CD

From the depths of the Finnish underground rises the ancient darkness of Vordven: the 2001 EP (Woodland Passage) and the cult 1997 demo (When The Wind Blew For The First Time) united in a single haunting release.
Raw, atmospheric and deeply rooted in the melancholic essence of the Northern underground.

Six panel Digipak Cd edition limited to 300 copies.

Official reissue of VORDVEN's full length album "Towards The Frozen Stream", originally released in 1999.
A majestic journey through frostbitten melodies, ancient atmospheres, and the raw spirit of nature. An album where melancholy and power flow together like an endless frozen river.
Available in a six panel digipak edition limited to 500 copies.

Release Date: May 22, 2026

HAVOHEJ is the solo project of Paul Ledney, formed in 1993 after the split of Profanatica the previous year. Former Profanatica and Incantation member Brett Makowski assisted with guitars and bass on the first album, "Dethrone The Son Of God", which consists mainly of re-worked and re-recorded Profanatica tracks. This is the essence of evil and blackness with each and every sinister guitar riff, complimented by a signature vocal style that truly embodies the meaning of true Unholy Black Metal.

Released in a limited six-panel Digipak Cd edition.

Formed in the crucible of 2023, Finland's RITUALHAMMER emerge as a formidable force, drawing members from the legacies of Riivaus, Sacrificium Carmen, Mörbid Vomit, Licht Des Urteils, Coraxul, and Wömit Angel among others. While the majority of these members' background centers around black metal, their sound here in RITUALHAMMER is squarely within the most barbaric, violent expressions of death metal. In fact, their self-applied handle is APOCALYPTIC EVIL METAL.

And such is exactly what you'll be confronted with on RITUALHAMMER's debut album, Grand Pestilential Flame, now finding physical release courtesy of WEREWOLF. Reminding of many and no one, this nine-song / 28-minute statement of ripping, south-of-Heaven death metal begins its assault with no warning nor with no quarter given. Both frantic and finessed, RITUALHAMMER here tempt the corners of chaos with their churning angularity, but their just-tight-enough execution exudes all-too-tangible physicality that's a fist in the face of over-processed / punched-in "death metal." Likewise, their songwriting retains just enough linearity to latch onto and then many a diabolical construct is rubbed raw and rudely spat out, altogether making Grand Pestilential Flame a throwback to the ancient underground. As such, this band and record are highly recommended for maniacs of Order From Chaos, VOMITOR, Peru's Mortem, Germany's Desaster, and even earliest Deicide.

MOONSPELL return via Napalm Records with Far From God, a record born out of five years of creative searching, doubt and ultimate rediscovery. Far from playing it safe, the Portuguese pioneers deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, MOONSPELL double down on identity and substance. Far From God is a bold and beautiful statement of Gothic Metal in its purest form: dark, romantic, dramatic and unapologetically heavy.
The first single and album title track, “Far From God”, sets the album’s tone with burning intensity. A hymn to tragic vampiric love, the song revives the mystique and romantic darkness that once defined the genre, while layered keyboards subtly expand the atmosphere without softening its heaviness. Dense guitars, deep resonant vocals and dramatic dynamic shifts evoke a timeless gothic aesthetic, restoring danger and elegance to the narrative of the vampire.
Songs such as “Cross Your Heart” reveal a more affirmative side of the album, built on brooding melodic motifs and grounded, deliberate riff work that balances restraint and impact. Echoing the spirit of the band’s past while embracing a modern, shadowed edge, the song reflects on roadside shrines and lives lost too soon; the steady forward drive of the rhythm section mirrors the endless motion of the road itself. Fernando Ribeiro’s unmistakable and singular vocal presence, moving between low gravitas and restrained intensity, reinforces the song’s emotional weight without excess.
With “The Great Wolf in the Sky” feat. Alicia Nuhro (strings), MOONSPELL deliver one of the album’s most epic moments, structured around expansive keyboard themes, harmonized guitar lines and a chorus built for collective resonance. Melancholic yet powerful, the track stands as a tribute to wolves who once walked alongside the band and to a fan and friend who passed before hearing the album, bridging MOONSPELL’s past, present and future in one sweeping, dignified anthem.
Thematically, Far From God moves through Baudelairian love, existential guilt and redemption, Christlike resurrections and the quiet nobility of creatures of the night. Vampires, werewolves and sacred symbolism are not escapism here, but vehicles for genuine dark emotion: solemn, romantic and unfiltered. The album rejects artificial gloss in favour of fantasy grounded in sincerity, rediscovering the heart of Gothic Metal in its most authentic form.
MOONSPELL’s forthcoming magnum opus – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL’s classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL’s Irreligious of the 21st century. It’s not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that will truly save Gothic Metal from boredom and predictability!

