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In the year marking their 30th anniversary, The Frozen Autumn is back with a new release featuring six new songs, and its title, The Shape Of Things To Come, already hints at the topics that are the closest to the band’s heart.

Leimotivs such as dreamlike visions, parallel realities, recollections of past lives, unfold between rarefied landscapes, passions immortalized in a suspended time, crepuscular atmospheres where the promise of different possible futures, if only partially revealed, is dwelling.

The Shape Of Things To Come resumes the narrative from The Fellow Traveller, yet it is brought to new sound horizons, where layers of electronic sequences merge with rhythmic weaves and pulsing energies, in the unique style that's been the trademark of the band  for these last three decades.

1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

Black vinyl - Gatefold cover / 100 copies limited

Spanish doom/post-metal quintet Ikarie is back with their sophomore album Arde, two years after the acclaimed debut Cuerpos En Sombra. Here is how the band introduces their work…

“If Cuerpos En Sombra was about pain, Arde is about transformative rage. In the first part we presented a series of characters and desolate places, with bodies and souls sunk in misery and mud, of ghosts who are victims but are not aware of the fact that they are being victims.

In this part of the trilogy that doesn’t happen, although the denunciation and lamentation is maintained, it is no longer spoken of the land in that sense but of burning everything for a new beginning, from that fire, so deep and painful, which hanges the shape of things, like magma and the creation of stars, like a collision of planets, there is no way back after that.

With the advice of a forensic psychologist and criminologist, we have selected passages from history, victims and paradigmatic and tremendous characters that exemplify Hannah Arendt’s concept of the “banality of evil” properly, because as a society we are part of it, and therefore, it is a call to revolution.”

Hard-cover mediabook with extensive booklet

Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.

Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.

Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.

Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen

Cover Artwork by Valnoir/Metastazis

2023 reissue on digipak CD with booklet

2023 re-issue digipak with booklet!

Emotionally raw and brutally savage release following in the tradition of 2015's Arpitanian Lands. Enisum have managed to mix elements of atmospheric black metal and doom metal into ten perfect songs for this album.

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."

The work of one Alexis Chiambretto, with drums provided by Nicolas Muller, UNHOLDUN's style of black metal is simple but sublime. Although the band hails from France, the sweepingly melodic surge which pushes this self-titled record forward favorably recalls the Québec scene that's made waves in the underground for the past decade-plus. Melancholic yet triumphant, faintly folky but never mawkish, its ever-insistent propulsion taking dynamic twists and turns, and even some commanding lead work cropping up, Unholdun retains a certain timelessness: looking to the past, UNHOLDUN nevertheless feel very NOW.

"I didn't try to revolutionize black metal with this EP," says Alexis. "It's more like 'a tribute' to the good, old black metal. So, I would like to feel a little bit the 90's vibe, even in the artwork." Expanding on that latter element, he says, "The devil on the front cover plays a 'carnyx,' a French trumpet used by Gauls before a war to frighten enemies." Sound that trumpet, then, for the arrival of UNHOLDUN!

Haunting and tortured melodies echo through the ruins of a mausoleum, before erupting into heathenistic majesty.
Each track summons bygone eras with the guitars dominating the realm with flowing and triumphant riffs that inspire a sense of longing trapped within the madness.
The album as a whole instills a sense that it is forgotten relic of a lost time with an infernal entity revealing the secrets within.
Atmospheric and bursting with grandiose ambition, this gem shines within the crypts of black metal.