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With their new EP "Til Nord" (Eng.: "Northward") legendary Norwegian folk rockers Gåte achieve a stunning transformation. The band from Trøndelag, the area surrounding the ancient harbour city of Trondheim, is delivering an emotive, epic collection of tracks revisiting some of their own classics and adding a new track as a taste of great things to come.
What Gåte have done to their songs is both breathtakingly bold and amazing to hear. The first single and opening track 'Kjærleik' is the perfect example of how they have reimagined their sound. Taking away keyboards, electric guitar, and rock drumming, Gåte have added an archaic percussion style and used acoustic instrumentation. Gunnhild Sundli, has stripped some of the technical complexity from her singing style and placed emphasis upon folk attitude and expression. In stylistic terms, we see a shift from their energetic folk rock to a darker, more down to earth, Norse-atmospheric folk expression.
Gåte were founded in 1999 by violin player and keyboardist Sveinung Sundli, recruiting his sister Gunnhild as singer. Sveinung's violin and Gunnhild’s folk song technique “kveding” brought to the sound a firm base in traditional music, which was complemented and contrasted by modern bass, drums, and electric guitars. The resulting folk rock blows both minds and ears!
CD in Jewel case with 12-page booklet.
Founded in Czestochowa, Poland in one night in 2015 by Hellscythe and Draugr, dark black metal band MISANTHUR begun to take form.Inspired by metal and non-metal genres, MISANTHUR merge trance percussion, earthbreaking bass, crushing guitars and hellish vocals with (post)apocalyptic ambient landscapes and noise to create its own ouvre and paint the stories and scenery of mundane spiritual wasteland.
This is metal at its darkest.
For fans of REGARDE LES HOMMES TOMBER, GAEREA, WHITE WARD, THE RUINS OF BEVERAST.
With 2012's "Aeons Black" standing as one of the defining death metal albums of the twenty-first century it has been a long wait for the follow up. In 2021, Sweden's Aeon finally return with its successor, "God Ends Here", and in doing so only up the ante with a record that is bigger, harder and stronger in every way. "I wasn't feeling any pressure after such a gap, we don't do shit half assed and I feel like this is our strongest album yet," states guitarist Zeb Nilsson. A darker, even more epic collection, it is everything an Aeon fan could want with a few surprises in store, pushing the genre in new directions and once again asserting that they are one of the most important bands in extreme metal.
CD - 6 Pannel Digipack (Limited to 1.500 copies)
Reprint, 400x heavyweight 3-color-smoke marble (crystal clear/swamp green/black) 12" (180g) in a black poly-lined innersleeve, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Reprint, 800x oriole - orange with black marble 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, full color poster A2, all assembled in a plastic overbag.
Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL's second album, Vobiscum Satanas, consolidated the strengths of the band's classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.
At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Vobiscum Satanas will faithfully reproduce the original,
Reprint, 400x sea blue with white splatter 12" (180g) in a black poly-lined innerbag, poster 60x60mm, gatefold jacket with black flood inside, 350g, all assembled in a pvc overbag.
Info : Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL's second album, Vobiscum Satanas, consolidated the strengths of the band's classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.
Originally released in early 1996 on the pivotal No Fashion label, DARK FUNERAL's debut album,The Secrets of the Black Arts, was an incredibly powerful first full-length statement. From its iconic cover art on down to the sharp, powerful production by Peter Tägtren at Abyss Studios, it could be easily argued thatThe Secrets of the Black Arts was THE defining record of '96, when black metal was climbing out of its sensational days and etching a new language into the wider metal landscape. DARK FUNERAL were there, armed with an arsenal that was shockingly fast yet still exceptionally memorable. Even with all that blastbeaten aggression, there still existed a wealth of atmosphere to the album, proving that the band were no one-trick ponies.
At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version ofThe Secrets of the Black Arts will come with an entire bonus CD disc including the earlier version of the album recorded with Dan Swanö at Unisound in 1995.
100 copies limited, comes in a blend of dark grey/black and blue vinyl colors: this is a computer generated mock-up, final color may vary
Lys is the mastermind of Enisum, the well-known Italian atmospheric black metal band. After focusing on his main band for over a decade, the time came for the musician from Val di Susa to temporarily focus on something different. Here comes Silent Woods, Lys first solo album, a mélange of atmospheric black metal, acoustic music, nature, landscapes, mountains, rivers and forests.
Similar to yet different from his main musical endeavours, Silent Woods shows a varied sound palette, with the usual Enisum references (Agalloch, Wolves In The Throne Room and the Pacific Northwestern scene) and some twists. Acoustic guitars and clean vocals find their way in, and so do more extreme elements, such as gurgling screams and hypnotic, circular guitar riffs with clear depressive black metal references (Xasthur, Leviathan and the likes).
Come join Lys in his new venture through the woods of Northwestern Italy. Avantgarde Music will take you to the Alps on October 29th.