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Satanic Serenades is an official 40+ track anthology release of the entire INFESTDEAD catalog that now shall haunt the holy again!
Includes the long deleted late 90’s albums expanded with EP and demo material

cd 1
Tracks 1-10: "JesuSatan" album (1999)
Tracks 11-12: "Demo 1993"

cd 2
Tracks 1-23: "Hellfuck" album (1997)
Tracks 24-29: "Killing Christ" MCD (1996)

FOR FANS OF:
DEICIDE, MORBID ANGEL, VADER, BLOODBATH, EDGE OF SANITY
 

Australian black metal band Ill Omen has been releasing some of the more intriguing material out there in recent years, with sprawling instrumentation that takes on a more mysterious and ritualistic feel. These elements have been expanded further than ever before on the newest full length ‘Æ.Thy.Rift’, which feels like it could be a funeral doom effort ran through a black metal filter. Each of the songs builds a thick atmosphere that feels like it’s going to pull you directly into the void, and it’s handled in such a way that uses the longer song lengths to its advantage rather than letting them feel as though they are dragged out.
 

Formed in 1995 by Katatonia members, Jonas Renkse and Fred Norrman, OCTOBER TIDE spawned two, now-cult releases: "Rain Without End" (1997) and "Grey Dawn" (1999), before going on hiatus for over 11 years. Reunited in 2009, and since 2015 with a new full-time drummer Jocke Wallgren (Valkyrja, Astrophobos), the Swedes continue to push their vision of melodic death/doom metal to the next level. Executed with passion, the band's new album "Winged Waltz" is a showcase of what talent and expertise can bring to the table. OCTOBER TIDE are well-seasoned in their field of metal and are coming back in full swing, with their most emotionally charged material yet.
 

Pagan / Viking metal berserkers COLD NORTHERN VENGEANCE create kaleidoscopic landscapes of majesty and melancholy, storm and shelter. The vision of chieftain Heathen, “Maelstrom” picks up where 2008's cult classic “Domination and Servitude” left off: rolling, churning layers of mystifying, hypnotizing tones, all harnessed in a revelatory and Odinistic manner. But here, CNV digs deeper into their pagan roots, plumbing the dark, alluring depths for a resonance rarely found in American metal.
 

Reprint, 400x swirl beer & gold 12" (180g) in a black poly-lined innerbag, gatefold full-color on 350g with 3D UV SPOT, all assembled in a PVC overbag.

Invisible landscape - the debut album - is a conceptual work, an imaginary soundtrack that traces the story created by 10 pictures by the Portuguese photographer, José Ramos. It's an experimental project that extends itself through innumerous musical styles: from Classical music to Post Rock, going through soundscapes, electronica, etc
 

Created in 2014, Cantique Lépreux feeds on Black Metal from all eras, reveling in its essence. Inspired by the wilderness of Québec, the Occult, death, and fear, Cantique Lépreux creates music that is at times grim, at other times melancholic; a work born of passion, paying homage to the legends of Black Metal.

Hailing from a scene that seems to endure as an archaic artefact of a genre that was extensively shaped by the early Scandinavian scene, Cantique Lépreux makes its public debut with 'Cendres Célestes'. While treading familiar ground, they unearth and truly encapsulate everything about their vision and are proof that there could not be a more suitable place than Québec to shape such glacier-cold and mournful hymns.
 

MINT COPY

Second EP of one of Portugal's most promising new bands, OCERCO's A Desolação. Set to be released as a special digifile CD nest, limited to 500 copies, A Desolação comprises three seamlessly linked songs of splendor and tension, trance and catharsis. OCERCO's sound stems from the post-black metal canon, but safely eludes the negative connotations associated with such an appellation. More accurately, the band's commitment to textural development and labyrinthine, drawn-out construction signal a strive for more complex corridors of spirituality. From there, A Desolação explodes and recoils, twists and turns, always bathed in an aura of the unknown and unease - and yet, its complexities are ever so subtle and most rewarding. Listeners will find a kinship to bands like Wolves in the Throne Rome, Altar of Plagues, Ash Borer, and the likes, but across the 20 minutes here, OCERCO stake a claim for their own identity.