CD

Originally released in 2017 and out of print for many years, NONE's selftitled debut quickly left a mark upon dsbm listeners and was the beginning of a run of consistent high-quality releases culminating in the final album "Inevitable". From the opening notes of NONE's debut, a chilling and despondent atmosphere enveloped the listener weaving piercing guitars with haunting synth pads and minimalist melodies

The fourth and final pressing of NONE's selftitled album is now available, released for the first time alongside unreleased reimaginings of the first two songs that became NONE

With Hesperia, his second album, Kval delivers a more intimate piece — without compromising the universal scope of his vision.

In conversation with figures such as Ernst Jünger, Hermann Hesse, Jean Cau, and David Engels, the album is a love letter to his continent of origin: Europe, which he chooses to rename Hesperia, as the Ancients once did.

This record celebrates the primal magic of European paganism alongside the beauty and truth of Christianity. It strives for a reconciliation between these two foundational poles of European identity — an immersion into its light, its grandeur, and its melancholy. From the anti-modern epic Waldgänger to the mystical stillness of Lux Meae, Morte France delivers a more luminous record here — one marked by hope and vital impulse, without ever renouncing the project’s original radicalism.

OFFICIALL REISSUE

OFFICIAL REISSUE

REISSUE 

Darkness, contemplation, and annihilation.
Prison of Mirrors return with their new mini-album, De Sepulchris Occultis et Igne Profanationis — an offering that sinks its hands into the filth of the sacred and corrupts it with its own blasphemous flame.
A work that is bleak, profound, suffocating, and all-encompassing: a sonic ritual that grants no respite and, like a slow-acting poison, will wound its listeners, consuming both mind and senses. 

The new compositions move along the same desolate lines traced by the darkest Blut Aus Nord and Akhlys

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.