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Back in stock - musica Black Metal e Dark estrema
By now, Denial of God should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.
Of course, the journey has never been easy, and such is the case with the band's now-classic debut album, The Horrors of Satan, originally released in 2006. Although a debut album is usually a momentous event for most bands, The Horrors of Satan almost never came to be because of lineup problems. Drummer Sorgh left the band in 1999, just after the release of the mini-album Klabautermanden and just when work was about to begin on DENIAL OF GOD's first full-length. After this, the band worked with session drummer R. Salskov for about three years and songwriting progressed well, when also this lineup fell apart and left the band a two-piece of vocalist Ustumallagam and guitarist Azter. Things looked bleak for the future when no new drummer for years was found, but in 2005, finally, Galheim joined the band and helped incarnate what is now considered the band's classic lineup. Work was immediately assumed for the first album, and in 2006, The Horrors of Satan was finally recorded and released, comprising material that was written from the ‘90s to shortly before the actual recording.
Furthering DENIAL OF GOD's by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band's live sets today - a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.
At long last, The Horrors of Satan is back on vinyl again for the first time in 14 years, with CD and cassette versions also to be widely available. Experience this resounding classic again, or for the first time!
Reprint, 190 x black vinyl 2x12" (180g), 12 page vinyl sized booklet , full-color on 140g offset art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.
In the year 2015 came out Devotion For The Devil, the first full length album of Finnish black metal phenomena Aegrus.
The album full of raw energy, catching songs and great melodies not forgetting profane and deepful lyrics dealing with misanthropy, Devil worship and Death!
Osmose Productions is now re-releasing the album after eight years in vinyl, cd and tape formats.
Re-issue, 500x beer 12" (140g) in a black poly-lined innersleeve; download card, poster A3, full-color on 250g art paper, folded; gatefold, full-color printed on 350g, all assembled in a plastic overbag.
'We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.
Jewel case edition, 12 page booklet on 135g art paper, sealed.
"Hosanna Bizarre" is the debut album of the German lunatic squad TSATTHOGGUA. With the infamous "Siegeswille" demo tape from 1995 they unleashed their hazardous speed and poisonous skills in luciferian kinky arts. "Hosanna Bizarre" was originally released in 1996 and took the world of hyperspeed Black Metal by storm. Infernal hymns and black leather masks scream to the unholy scum of our world. Even nowadays, this album is a must have for the forgotten realms of mankind.
Re-issue, fully revisited with complete new layout. Original sound recording.
Ristampa 2019 su Osmose
Cult black metal from Sweden
Original Print by Necropolis Records
1. The Beast Of Fire 01:41
2. The Book Of Leviathan 02:34
3. Towards The Golden Dawn 01:51
4. The Sign Of The Evil Spirit 03:37
5. Lady Lilith 02:02
6. Black Blood 02:28
7. The Spirit Of Solitude 02:31
8. After My Prayers 04:42
9. The Goat Of Mendes 02:14
10. The Priest Of Satan 04:37
11. The Black Opal Eye 04:13
12. Whirlwinds Through The Land Of Ice 06:57
"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.
With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".
Re-issue, 4 page booklet 145g in a jewel case, sealed.
"North" is a special chapter for Sorcier Des Glaces. Having been composed and partially recorded at the same time as "Snowland MMXII" and "Ritual of the End", this chapter was experimented with a much more powerful and cleaner production.
Some moments of very fast blast beats, others calmer and more atmospheric, North is like a journey beyond the black glaciers, on a northern restless sea filled with human souls that have been banished from this world long ago.
The song "North" was written in 1995, and was originally intended for the former band Moonlyght, of which both members of Sorcier Des Glaces were members.
Snowland MMXII" is the complete re-recording of the first Sorcier Des Glaces album "Snowland".
The band wanted to give an updated vision of their very first work, as they thought the original one had great riffs and atmosphere, but was poorly executed and recorded. They managed to preserve the rawness and the primitive essence that characterized their first album, but with a more defined sound and production values.
Also, Sorcier Des Glaces didn't use any keyboards on "Snowland MMXII" in opposite to the original 1997 "Snowland".
SDG don't use keyboards anymore in their songs since the third album (The Puressence of Primitive Forests), so that re-recorded version of Snowland is more in tune with the actual sound of the band.