MOONSPELL return via Napalm Records with Far From God, a record born out of five years of creative searching, doubt and ultimate rediscovery. Far from playing it safe, the Portuguese pioneers deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, MOONSPELL double down on identity and substance. Far From God is a bold and beautiful statement of Gothic Metal in its purest form: dark, romantic, dramatic and unapologetically heavy.
The first single and album title track, “Far From God”, sets the album’s tone with burning intensity. A hymn to tragic vampiric love, the song revives the mystique and romantic darkness that once defined the genre, while layered keyboards subtly expand the atmosphere without softening its heaviness. Dense guitars, deep resonant vocals and dramatic dynamic shifts evoke a timeless gothic aesthetic, restoring danger and elegance to the narrative of the vampire.
Songs such as “Cross Your Heart” reveal a more affirmative side of the album, built on brooding melodic motifs and grounded, deliberate riff work that balances restraint and impact. Echoing the spirit of the band’s past while embracing a modern, shadowed edge, the song reflects on roadside shrines and lives lost too soon; the steady forward drive of the rhythm section mirrors the endless motion of the road itself. Fernando Ribeiro’s unmistakable and singular vocal presence, moving between low gravitas and restrained intensity, reinforces the song’s emotional weight without excess.
With “The Great Wolf in the Sky” feat. Alicia Nuhro (strings), MOONSPELL deliver one of the album’s most epic moments, structured around expansive keyboard themes, harmonized guitar lines and a chorus built for collective resonance. Melancholic yet powerful, the track stands as a tribute to wolves who once walked alongside the band and to a fan and friend who passed before hearing the album, bridging MOONSPELL’s past, present and future in one sweeping, dignified anthem.
Thematically, Far From God moves through Baudelairian love, existential guilt and redemption, Christlike resurrections and the quiet nobility of creatures of the night. Vampires, werewolves and sacred symbolism are not escapism here, but vehicles for genuine dark emotion: solemn, romantic and unfiltered. The album rejects artificial gloss in favour of fantasy grounded in sincerity, rediscovering the heart of Gothic Metal in its most authentic form.
MOONSPELL’s forthcoming magnum opus – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL’s classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL’s Irreligious of the 21st century. It’s not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that will truly save Gothic Metal from boredom and predictability!

Italian Symphonic Black Metal Legends OPERA IX has been co-existing with us normal deadly people since 1988. Spreading their sounds, moods and chants across the globe in a soon 40-year career they are true phenomenon. Some might even say a force of nature or an element of their own. The myths are many, and the tales are long and plentiful.

The band elaborates further:

“Veneficium” is a pilgrimage through the labyrinth of the dark arts, a botanical dominion that only the wisdom of women dared to master. These are the echoes of a primal past that still thrum within our blood and resonate in our souls ensuring that such a legacy shall never be surrendered to oblivion.”

The stability of the band despite lineup changes stands as a proof of the dedication of the group and the individual sacrifices and dedication to the cause. An entity with its own occult spirit with core consisting of founder Ossian and vocalist Dispas who joined in 2018.

A whole decade after their last album, Portuguese gothic/dark metal pioneers HEAVENWOOD announce the release of their highly-anticipated new record, “The Tarot Of The Bohemians – Part II”, set for worldwide release via Mighty Music on LP, CD and digital formats. Marking the second and final chapter of the conceptual work inspired by the hermetic writings of Gérard Encausse (Papus), the album was recorded at Lucky Cat Studio (Portugal) and mixed and mastered at Vamacara Studios (France) by acclaimed producer Niko HK Krauss (Loudblast, Sirenia), elevating the band’s sound to new levels of sophistication and intensity.

“Every work has its own story, and this new album goes far beyond being merely a concept and a continuation of the first part released in 2016”, composer, founder, guitarist and singer Ricardo Dias dos Santos comments. “Against all odds that arose in 2022 - after a near-fatal accident and imperative changes that led to a number of irreversible decisions - the conclusion of “The Tarot Of The Bohemians” finally sees the light of day, continuing a legacy that has endured for more than 30 years”.

The album is further enhanced by impeccable and symbolic visual artwork created by renowned artist Naya Kotko, whose evocative imagery perfectly reflects the esoteric depth and spiritual duality that define this new chapter.

With this “Part II” of the concept started with “The Tarot Of The Bohemians” (Massacre Records) in 2016, Heavenwood dive even deeper into the esoteric and emotional dimensions of the Tarot. This album represents both continuity and transformation - it carries Heavenwood melancholic DNA, but it also pushes the band into a more cinematic, intense and contemporary sonic realm.