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Gold and Black vinyl, limited to 200 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Black vinyl, limited to 300 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

84 pages Artbook with CD

Limited to one edition only in this format, printed on fine art book-paper and hard cover with goild foil details 

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Inherits The Void is the musical endeavor of French multi-instrumentalist Antoine Scholtès. Born in 2020, the project based in Clermont-Ferrand released the Mémoires EP before starting to work on a proper full-length studio album.

Monolith Of Light hence marks Inherits The Void debut album, born from Scholtès’s desire for “a meeting between influences from the ‘90s Swedish Black Metal scene and a more current orientation of the genre”. Rage and melody entwine in these seven hymns to the transience of man, bringing to mind the great masterworks of Dissection, Dawn and Vinterland, as well as the more contemporary sounds of France.

Inherits The Void adds to their deep black metal roots, incorporating atmospheric hints from bands like Celeste, Déluge and Nesseria: “the main idea behind that album was to compose songs that would be both melodic and atmospheric, embraced by the desire to propose a range of various emotions”.

slipcase

Slipcase

2021 debut.
7 tracks of obscure, oldschool and raw death metal.

Upon the Altar is a new band from Poland and this is their debut album bringing an infernal form of blackened death metal but if you though about Behemoth you’ve got it all wrong, this is goat metal for cultists only.

Sinister as it can be the album has 7 tracks of pure devastation and desecration to destroy christianity as we know it.

Comprising 10 songs across 51 frayed-ends-of-sanity minutes, DeathEpoch 's Abysmal Invocation duly lives up to its title, and then some. To enter its tar-thick and just-as-black depths is to enter a charnel pit itself; the way forward is spread before the listener, but each step deeper reveals fathomless horrors. Much like a fever dream, the delirium-inducing decibels the duo present here paradoxically flow, flitting between crushed 'n' crushing metal one minute and otherworldly ambience the other, its jarring malevolence well and truly drawing that listener toward the outer reaches of madness. Indeed, genre parameters matter not to DeathEpoch when the goal is SONIC ANNIHILATION, utilizing every weapon at hand to evoke the unshakable feeling of Apocalypse in this increasingly desperate 21st Century. Adding to that arsenal are guest vocal parts from the esteemed likes of Mark of The Devil (Cultes Des Ghoules), Vincent Crowley (Acheron), and Kris Stanley (Sinistrous Diabolus, ex- Diocletian), and covers of Sodom and Acheron are given suitably malformed treatment within this Abysmal Invocation.
Given this span of stylistic antagonism, Abysmal Invocation is just as recommended for fans of Mz.412, Prurient, and Brighter Death Now as it is for Beherit, Revenge, and Archgoat. But, upon evidence of this frightening first strike, DeathEpoch have crafted a unique identity worth reckoning. This is the beginning of the end! 

Hell-Born returns 12 years after their last album. The band was started in 1996 by Behemoth co-founder Baal and Les, also a former Behemoth musician as well as a member of Damnation. There are IX songs on "Natas Liah" - old school, black death metal with a bit of melody typical for the group. There were also some guests during the recording session, including Adam NERGAL Darski. The band confirms that it is by far definitely the best album in their career.