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Brand new limited reedition of Dødsfall’s third full-length, originally released in 2013 ! with “Djevelens Evangelie”, Dødsfall leaves us a brilliant testimony of what black metal should remain: fast, cold, raw and hard-hitting. a must-have classic for all fans of the Norwegian scene from the 90s.
Comes in a 2 part CD digipack with an 8 pages booklet and a picture printed CD
2023 Drakkar Productions release
 

Digipak CD with 12 pages booklet

Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).

Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.

A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own. 

Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.

Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.

Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.

Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.

Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.

Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.

Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.

Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.

BANDCAMP DOWNLOAD CODE INCLUDED

Australian experimental metal band Bolt Gun return with their 3rd full length album The Tower. Since their first release in 2014, Bolt Gun have continued to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of black metal, post-metal, noise and dark ambient. 

The Tower is inspired by the literary works of Brian Evenson, Franz Kafka and Shirley Jackson and explores themes of isolation, extinction, absurdity and nihilism. Written throughout 2020 to 2022, the album expands on Bolt Gun’s interest in the dynamic possibilities of using ambient music within extreme metal.

The expansive tracks pull listeners into tornadoes of drone, noise and saxophone which then explode into more post-metal/black metal sounds. The music on The Tower is heavily influenced by 2nd wave black metal, experimental heavy bands such as Locrian and Swans in addition to the work of Colin Stetson and Bohren & der Club of Gore.

Artwork by Tomasz Winiarski.

Australian experimental metal band Bolt Gun return with their 3rd full length album The Tower. Since their first release in 2014, Bolt Gun have continued to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of black metal, post-metal, noise and dark ambient. 

The Tower is inspired by the literary works of Brian Evenson, Franz Kafka and Shirley Jackson and explores themes of isolation, extinction, absurdity and nihilism. Written throughout 2020 to 2022, the album expands on Bolt Gun’s interest in the dynamic possibilities of using ambient music within extreme metal.

The expansive tracks pull listeners into tornadoes of drone, noise and saxophone which then explode into more post-metal/black metal sounds. The music on The Tower is heavily influenced by 2nd wave black metal, experimental heavy bands such as Locrian and Swans in addition to the work of Colin Stetson and Bohren & der Club of Gore.

Artwork by Tomasz Winiarski.

BANDCAMP DOWNLOAD CODE INCLUDED 

Six panels digipak CD

Seconda stampa, ora in digipack con libretto

Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.

Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.

Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.

Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen

Cover Artwork by Valnoir/Metastazis

Ikarie is a newborn band formed by experienced musicians from the Mediterranean coast of Spain. They describe themselves as a band developing “the concept we call cosmic existentialism, which is about our freedom and responsibility as a rational species, aware of its insignificant, terrifying and astonishing existence in the universe”.

Cuerpos En Sombra is the first album by Ikarie, a post-metal opus in the vein of Cult Of Luna and Year Of No Light, “a legend of ghosts, of those who emerge from the deepest wounds of the soul. Installed in their universe of silent and silenced scars, inspired by the desert and sea landscapes of the Spanish Levant where we grew up, it delves into the theme of the human being from its limits, where it almost ceases to be, in a world where perhaps it is not allowed to be”.

The album deals with “what happens and doesn't happen when we become an unproductive and annoying absence, showing a series of desolate places and characters as if they had come out of the collective imaginary of the uncomfortable, painful and demented”.

Cuerpos En Sombra is the first chapter of a trilogy in which Ikarie intend to denounce the stigma of being different, the lack of resources in everything related to mental illness and the pathologization of people with problems which are mainly structural.

100 copies limited - black double  vinyl in gatefold cover

Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.

Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.

Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.

Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen

Cover Artwork by Valnoir/Metastazis

Second press, same vinyl color, shipping on / around 15.02

Since their inception in 2010, Grá has relentlessly worked to shape their music to be both a perfect example of Swedish black metal and a very personal interpretation of its classic sound. Their new studio album will mark the first cooperation between the band from Stockholm and Avantgarde Music, and we thought best to leave frontman Heljarmadr complete freedom to introduce the opus.

Lycaon is our fourth full length album and ever since we started Grá in 2010, we have been striving for constant evolution, to challenge ourselves as musicians and composers with every release.

Where our last album Väsen was extremely intricate and bombastic, with an "all in" approach to keyboards, orchestral parts, acoustic guitars and choir arrangements, Lycaon is heading in the opposite direction. It has fewer layers and with that, every layer needs to be meticulously measured and well thought out to carry the right atmosphere forward.