CD

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

"Esoterik" finds Jason Köhnen's BONG-RA continuing the alchemical evolution that has defined his most adventurous work. A spiritual successor to 2025's "Black Noise", the record delves deeper into the shadows and luminescence of the occult, expanding the ritualistic atmospheres explored on "Antediluvian" (2018) and "Meditations" (2022) while forging a harsher, more industrial sonic architecture.

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

The Minneapolis' full heaviness purveyors Nothingness are finally back with their sophomore album!
Crushing, extreme, dissonant, atmospheric and genre bending Death Metal, a cauldronous mix by naturally blending multiple extreme styles together with respect for the history of metal. Enjoy a journey filled with riffs for days!

Formed in Minnesota in Late 2018 by Alex Walstad and Barclay Olson, Nothingness would fill out its line up and self-release their first record “The Hollow Gaze of Death” in 2019. That debut record was rereleased by Memento Mori on CD, and Barbaric Brutality on tape in following years. Now Nothingness has teamed up with Everlasting Spew for their second full length “Supraliminal”.

For fans of Gorguts, Gojira, Morbid Angel, Iniquity.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.

The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.

Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth