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This EP of dark majesty and melancholy is a journey through time and nightside dimensions. The Black Metal flame of "Violet Mercury" sets the world ablaze as the haunting synth-scapes of "Moonlit Sorcery" create waves of nostalgia from kingdoms forgotten by all but a few.

Evergarden is the duo of Kyle Palmanteer and Nate Mast, plus the great help of vocalist Justin Gregorio (courtesy of Gloomchild). The band fuses much of the atmospheric and ambient stylings of modern blackgaze bands, such as Deafheaven, Lantlôs, Olhava, etc., but with a much stronger emphasis on their post-hardcore influences.

All of which shines in the four monumental songs of debut album "In Light". Songs that form a flux of feral and raw emotions, floating seamlessly through utter despair and ecstatic beauty.

By command of the Hermetic Order of Ytene, "Nova Nativitas Mundi" is a majestic, soaring and Diabolical Black Metal space opera in 3 acts. In Act 1 the listener follows the journey of the royal alchemist, Myrddin, as he is appointed his holy mission to, one way or another, set the ball rolling on the formation of a new Galactic Imperium in the name of the king. The King has long viewed the distant astral bodies as a means to connect with divinity, and now after communion with what he perceives to be Jesus Christ, he sees it as his destiny to reach them and become a godlike figure himself. In Act 1 Myrddin develops his unholy formula to propel man to the stars and reach the neutron star that the king perceives to be his portal to divinity. In Act 2 the listener follows Myrddin and his crew to the stars, where they reach the neutron star to find only that it is no such thing. The crew is sucked into a wormhole and greeted not by divinity, but by Satan himself. It was he that visited the king that fateful night, A diabolical trick by the prince of darkness to tempt the once holy men into the construction of a new Galactic Imperium, but not in the name of a divine god king, but in the name of dark and powerful entities. In Act 3 the listener follows the crew as they undergo this iniquitous task, by first constructing a cosmic temple to Satan, where worship and sacrifice will replace life on earth with the rule of galactic satanic worship and eventually the formation of the final Galactic Imperium.

By command of the Hermetic Order of Ytene, this is a ferocious, majestic and savage Black Metal offering to the old Brittonic Ways! Surging with darkness and truth, Albionic Hermeticism once again captures something rarely found in Black Metal these days! O.W.G.A, the sole member of Albionic Hermeticism describes the project as "enlightenment by means of hermetic rituals in a North-western European context: the ancient rites and gods of Egypt brought forth by their own pagan European past, a past morphed by centuries of migrations including that of the red-haired Egyptian aristocracy to the British isles".

“The Fallen Leaves” is the fourth full-length album from Dwarrowdelf.
Representing a new beginning for the project, the record displays lyrical themes of sorrow, struggle, and grappling with reality.
Taking further inspiration from the diverse blend of influences that drove 2021’s “Cold Lie the Ashes” yet cohesively retaining the trademark Dwarrowdelf sense of scale and atmosphere, this album truly sounds like nothing else.

The CD comes as Collector’s Edition in 6-panel Digipack, limited to 500 copies.

Zwielicht exists as such since 2002, but was called Gordem beforehand. It was not until 2005 the unholy legion decided to rebaptize to the name Zwielicht, which lasts until to this day. The first physical emanation was a self released demo tape in 2006: "Leibestod". Onwards and downwards the spiral the next was in 2010 when the first EP – Unholy Legion - was released via the very own label Back to the Bone which was also founded in said year. Zwielicht’s debut album, With love from Sinister, was released on CD in 2014, on Tape in 2015 and in 2022 on Vinyl and as a special Tape version. The latter two were published by Idiots Records and Ancient Spirit Terror. In the same year the unholy legion started the recordings for their sophomore album which will see its first light on 9th February 2024.

Includes a printed innersleeve and download, limited edition of 199 copies on grey/black galaxy vinyl. 
 

Collector's Edition in 6-panel Digipack, limited to 999 copies.

Collectors Edition in 6-panel Digipack, limited to 500 copies.

Pestilential Shadows is a black metal band hailing from Sydney, Australia. Playing in local black metal bands since 1997, in 2003 Balam decided to form Pestilential Shadows with the goal of creating atmospheric and intense black metal and its reputation as one of the most innovative bands in the black metal scene.

Throughout their career, Pestilential Shadows has continued to release music that pushes the boundaries of black metal, remained true to their vision of creating intense and atmospheric black metal and has continued to experiment with different sounds and instrumentation, pushing the boundaries of the genre and creating a unique sound that is instantly recognizable. The band's music has been described as "otherworldly" and "haunting", and their influence can be felt throughout the black metal scene.

2023 marks the 20 year anniversary and a new era for the band. With the current line-up, now consisting of Balam, Basilysk, Krvna Vatra & Mourn, Pestilential Shadows are poised to release their 7th album “Devil’s Hammer” (Last Gasp Studios) through Northern Silence - a swirling maelstrom of aggressive, melodic and complex instrumentation & vocals.

Collector's Edition in 4-panel digipack, limited to 500 copies. More than two decades after the band split up back in the 90s, their first ever live appearance with this material took place in Freiburg, Germany in 2019. This is not a live-recording, however. "Medieval Demons MMXIX" is a new interpretation of the band's first demo from 1995 that nowadays they also perform live.

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.