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Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.

Il quinto album degli ANARKHON di San Paolo, Brasile, alza la posta in gioco nel regno del DEATH METAL arcano e marcescente: 23 anni di carriera e questa band diventa sempre più oscura e devastante. Ascoltare "Obiasot Dwybat Ptnotun" è come essere trascinati in un tunnel infernale di incubi cosmici lovecraftiani. Per i fan di Incantation, Dead Congregation e Grave Miasma.

Second pressing, brown + black splatters on white vinyl 

With an inception going back to 2019, Defacement rapidly gained momentum within the underground realms with two full-length records marked by an intense and experimental take on death and black metal, Deviant (2019) and self-titled Defacement (2021). Three long years after their latest output, the international band flares its cryptic head yet again with an epic tome of twisted and gnarly emanations, an immersive pathway into the void entitled Duality.

Defacement's third studio record is challenging and confrontational in its invocation of primal forces lying dormant in the world below. Inspired by the unfathomable, shadowy corners of human existence, Defacement hatches a penetrating sonic journey, unpredictable in its own dynamic, ever-changing form. Intricate and complex riffing lay as a basis for dexterous melodies, making Duality the most complete and mature among the band’s outputs. The cold and experimental interludes entangled between tracks, serve as halting moments that further the conceptuality of Duality and broaden the gist of the main songs.

The tremendous rhythmic section, a complex and throbbing pulse of drumming fierceness and serpentine bass playing, is superiorly captured by the dynamic and organic production, a vigorous sound that evokes both an oppressive aura and wistful solemnity. Gabriele Gramaglia (Cosmic Putrefaction, Vertebra Atlantis) and Simon Da Silva (Aversio Humanitatis) took care respectively of the mixing and mastering, finely crafting the details of Defacement’s new album. 

After the scorching Demise album in 2021, the Bay Area’s Laceration have joined the ranks of 20 Buck Spin for the release of second album I Erode. Over the band’s lifetime, years of work and subtle refinement manifest now in Laceration’s most assured and viscious material to date.

Absolutely loaded with hallmarks of US death metal’s peak era, I Erode vehemently explodes outta the gate with merciless riffs, savage tempos, tastefully fleshripping solos and the malevolent undercurrents of aggressive death thrash perfection. Striking an ideal balance of technical and straightforward, high speed and mid-paced breaks, and a concise, to the point attack packed with variety, I Erode offers a purely addictive shot of real death metal adrenaline in a lineage that includes Demolition Hammer to Morgoth to Suffocation.

While perhaps invoking a sense of nostalgia, the fact is Laceration’s evolved confidence and commitment to a song’s unsparing execution erase any focus on era on the neck-breaking I Erode. The dedication to the death metal form’s timelessness and high standards for true acknowledgment mark Laceration’s output now more than ever.

Uncompromising black/death metal from Copenhagen

The follow-up to 2022’s breakout debut A Mother’s Curse

Features a guest appearance by Michael Poulsen (Volbeat, Dominus)

12"LP gatefold DLP (black)
 

Silver vinyl 

"Near Death Revelations" album revolves around the past band's experiences.

BLAZE OF PERDITION's new album was mixed and mastered at Satanic Audio (Thaw, The Dead Goats). The cover artwork was created by Mentalporn (Sinister, Behemoth, Decapitated, Origin) while the layout was prepared by Kontamination Design (Demonical, Archgoat)

Limited to 200 copies blue galaxy LP.
HIEMS is a one-man, avant-garde black metal band launched in 1996 by Italian songwriter & multi-instrumentalist Alessandro "Algol" Comerio. "Stranger in a Wasteland" marks his third outing and is the sound of an artist confident in his craft. Recorded during lock-down, the music captures the dismal feelings of alienation and detachment, and translates them into malevolent, minimalistic and non-canonical  black metal, infused with dark hard rock and ominous grooves. In comparison with "Worship or Die" - the second and last installment from 2009 - "Stranger in a Wasteland" boasts a much clearer and refined production, which added a commanding character to the vocals, exposed the weight of the guitars, and sharpened the overall listening experience. The topic of death - closely followed by a sense of not belonging - is equally present in the musical and lyrical layer of the album.

Old-school black metal! New album after 5 years time, highly anticipated album;
Recommended for fans of Bathrony, Hellhammer, Celctic Frost, Nifelheim, Destroyer 666, Mixed by Fred Estby (ex-Dismemebr/Carnage/Necronaut) at Gutterview Recorders;

 

Furious and blasting black metal from Oslo, featuring vocalist of Ragnarok