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Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel.
Reprint, 300x citrus 12" (180g) in a black poly-lined innerbag, BOOKLET: 16pp., full-color on 180g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.
Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late '90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.
Pandemonium of Egregores, the new opus of MUTIILATION, slightly more melodic than its predecessor, will take you on a journey to the borders of death.
From rural curses to urban hell, four dark pieces depict Meyhnach's universe and his vision of the world
Pandemonium of Egregores, the new opus of MUTIILATION, slightly more melodic than its predecessor, will take you on a journey to the borders of death.
From rural curses to urban hell, four dark pieces depict Meyhnach's universe and his vision of the world
Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late '90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.
