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Vendita CD, Vinili, DVD, Merchandise e Usato - musica Black Metal e Dark estrema
Edizione Sudamericana pubblicata da ICARUS Music (nota bene: questa è una licenza ufficiale, non è un bootleg)
Edizione Sudamericana pubblicata da ICARUS Music (nota bene: questa è una licenza ufficiale, non è un bootleg)
Edizione Sudamericana pubblicata da ICARUS Music (nota bene: questa è una licenza ufficiale, non è un bootleg)
Edizione Sudamericana pubblicata da ICARUS Music (nota bene: questa è una licenza ufficiale, non è un bootleg)
FANTASTIC RE-ISSUE OF THIS CLASSIC OF AMERICAN DEATH METAL!
Super-Heavy Floridian Death Metal! This is the kind of stuff you listen to with the lights on. Not that it's easy to be scared. As the words are churned and ground to mere vocal road kill of their former selves by George "Corpsegrinder" Fisher (lead-singer). Worm Infested, the long out of print second EP by Cannibal Corpse released in 2003 through Metal Blade Records is now available on CD, cassette and 12" vinyl formats. Worm Infested is a compilation EP of tracks recorded between 1996 and 2001, featuring previously unreleased outtakes along with killer covers of songs by Accept, Possessed and Metallica. This is worth a place in any good Death Metal collection!
Giving a follow up to a masterpiece like Black shining leatherà was hard, but C.F. confirms their unique class in creating a waird opus like this, true Black Metal.
Edizione Sudamericana pubblicata da ICARUS Music (nota bene: questa è una licenza ufficiale, non è un bootleg)
Revised artwork with extra members photos, new press!
Six panels digipak CD
Mike Lamb (Sojourner) and Heike Langhans (Sojourner, ex-Draconian) are back with their personal gothic/doom project, Remina. The duo’s sophomore album, The Silver Sea, will follow their 2022 debut Strata and will be released on October 24th 2025 on CD and digital, once again via Avantgarde Music. Here follows the band’s statement.
The Silver Sea was written over the three year period following the release of our debut album Strata, and it is the product of the changes we experienced as both a band and on a personal level.
Remina took to the stage for the first time in 2023, and through this process we got to spend a lot of time in beautiful northern Italy bringing to life live versions of our songs with our excellent live lineup. The process of seeing how our sound translated to a live setting ultimately impacted how we approached this album. We didn't want to deviate from our vision for the band or the sound, but we did incorporate a much more musically 'direct' approach in the way the songs were written this time around. This was helped massively by the excellent drum tracking of Shayne Roos, who lifted our original ideas to an entirely new level. We are also honored to be joined by guest vocal spots from two musicians we greatly look up to, Mick Moss of Antimatter (Algol) and Tony Dunn of Sgàile (Vanta Ray).
On a personal level, we were dealing with the decision of having to uproot our lives in Europe and move back to New Zealand to be closer to family. The weight of the decision to move across the world, so far from the lives we had built, was reflected in the overarching themes and atmosphere of the album. While each song deals with its own subject matter, there is an overarching story running throughout as an invisible thread tying the album together.
THEODOR BASTARD refuse to stay still. In the five years of relative silence since their previous studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, THEODOR BASTARD are reborn on a new album mysteriously called 'V'.
'V' reflects just how much has changed since the world last heard from the band. While still widely recognized internationally as leaders for ritual folk and world music, THEODOR BASTARD have re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama ‘The Method’, but the album’s lead single is a sure sign that they’re bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.
“Vdokh – vydokh” ("inhale - exhale"), sings a bewitching Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division. To a world that’s mired in its own deadly trance, 'V' arrives like a much-needed slap across the face. The album was created during a long and trying period for THEODOR BASTARD. It offers little comfort: its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.
With 'V', THEODOR BASTARD return with dark electronics for dark times.
For fans of HEILUNG, GARMARNA, WARDRUNA.
THEODOR BASTARD refuse to stay still. In the five years of relative silence since their previous studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, THEODOR BASTARD are reborn on a new album mysteriously called 'V'.
'V' reflects just how much has changed since the world last heard from the band. While still widely recognized internationally as leaders for ritual folk and world music, THEODOR BASTARD have re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama ‘The Method’, but the album’s lead single is a sure sign that they’re bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.
“Vdokh – vydokh” ("inhale - exhale"), sings a bewitching Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division. To a world that’s mired in its own deadly trance, 'V' arrives like a much-needed slap across the face. The album was created during a long and trying period for THEODOR BASTARD. It offers little comfort: its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.
With 'V', THEODOR BASTARD return with dark electronics for dark times.
For fans of HEILUNG, GARMARNA, WARDRUNA.
