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THE OMEGA SWARM,
an atmospheric death metal group from Germany, started in 2022, very humble, very secluded.
T., renowned from crafting four fabulous albums to date with Sulphur Aeon, did not have a fully fledged live act in mind when composing early demos and shaping the skeleton of his – at that time – nameless new creature. A true creator at heart, T. embraces the meticulous work on riffs, tones, sounds, the adventurous spirit of building and realizing ideas, experimenting with his much beloved set of guitars and synths to produce astonishing vibes and songs that are meaningful yet extreme, melodic yet harsh and mount in THE OMEGA SWARM’s debut album, a record, a testimony dedicated to the essence of art itself.

As down-to-earth T. is, he is not the type of person to stick with one sonic formula, he looks out for ‘something more’, ‘something different’. Having finalized what Sulphur Aeon wanted to express for the time being on 2023’s monumental “Seven Crowns and Seven Seals”, THE OMEGA SWARM are his main focus right now, and the band’s line-up completed by vocalist Christian Schettler (known from his work in label mates Wound) and drummer Max Scheefeldt (ex Misanthrope Monarch), gels perfectly.
Musically, THE OMEGA SWARM were spawned from T.’s experiments with rhythmic patterns, layers of synths, elaborate leads and slightly more technical riffing structures. Probably, the only obvious parallels to Sulphur Aeon are an emphasis on a dense, captivating atmosphere, epic elements, and an overarching darkness as well as realizing after completing their first recordings that also THE OMEGA SWARM bear the quality to be more than just a ‘bedroom project’.

Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and NewZealander A.
S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.
After an EP and a split with Portugal’s Necrobode, Nadsvest crafted their definitive debut album.
Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music.
Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.
Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.
Sound was forged in Sonorous Studio with the goal of evoking the noise of the tortured soul.

TAGLIA M

Gildan Soft Style

TAGLIA L 

Gildan Soft Style

SARKE continue to exploit their unusual mix of 70`s rock, 80`s speed metal and 90`s black metal, resulting in an album full of heavy-rocking and groovy metal while not forgetting the unique psychedelic, doomy and dwelling passages. A monster of an album by a beast of a line-up ft. (ex) members of Darkthrone, Enslaved and Khold!

“Endo Feight” , the 8th full-length of pioneering Norwegian metal act SARKE, covers everything from SARKE’s lightest parts to the hardest. Prepare for a unique musical journey that breaks barriers within the metal scene, of course featuring Nocturno Culto from the legendary DARKTHRONE on vocals.

“Endo Feight” was recorded and mixed at H10 Productions by Lars-Erik Westby and mastered by Sofia von Hage and Thomas Eberger at Stockholm Mastering. The cover illustration was created by Kjetil Nystuen.