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“World Funeral” album (2003), which marked the last opus with singer Legion and to the very day remains a flawless, hateful yet varied Swedish black metal attack. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson), detailed liner notes, unpublished photos, revamped artwork by Death Wolf vocalist Maelstrom and bonus material on the CD version: a cover version of Possessed's “Phantasm” plus an entirely unreleased rehearsal from 2002 spanning many of the album tracks. Almost 78 minutes of black metal annihilation!

Re-issue in a jewel case with 20 page booklet on 135g art paper.

The album, the band's 12th full-length release, is a testament to their burning desire to create blackened metal of the highest order. A concept album of sorts, Serpent Sermon is an unadulterated attack on all that is good, casting a heavy pall over light and love. Morgan offers, “The lyrics should speak to everybody, to realize the power contained within. Just let it embrace you and the journey has begun!” That journey is a deep one that plumbs the very depths of Hell as guitars rip and shred, drums thunder and the low end bass pulls at the very bowels of the soul. “As long as we have the desire and burning ambition to spread the message we will continue to be the servants of a higher cause and keep delivering blood, fire and death to the world!”

Re-issue, 4 panel Digipack, black flooded inside, 28 page booklet on 135g art paper.

riginally released in the autumn of 2005, of DARK FUNERAL's fourth album, Attera Totus Sanctus, was arguably the band's fastest and fiercest record ever – which is all the more remarkable given the band's longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that's black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL's inferno!

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on CD.

Re-issue, CD jewel case with 16 page booklet on 135g art paper.

Pursuing their quest for truth initiated more than ten years ago in the North-East of France, VoE refines the formula developed on their previous album to spread an urgent and exalted black/death metal through Abhorrent Fervor.
From the burning harshness of an old-school death metal to the fanaticism of a typically French black metal, look for verticality in this world at a standstill.

FERVOR...FUROR...TERROR

Recorded within less than two weeks at a studio in Wilster, Germany back in 1993, “The Ending Quest” was a bit of a forgotten obscurity until Century Media Records' 2012 anthology “Within the Shadow of Darkness”, which also covered all of the band's demo recordings.
Now, the album is made available again as a limited edition including liner notes by Chris Dick (Decibel Magazine, USA).
A must have for all Swedish death metal connoisseurs!

399x half neon violet, half bone 12" (180g) in a black poly-lined innerbag, gatefold, full-color - black flood inside on 350g, all assembled in a PVC overbag. 

clear vinyl limited to 400 hand-numbered copies

Norwegian black metal from the mid 90's. Underground, demo quality, harsh, but readable sound the way Black Metal should be!

Recommended if you like Emperor, Limbonic Art, Troll, Covenant, Satyricon, Kvist

Influenced by bands such as Caladan Brood, Elderwind, Saor and Gallowbraid, Cân Bardd was founded in 2016 as a one‐man project by then 18 year old Malo Civelli from Switzerland, with the purpose of creating an outlet for his feelings and ideas that would be at once heavy and aggressive, yet also melodic and atmospheric. Dylan Watson later joined him as permanent drummer. With the first two albums Cân Bardd already managed to enthrall a lot of fans in the Atmospheric Black Metal community, and with “Devoured by the Oak” the band set their sights even higher. The goal was to create a perfect blend of the strengths of the first two albums ‐ the ambience, textures and atmosphere of the debut, and the composition and quality of the sophomore album, culminating in a more mature sound and a more intense experience for the listener. To reach that goal the band once again teamed up with Vladimir Cochet as producer and asked the painter Michael Handt to create a very unique oil painting for the cover.

100 copies LTD black vinyl

Sgàile is the solo project of Scottish multi-instrumentalist Tony Dunn, a venture that was a long time in the making due to Dunn’s commitments with other bands such as Falloch, Cnoc An Tursa and Saor. “For almost a decade, I had concentrated on playing other people's songs, singing other people's lyrics, and not feeling that I had an identity of my own. The name Sgàile means "ghost" or "shade" in Gaelic, and this was born from the fact that I didn't quite "fit in" with the Scottish Black Metal scene that these bands were an integral part of”.

In August 2018, Dunn parted ways with Saor in an amicable manner. It was then and there that “I decided to really concentrate on putting out a body of work that I could put my own name to and be proud of”. Sgàile was officially born. Ideals & Morality was conceived, composed and recorded in most of its parts in late 2019/early 2020. At this point Mike Lamb (Sojourner, Light Field Reverie) was brought on board for the mixing and mastering. “He had a look at the quality of the recordings, and gave me a great deal of advice, so much that in late summer 2020 we decided the best course of action was to re-record all of the guitars and bass from scratch. So in essence, Ideals & Morality was recorded twice”. 

Musically and lyrically, Sgàile’s debut is an emotional record. “It is a record that I feel is both melancholy and quite dark in places, but uplifting and inspiring in others, as during the recording sessions I felt like I was in quite a low place at times mentally, but the actual writing process itself lifted my spirits. I feel that the album certainly has the potential to both haunt and elate in equal measure”. Lyrically, it's almost a stream of consciousness of various aspects of Tony’s psyche, dealing with his love for Scottish mountains (“The Summit”), the feeling of becoming a parent (“Instinct”) or even the experiences of the past decade (“Facade”). Every song comes from its own background, making Ideals & Morality a multifaceted experience. “The album is almost like a peek at what goes on inside my head. My ideals and my moral compass are what have guided me on my path as an artist since being thrust into the music industry and will stick with me through the rest of my journey, wherever that may lead”.