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It has been seven long years since MAYHEM released their fourth and latest full-length ‘Ordo ad Chao’. Rejuvenated by the recruitment of Teloch (of NIDINGR fame) in replacement of iconic guitarist / composer Blasphemer who left the fold in 2008, the spearhead of Black Metal is back stronger than ever before with a new album. ‘Esoteric Warfare’ demonstrates how perfectly Teloch has captured the essence and spirit of the Norwegian legend by linking the band back to its roots, while at the same time taking a step forward into the leading position of the genre instead of dwelling in nostalgia. ‘Esoteric Warfare’ is a full-scale assault of total dark savagery, where Attila's inhumane vocals are entirely based on a concept dealing with the esoteric experimentations of the nuclear powers during the cold war.

Jewelcase
 

Something rises in the bleak and blackened skies of society as we know it. Vortex community GAEREA are about to bestow their Undying Sigil to the masses, with their brand-new full length album, ‘Limbo’! Are you ready for the tale of the Fallen Society and the journey to the vast Void, the only good in Life? Let us begin then. In the first hopeless circle, on too great and Undeniable Nothingness.

2 CDS in Jewel case with 12-page booklet.

For nearly thirty years ESOTERIC have been pushing the limits of sonic intensity. From the mind-bending darkness of their 90’s double albums to the expansive epics found on their recent opuses, they have never compromised their initial aim; to unleash aural mayhem on unsuspecting listeners. Late 2019 sees the release of their most accomplished work to date, ‘A Pyrrhic Existence’. It is 98 minuts of new material, detailed and layered compositions and a high level of musicianship, foreboding production, and equal measures of utter darkness and melodic diversity.

Fast-rising black metal masters CARACH ANGREN are taking Europe by storm, and setting their sight on North America. In advance of the inevitable onslaught, Season of Mist bring you the first proper release of their crucial early works. Each album – their debut ‘Lammendam’ and sophomore effort ‘Death Came Through a Phantom Ship’ – is repackaged, remastered, and features three bonus tracks of the most talked-about cinematic and symphonic black metal since Cradle of Filth and Dimmu Borgir impacted on the scene. This is must-have metal! Recommended if You Like: DIMMU BORGIR, CRADLE OF FILTH, ARCTURUS, DARK FORTRESS, SEPTICFLESH, FLESHGOD APOCALYPSE
 

Second full-length studio album by the Dutch symphonic black metal band Carach Angren
 

The fumes of Scandinavian black metal were poisoning the air and the second wave of black metal had taken a new form. …AND OCEANS emerged in this scene in 1995, with an exceptional and unique symphonic approach to the music. Still seeking the musical path to take, the Finns delivered a few demos before signing to Season of Mist shorty after. …AND OCEANS’ new album ‘Cosmic World Mother’, sees the Finnish metal outfit return to a ferocious black metal sound, combined with industrial and symphonic influences. The songs are bristling with creativity and energy, intertwining the …AND OCEANS sound with elements from the different projects the musicians have played in over the years.
For fans of ABORYM, DODHEIMSGARD, THORNS, ANAAL NATHRAKH, MYSTICUM.

CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.

The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.