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"Massive Conspiracy Against All Life" (2008) is the fourth full-length album by San Francisco-based one-man black metal band Leviathan. The man behind Leviathan - Wrest, does wonders on 'Massive Conspiracy Against All Life', creating a black metal album full of experimentation and strange ambience. He capitalizes on black metal experimentation with an ambience that can be both unsettling and unrelenting at the same time, taking the listener on an impressive black metal expedition; down a narrow, creepy stairway into the depths of hell.

Black Vinyl

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

a MINT copy of

https://www.discogs.com/release/1861969-Terrorizer-World-Downfall

https://youtu.be/MORjQiW-umo?feature=shared

NEAR MINT

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

Japanese edition on CBS/Sony  1989/1991 (unknown)

no OBI strip!

VG+/VG+

Near Mint copy of this edition:

https://www.discogs.com/release/3505235-Mortal-Sin-Face-Of-Despair

EDGE OF CASE & INSERTS CUT (an unfortunate habit they had back then to mark cds as promos or nice-price in stores)

Media Condition: Mint 
Sleeve Condition: Mint  

SPECIAL PREORDER PRICE: after 30/09 price will be increased and set to 13.00€

Voidescent is a Spanish black metal band that originated under the name Andhord. Having released a series of independent demos and EPs, the band underwent a significant artistic transformation to embrace a new chapter in their musical exploration, reflecting a deeper commitment to a darker and more mature concept. This evolution was initially announced in 2018 with the digital release of their first EP, Eleven Into Nox, and has now culminated in their debut album, Dust and Embers.

Dust and Embers is a musical exploration that delves into the mystical realm of mortality and introspection. With their debut, Voidescent weaves a narrative that embraces the awe-inspiring force of death, inviting listeners to contemplate its profound teachings and crushing might.

Within the sharp destructive melodies and piercing lyrics of Dust and Embers lies a transformative journey. It traverses the depths of human existence, unraveling the enigmatic nature of mortality and the profound lessons where life and death intertwine. It prompts introspection, urging us to explore the mysteries of our own existence and contemplate the timeless truths that lie within the realms of our own consciousness.

Voidescent beckons those who are intrigued by the mystical aspects of existence, inspiring them to explore the profound depths of destructive transformation

Australian experimental metal band Bolt Gun return with their 3rd full length album The Tower. Since their first release in 2014, Bolt Gun have continued to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of black metal, post-metal, noise and dark ambient. 

The Tower is inspired by the literary works of Brian Evenson, Franz Kafka and Shirley Jackson and explores themes of isolation, extinction, absurdity and nihilism. Written throughout 2020 to 2022, the album expands on Bolt Gun’s interest in the dynamic possibilities of using ambient music within extreme metal.

The expansive tracks pull listeners into tornadoes of drone, noise and saxophone which then explode into more post-metal/black metal sounds. The music on The Tower is heavily influenced by 2nd wave black metal, experimental heavy bands such as Locrian and Swans in addition to the work of Colin Stetson and Bohren & der Club of Gore.

Artwork by Tomasz Winiarski.

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