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Noircure is the musical endeavor of multi-instrumentalist Raffaele Galasso from Apulia, Southern Italy. Albeit born in 2021, Noircure comes after years of experience and hard work in a number of different underground projects, managing to be both something completely new and perfectly self-aware as well.
Galasso describes his latest one-man band as follows: “Noircure was born in 2021 as the result of blending two of my great passions: atmospheric black metal and certain shoegaze and new wave sounds. I recorded, mixed and mastered Kyrie inspired by these musical atmospheres, favoring improvisation in the recording phase, preferring "natural" sounds over production editing and trying to limitate effects as much as possible. I wanted Kyrie to personify a living entity capable of communicating a wide range of emotions in the most direct way possible. In order to do this, I tried to recreate all the sounds that I had figured out in my head only with my guitar and without the use of synths”.
The result is an honest, breathtaking album, plunging into the depths of blackgaze, where guitars are paramount, accompanied by a wide range of vocal styles, adding some Mediterranean vibes which make Klimt 1918 come to mind. If the likes of Alcest, Lantlôs and Sadness are part of your everyday music digest, Noircure will surely leave its mark.
Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death. Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.
Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death. Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.
ISON new album! Gatefold sleeve, double LP in Black vinyl
This sophomore album by Urkraft celebrates darkness and the lights that shine in it, be they campfires, streetlights or the stars. Through seven tracks, the listener is taken on a journey through forests rife with wondrous complexities, where the blackest of nights are illuminated by the cold glow of the moon.
Urkraft's music is a relentless assault of savage riffs and haunting melodies, driven by thundering drums and punctuated by anguished screams that echo across the barren wastelands.
With "Lyset skinner best i mørket", Urkraft delivers an uncompromising ode to the beauty of darkness and the power of black metal to channel its primal energy. Prepare to be embraced by the shadows that lurk within. The darkness awaits...
Over the course of its seventeen-year career, Deströyer 666 has managed to release a mere four full-length albums. However, the band has released EPs with somewhat more regularity. Unfortunately, the bulk of these recordings were issued only on vinyl and in limited quantities. As is often the case, these releases quickly became unavailable to anyone not willing to get ass-raped on eBay. In 2010, Deströyer 666 threw fans a bone and released a compilation of the following EPs: 1998’s Satanic Speed Metal, 2000’s King of Kings/Lord of the Wild, 2002’s Of Wolves Women and War and 2010’s See You in Hell, entitled To the Devil His Due… on limited edition vinyl. Thanks for nothing.
Ah, but despair not, gentle reader: As you have probably guessed, I am not reviewing a release from 2010. The Hell's Headbangers label will, in a few weeks from the time of this writing, release To the Devil His Due on glorious, hiss-free, car-stereo-compatible compact disc. Now let’s be honest: If you are a die-hard Deströyer 666 fan like me, one that has no taste for either vinyl or ass-rape, you probably downloaded most of these songs long ago. This release gives you the chance to throw K.K. and the boys a few bucks and enjoy these songs guilt-free and with better sound quality. If, by chance, you have not heard any of these songs before, To the Devil His Due will serve as a sort of long-lost Deströyer 666 album.
The nine songs that make up To the Devil his Due span a great swath of Deströyer 666’s career and as such reflect the changes to and development of the band’s sound during that time. “Satanic Speed Metal” is a simplistic, bare-knuckled anthem in much the same spirit as “Australian and Antichrist” from Unchain the Wolves. The level of sophistication gradually increases through the chronologically ordered disc, culminating with the two tracks that comprised See You in Hell. These final two songs feature the Deströyer 666’s signature melodic maelstrom combined with some uncharacteristically crunchy riffing, resulting in some the band’s finest work in recent years. The production follows a similar path, with the earlier tracks sounding somewhat raw, and the latest featuring a clear powerful sound that easily eclipses the sonic cluster-fuck that was Defiance.
To put it simply: For any Deströyer 666 fan who doesn’t already own this material, To the Devil His Due is a must. For those unfamiliar with the band, this compilation will definitely give you a good idea of what Deströyer 666 is all about.
(metalreview.com)
Never Stop the Madness - The Roadburn Inferno
A CD / DVD set featuring a peerless performance from the Norwegian industrial Black Metal godfathers (captured live at the esteemed Roadburn Festival 2017).
The pioneering industrial black metal force to emerge in the early 1990s, Mysticum brought to the world a completely unique brand of extreme and Psychedelic discordant Black Metal with insane drum machine patterns and synths.
They were originally signed to Mayhem guitarist Euronymous' Deathlike Silence Productions label. However, this venture was cut short following his death, forcing Mysticum to look elsewhere for the release of their eventual debut album and genre classic, In the Streams of Inferno (1996). A perfect concoction of cold, primitive Black Metal and forward-thinking ideas, Mysticum has had a lasting and profound impact on many since the 1990s, so when the long-talked about follow-up album, Planet Satan, surfaced in 2014, these godfathers of the scene rightly returned to reclaim their throne.
In light of the release, Mysticum decided that a return to the stage would be the next logical step, but it had to be done their way, without compromise; and so, with Herr General Cerastes, Dr Best and Svartravn stood upon three 3 metre high podiums surrounded by screens, with one of the most intense light and sound spectacles witnessed at an Extreme Metal show, Mysticum stunned the crowd into submission.