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Il carrello è vuoto
Il carrello è vuoto
Vendita CD, Vinili, DVD, Merchandise e Usato - musica Black Metal e Dark estrema
Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Skirnir".
FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. With the fourth full-length, "Heralding – The Fireblade" (2005), the German released material that was originally intended for the debut album, but due to production issues got delayed and later re-worked. This meant a somewhat hybrid album that to the delight of their early fans had more of the black spirit of the legendary first full-length " …En their medh riki fara…" (1996), but also featured the matured pagan metal sound, which FALKENBACH had gained over the course of the following two albums.
Comes in a 6-panel digipack with slipcase. First batch comes in black polycarbonate CD.
The tide turns once again. From tumultuous oceanic depths French legend BLUT AUS NORD erupts onland in all its singular dissonant glory: be-tentacled, malformed, accursed, fearsome.
Following up the purported 'new era' of melodicism ushered in by 2019's lauded "Hallucinogen", new work "Disharmonium - Undreamable Abysses" finds the leaders-in-perpetuity of Avant-garde Industrialised Black Metal compelled to reassume their rightful throne, crowning nigh-on 28 years of consistency with seven mesmerising tracks of bleakly-maximalist harmonic unease.
Comparable to naught except BLUT AUS NORD, the inimitable leads, eroded melodies and uncanny vocal textures of "Disharmonium" ooze and uncoil, leeching into vast hyper-skilled rhythmic structures which traverse sea-mountains of madness towards lightless echelons far beyond comprehension. The reflexive darkness we all demand. The Order of Outer Sounds.
Pressed on gold / black galaxy effect heavy vinyl. Comes with a 2-page insert, an A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
The wonderfully productive Swiss atmospheric Black Metal band AARA return with urgency to unleash "Triade II: Hemera", their 4th full-length since 2019 and the second chapter of the Melmoth trilogy.
Based upon the 1820 Gothic novel 'Melmoth the Wanderer' by Charles Robert Maturin - and closely connected in style and atmosphere to 2021's initial instalment "Triade I: Eos" - each of the 6 brutally melodic tracks follows the book's chronological mid-point narrative in a dazzling critical examination of theism and scepticism through the medium of top-tier Black Metal.
Although conceptually aligned with part one of the trilogy, "Triade II: Hemera" further-advances the AARA sound into realms of progressive extremity: defined once again by the beauteous lead melodies of composer/guitarist Berg, the record combines a raw violent undertow with subtle rhythmic shifts, left-field riffs/refrains and sublimated vocal savagery - interweaving Christian choirs, the Jewish shofar horn and traditional Indian vocal samples into yet another outstanding offering from an unstoppable young band overflowing with ideas and confidence.
Comes in a 4-panel digipack with a 12-page booklet.
The wonderfully productive Swiss atmospheric Black Metal band AARA return with urgency to unleash "Triade II: Hemera", their 4th full-length since 2019 and the second chapter of the Melmoth trilogy.
Based upon the 1820 Gothic novel 'Melmoth the Wanderer' by Charles Robert Maturin - and closely connected in style and atmosphere to 2021's initial instalment "Triade I: Eos" - each of the 6 brutally melodic tracks follows the book's chronological mid-point narrative in a dazzling critical examination of theism and scepticism through the medium of top-tier Black Metal.
Although conceptually aligned with part one of the trilogy, "Triade II: Hemera" further-advances the AARA sound into realms of progressive extremity: defined once again by the beauteous lead melodies of composer/guitarist Berg, the record combines a raw violent undertow with subtle rhythmic shifts, left-field riffs/refrains and sublimated vocal savagery - interweaving Christian choirs, the Jewish shofar horn and traditional Indian vocal samples into yet another outstanding offering from an unstoppable young band overflowing with ideas and confidence.
E-L-R's sophomore full-length "Vexier" oscillates elegantly between velvet darkness and flaring bursts of high energy. The style of the Swiss has been dubbed 'doomgaze' and 'post-metal' and both terms apply loosely to the trio's meandering, down-tempo doom-epics. E-L-R's hypnotic phrases that are constantly varied and warped in repeating loops are reminiscent of shamanic rituals imbued with psychedelic colours. The trio weaves a subtle tapestry with diligence and persistence that depicts a labyrinth full of intricate details and hidden treasures.
After a period of smoldering dormancy Vanum reappears, blazing and alive, with their third full length album, Legend. Continuing the triumphant march of previous works, but raising the stakes even higher, Legend finds Vanum both expanding and refining their approach, and in turn delivering their most fully realized recording to date.
Professionally duplicated tapes with vintage print, full-color cover on haptic card stock, and a designed download card for the digital album.
“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.
