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Black 12" vinyl (33 rpm) in printed sleeve with printed inner sleeve.
Second pressing 200 copies worldwilde.

Since its inception in 1993, TSJUDER has always been delivering Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia.
As can be heard on the present reissue of their long sold-out and much sought after second album originally released in 2002, not a single note in their music has to be dyed black.
That’s simply because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR.
The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Jontho.
Available again on special price CD, this milestone of True Norwegian Black Metal are described by the band as "raw and uncompromising black metal".
No post, no progressive, no whatever!

While work continues towards materializing Aethyrick's fifth full-length album, the two-headed serpent strikes from the womb of spring with a new EP entitled Kolme veljestä. As the name of the EP already suggests, on this special release the band pays homage to their Finnish roots with lyrics entirely in their native language (physical releases come with English translations). Released on April 9th, the Day of the Finnish Language, Kolme veljestä EP contains three monoliths of atmospheric black metal witchcraft with a total playing time of 27 minutes

Twelve years after its original release, Nordvis proudly presents this remastered version of Waldgeflüster’s “Femundsmarka – Eine Reise in drei Kapiteln”. The album chronicles a trek undertaken by the band’s mastermind, Winterherz, and his brother, P, through the Femundsmarka National Park in Norway.

Building on a foundation of atmospheric black metal, Winterherz uses various samples of wilderness and sea to weave a sonic tapestry that blends seamlessly with meticulously crafted acoustic melodies. Instrumental interludes play a pivotal role, serving as introductions, transitions, and a grand finale – all enhancing the conceptual nature of the album. The vocal performances of both brothers intertwine harmoniously, complementing each other's strengths. Their diverse range, from powerful growls to ethereal chants, adds depth and intensity to the music, creating a captivating blend.

Prepare yourself for an unforgettable musical odyssey; let Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of black metal. Open your heart, close your eyes, and embark on an extraordinary escapade.

Tracklist:

Forndom was born as a reflection of bygone days – of the forests and open landscapes of central Sweden, as well as its historical heritage. Similarly, coinciding with the project’s nine-year anniversary, Ludvig Swärd muses over his own musical past.

Following the enthusiastic reception of “Och med vinden ack de gunga” – Ludvig’s re-envisioning of his droning masterpiece “Jag vet ett tempel stå" - comes “Alster”, a piano work of contemporary classical with a distinct Scandinavian atmosphere. Six Forndom compositions in brand new interpretations alongside "Aska", a fresh take on an old unreleased song.

In the remote forests of north-eastern Finland, a primal force has been unleashed. Noitila, translated roughly as ‘Witches’ Bay’, resonates with the ancient echoes of a sacred land where worlds and energies intersect.

Conceived and recorded in a family cabin, employing minimalist equipment and instruments, “Langennut” captures an authenticity that is as powerful as it is pure. The band used an old leather chair as a bass drum, recorded acoustic guitars in the open forest, and wrote lyrics through psychography. No metronome, three microphones, and a passion for the ancient sounds of Ildjarn, Ulver, Isengard, Bathory, Satyricon, Tulus, and Beherit – this is black metal distilled to its essence. Primitive, soulful, and unfiltered.

OG art, w/poster and printed inner sleeve

Limited to 200 copies blue galaxy LP.
HIEMS is a one-man, avant-garde black metal band launched in 1996 by Italian songwriter & multi-instrumentalist Alessandro "Algol" Comerio. "Stranger in a Wasteland" marks his third outing and is the sound of an artist confident in his craft. Recorded during lock-down, the music captures the dismal feelings of alienation and detachment, and translates them into malevolent, minimalistic and non-canonical  black metal, infused with dark hard rock and ominous grooves. In comparison with "Worship or Die" - the second and last installment from 2009 - "Stranger in a Wasteland" boasts a much clearer and refined production, which added a commanding character to the vocals, exposed the weight of the guitars, and sharpened the overall listening experience. The topic of death - closely followed by a sense of not belonging - is equally present in the musical and lyrical layer of the album.

digipak CD
HIEMS is a one-man, avant-garde black metal band launched in 1996 by Italian songwriter & multi-instrumentalist Alessandro "Algol" Comerio. "Stranger in a Wasteland" marks his third outing and is the sound of an artist confident in his craft. Recorded during lock-down, the music captures the dismal feelings of alienation and detachment, and translates them into malevolent, minimalistic and non-canonical  black metal, infused with dark hard rock and ominous grooves. In comparison with "Worship or Die" - the second and last installment from 2009 - "Stranger in a Wasteland" boasts a much clearer and refined production, which added a commanding character to the vocals, exposed the weight of the guitars, and sharpened the overall listening experience. The topic of death - closely followed by a sense of not belonging - is equally present in the musical and lyrical layer of the album.

Glow in the dark

This is the debut album from Lament in Winter's Night entitled "At the Gates of the Eternal Storm".
Dark, cold & melancholic Black Metal from Australia creating raw hypnotic spheres of pure pain.
CD is limited to strictly 300 copies.

WEREWOLF RECORDS is proud to present the surprise second album of Finland's GRIEVE, Wolves of the Northern Moon

It was but 2020 when GRIEVE emerged from the darkness with their self-titled debut EP. Although otherwise meant to exist strictly in that darkness, it was soon discerned that the band included veritable Finnish black metal royalty within its ranks. Nevertheless, the swiftly uncompromising nature of Grieve was felt: Northern Black Metal Exclusively From the 1990s. No more, no less, no progression, no fun.

And then, at the dawn of 2020 came GRIEVE's first - and, at the time, final - album. Aptly titled Funeral, the record was a fiercely focused one, solely featuring funereal marches by V-Khaoz and last rites by Werwolf. Beyond cold, utterly grim, violent and restrained simultaneously, Funeral was a record out of time, one where the last couple decades of "black metal" never existed. And then GRIEVE ceased to exist.

But, obeying only nature and will, GRIEVE have arisen from their own self-imposed grave with the second full-length Wolves of the Northern Moon. "We said we’d end the project for good, but we lied," state the band about that grave. "We exhumed it." Indeed, the exhumation also includes a nastiness last found on such Nordic classics as Kronet til konge, Pentagram, Til evighet..., or even Black Thrash Attack. Essentially, then, GRIEVE's ethics have not changed (nor should they have to), but one can nonetheless find here a pronounced asskicking sensibility that adds further antagonization to trendy ears as well as a noble march to mystical victories. "Eternal Winter, Eternal War": These Wolves of the Northern Moon are on the hunt - and you're next!