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Selling CD - Extreme Metal and Dark music
Originally released in 1992, Sacrilegium stands among the most ambitious and enigmatic works in Devil Doll’s celebrated discography.
Blending orchestral grandeur, progressive rock, dark ambient passages, and theatrical storytelling, the album showcases the singular artistic vision of Mr. Doctor and his collective.
Revered for its complexity, atmosphere, and cinematic scope, Sacrilegium remains a cornerstone of the avant-garde underground. Presented here in a newly remastered edition, this definitive reissue features meticulously restored artwork, enhanced audio quality, and premium production throughout, offering collectors and listeners the finest presentation of this cult masterpiece.
180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and a professionally printed thick INSERTwith UV SPOT.
6 panel digipak CD with reverse cardboard.
Originally released in 1996, Dies Irae represents one of the most refined and captivating expressions of Devil Doll’s artistic legacy.
Seamlessly merging progressive rock, classical influences, dark atmospheres, and dramatic narrative elements, the album unfolds as a singular and deeply immersive listening experience. Celebrated for its intricate arrangements and haunting emotional intensity, Dies Irae has earned a lasting reputation among devotees of experimental and avant-garde music.
This newly remastered edition enhances the depth and clarity of the original recording while faithfully preserving its unique character.
Complemented by carefully restored artwork and high-quality production, this reissue presents the album in its most complete form to date.
180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and a professionally printed thick INSERTwith UV SPOT.
6 panel digipak CD with reverse cardboard.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
For almost four decades, MZ.412 have forged some of the most uncompromising ritual industrial and dark ambient soundscapes the world has ever known.
"The Nar Mattaru Curses" gathers obscure recordings from their whole career including previously unreleased or buried tracks, recorded between 1989 and 2017 in the legendary Nar Mattaru studio. Raw hymns of apocalyptic industrialism, occult malevolence, and crushing sonic sorcery that never made the original albums.
An essential transmission for devotees of black industrial and dark ambient music.
CD in matt digipak, with artwork by Abby Helasdottir.
Fast majestic black metal from Italy
Info : Forged in the underground of Romania, RUYNED unleash their most ferocious and unrelenting material, Profanum Sacrificium, a blasphemous speed metal assault infused with elements of black, thrash, heavy metal.
The Intro sets the calm before the storm. From the ripping assault of “Speedchain” to the depraved madness of "Sex'N Speed" and “Sex Commander 666”, going through the sinister tale of “Vampire of Düsseldorf” inspired by Peter Kürten, RUYNED channel raw violence and decadence in its purest form.
From “Daemonium Ritualis” onward, the record descends into a dark conceptual journey through the European witch hunts of the 15th–17th centuries. Through Profanum Sacrificium, Malleus Maleficarum and Witches Gallow, the band conjures a world of fire, mysticism and ritual death.
The closing Outro retells this tale as a melody sung by a bard at a royal banquet.
Fast. Raw. Rabid. Merciless. Total speed metal violence.
Legatum Mortuorum, the second full-length from Desiccation, confronts death, grief, and oppression through relentless riffs and haunting atmosphere.
Hailing from Nevada City and Sacramento, California, Desiccation was formed in 2022 by husband and wife team of James (Guitars, Vocals, Synths) and Soell Bratt (Vocals), along with Patrick Hills (Drums, Bass, Synths, Background Vocals). The band combines a unique mix of Doom, Death, Black, and Post-Metal to portray a bleak world in which shards of hope glimmer amid the wasted aftermath of collapsing nations and burning ecosystems.
Inspired by the absorbing sounds of bands like Emperor, Evoken, and Blut Aus Nord, Desiccation builds on their 2022 debut, Cold Dead Earth, adding deeper layers of synth over more aggressive Black / Death riffing. Familiar elements of emotive melody and Sludgy Death-Doom are strengthened by a solid Extreme Metal backbone. The band blends non-dual elements: blasting drums and tremolo-picked guitars give way to spacious, slow riffs and sprawling synths. Lyrically, themes of loss and grief are intertwined with moments of transcendence and connection. Aggression and beauty, hope and hopelessness, are woven together to translate inner experience into the outer world. With Legatum Mortuorum, Desiccation focuses on Doom-driven weight and patience emphasizing space, and repetition; atmospheric extremity that is rooted in Black and Death Metal. Ritual, grief, and transcendence expressed through layered sonic atmospheres.
Rahaty is the alter ego of Belarusian raw black metal tomb-walker Pa Vesh En, here wielding the unholy hellfires of death metal's most deranged and enigmatic frontier. Convergent evolution through common origin and a shared creative reclusiveness, have ensured the preservation of Pa Vesh En's familiar sonic septic fog, but far more violent intents have ensured the gruesome rise of Rahaty through unceremonious realms of brutality. Here proclaimed is thus an unholy conquest within death metal's most pestilent drift, disgorged from beyond the shreds of sanity. Putrid atmospheres drenched in sickness. Downpours of death-reeking riffs collapsing into mangled, deformed aberrations. A tectonic rhythm section rupturing into seismic deflagrations, and a bestial vocal regurgitation retching obscenities through the disemboweled carcass of oblivion. Where Drawn and Quartered, Profanatica, and Imprecation had already established a violent frontier for death metal's most vile instincts, Rahaty extends that wretched shadow further, tracing the ghastly lineaments of death metal's most violent and deranged deviations.
