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Forged in São Paulo in 2015, Outlaw was born as a savage roar from the innermost depths of rebellion. A flame long silenced by the fear of men. What began in the heart of Brazil soon transcended its birthplace, relocating to Dresden, Germany, where the band sharpened its craft into a weapon of uncompromising black metal.

Over the past decade, Outlaw has released three full-length albums and one EP, each step a deeper descent into their own path. Their music is steeped in darkness, yet illuminated by a relentless drive to transcend the mundane, channeling fury, devotion, and death into soundscapes that are as violent as they are cathartic.

With the upcoming album Opus Mortis, Outlaw opens a new chapter. It stands as their most ambitious and destructive work to date. An offering that embodies the essence of the band: raw, visionary, and unbound.

‘Ethos’ will be following the critically acclaimed 'Marter,' and stands as a testament to the vibrant dynamics within the German Black Metal Scene.

The album will feature guest performances from J.J. (Harakiri forthe Sky, Karg) and L.G. (Ellende).

Expect to be immersed in a world where melody and chaos collide, where unapologetic riffing and haunting melodies guide you through the shadows of the human condition.

The 35th Anniversary Edition will be released in November 2025 as a marbled LP reissue.

Welcome to Part II. This was a project dear to my heart. While our main musical outlet is still black metal, all of us are listening to a lot of different genres and I am always fascinated by the emotional impact other forms of music can have on my soul. This is an experiment. To walk outside of the known paths, to search for other means of expression and to look at our songs of “Knochengesänge” from a different angle. We tried to tear everything down to its basic core and to create something new and different from the ruins of these songs. Every tune on this record has its root in Part I, but at least for some of it the ruins were reformed into something completely different. The idea and the feeling at its core are still the same, but the result hopefully gives you a different perspective. We know this record is a challenge. To you, the listeners. But it also was a challenge for us.

Waldgeflüster: Atmospheric. Powerful. Matured.
With powerful riffs and a unique soundscape, paired with intense lyrics, Waldgeflüster has always created an unmistakable closeness to nature and emotion. Matured over the years and after four years of work, a new double album is now available: “Knochengesänge” and “Knochengesänge II”, which is dedicated to the carousel of thoughts on the subject of mortality and legacy. Born from the same DNA and fragments, the two parts take different paths in how they present themselves. Detail-loving and densely composed, Waldgeflüster captivates listeners musically and intellectually, offering the chance to experience the same pieces in different variants — deep, emotional, and powerful.

Digipak with 16 pages booklet.

Forged in São Paulo in 2015, Outlaw was born as a savage roar from the innermost depths of rebellion. A flame long silenced by the fear of men. What began in the heart of Brazil soon transcended its birthplace, relocating to Dresden, Germany, where the band sharpened its craft into a weapon of uncompromising black metal.

Over the past decade, Outlaw has released three full-length albums and one EP, each step a deeper descent into their own path. Their music is steeped in darkness, yet illuminated by a relentless drive to transcend the mundane, channeling fury, devotion, and death into soundscapes that are as violent as they are cathartic.

With the upcoming album Opus Mortis, Outlaw opens a new chapter. It stands as their most ambitious and destructive work to date. An offering that embodies the essence of the band: raw, visionary, and unbound.

B's legacy and the most extreme swansong of 2011

Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.

Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)

gatefold jacket, inside colored

black poly-innersleeves

dinA2 poster

plastic protection sleeve

large booklet wth lyrics, impressions and info

Gold Vinyl

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".