1989 and their 5 tracks Live ep 1993. Personnel over the years featuring on this double CD are besides core-members Phil Fasciana (Guitars) and Brett Hoffmann (Vocals) for example Lee Harrison (Monstrosity, Terrorizer) on drums, Alex Marquez (Solstice, Demolition Hammer) and Mark van Erp (Cynic, Monstrosity, Solstice).

"Bardo Exist was written and produced by NHV Beherit in 2019-2020. This album was mixed and mastered by Joona Lukala / Noise For Fiction in May 2020. Drawings by Stan Dark Art ("This art series was inspired by Beherit darkness and band dedicated"). 

6-panel digipak. 

"Bardo Exist was written and produced by NHV Beherit in 2019-2020. This album was mixed and mastered by Joona Lukala / Noise For Fiction in May 2020. Drawings by Stan Dark Art ("This art series was inspired by Beherit darkness and band dedicated"). 

2020 CD reissue!

No rest for one of Britain’s most melancholic exports: Just half a year after MY DYING BRIDE returned from their break with their haunting and successful masterpiece »The Ghost Of Orion«, the sons of Halifax raise the curtains to the »Macabre Cabaret«.

The new EP of the band offers three new songs – dark luscious Death Doom ear candies that will dive their victim into a sensual world of darkness and temptation and conceal the borders between sweet pain and destructive illusion.

ubbling up from the oozing sewers of Toronto like a bizarre insectoid of mutant genotype, Tomb Mold reanimates with their second album, and first for 20 Buck Spin, Manor Of Infinite Forms. Constructing monumental towers of obscure shape, jarring yet coherent, this band’s compositions evoke a distorted world alongside this one, where all manner of oddity and peculiarity are permitted. Songs on this album move in strange ways, recklessly contorting into cohesion until suddenly they’re proceeding with a force and purpose in perfect synchronicity to the universe that contains them. Disharmoniously melding the pulverizing heaviness of Finnish death metal with a never overbearing technicality, Tomb Mold careen through world after world of alien landscape with formidable singularity. Tracked in Toronto, this then landed in the hands of Arthur Rizk (Power Trip, Pissgrave, Code Orange) to achieve its organically huge mix. A remarkable puzzle of an album, Manor Of Infinite Forms constitutes a creative high point for 2018’s many strong death metal releases.

B3 Silver / Kelly Green Merge

Storming out of the frozen North, Minnesota’s Obsequiae released their debut album Suspended in the Brume of Eos on CD in 2011 via Bindrune Recordings. Obsequiae crafts meticulous, beautifully harmonic odes to times now passed into legend, conjuring images of a medieval Europe upon which modern life has yet to infringe. The album harkens back to the pre-wimp-out melodic Scandinavian death metal of the mid 1990s; dark, aggressive, conscious of songcraft foremost and unintimidated by complexity. The band’s deep knowledge of European traditional music and instrumentation is evident throughout, particularly in the ornate, colorful interludes that tie the album together like tapestries in a ruined castle. Had John Renbourn started a project with Quorthon, something like Obsequiae might be the result. As the album remains a favorite at 20 Buck Spin HQ and had yet to surface on vinyl, the label offered to release this one-of-a-kind work on the greatest audio format for the first time. Repackaged with new artwork, the LP reintroduces Obsequiae in advance of the band’s much-anticipated second album, which will surface on 20 Buck Spin later in 2014. Live performances are planned for later in the year.

Baby Pink/Black Merge

With the release of Cosmovore in 2018, Ulthar presented a twisted warped dystopia where furiously paced, inverted death metal and scathing, angular blackness defined a new way forward. Now the band returns with the grotesquely intangible Providence, whereby they stretch the fabric of previously trod worlds into idiosyncratic new forms and elevated levels of primal intellect. The unyielding Ulthar attack doubles down here with figures becoming more sickening and shapes more savage. An immensity like spiraling, ancient monoliths too tall to comprehend and bending inward upon themselves envelops adherents to this realm. Duly diabolic voices guide this odyssey through the incongruous caverns of absurdity, obscure texts and manifold vitriol. Released at a time where the world has devolved into a surrealistic nightmare of viral trepidation and encased solitude, Ulthar’s Providence becomes a prescient view into the strange paradoxes that only months ago seemed unbelievable but now all too possible. Where horizons cease, where grace is dead, where nothing lives, so be it amen.

Exclusive CD version limited to 1000 copies packed in:
-cd mini gatefold, printed on uncoated paper
-printed inner sleeve on uncoated paper
-4 page booklet with lyrics

Keeping consistent with the strident foundation laid forth by their debut EP, LIFVSLEDA’s Det Besegrade Lifvet features nine tracks of wild, raw, and absolutely brilliant black metal in the vein of the early Nordic scene. Once again partly recorded out in the woods, in uttermost isolation, during the ongoing plague, you can truly feel the atmosphere of this album, and the stench of something old and rotten that has been dug up and resurrected. And despite it being the band's debut album, Det Besegrade Lifvet evinces an ancient wisdom, an archaic splendor wrought from turbulence and times of conflict.