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Back in stock - musica Black Metal e Dark estrema
CD nouvo ma non incellophanato (2016)
What you hear is what you get. BAPTISM deliver another album that is firmly rooted in Finnish black metal orthodoxy. Again their raw and unbound musical fierceness is counterbalanced by epic melodies buried underneath a shredding onslaught and majestic atmospheres. Yet despite staying true to course there is neither a feeling of stagnation nor of senseless nostalgia. BAPTISM excel in keeping true to their course, while appearing fresh and raising the stakes with their fifth full-length.
Featuring guest appearances by members of SWALLOW THE SUN, HORNA, and DEMILICH
Recommended if you like: MAYHEM, GORGOROTH, DARKTHRONE, CARPATHIAN FOREST, BATHORY
Media Condition: Near Mint
Sleeve Condition: Near Mint
This is an official reissue on CD of the Legendary ARCTURUS debut released by Nocturnal Art in 1994 keeping the original sound and artwork plus, as bonus:
+ the 1991 “My Angel” EP
+ Two tracks dated 1996 (Morax 1996 Ev. + Radiant Star Befallen)
+ 4 “pre-Constellation era” songs (1994), in their original rehearsal form, a true rare gem directly from the band’s archives
+ a rare preproduction version of “Chaos Path”
For a Total of 65 minutes of rare and stunning music
All of this goodies packed in a 6 Pages booklet with many photos provided by the band and dated at recordings times
Double CD, Full Moon Productions edition - out of print
Media Condition: Near Mint
Sleeve Condition: Near Mint
Promotional copy – not for sale.
Issued in a cardboard sleeve.
Sleeve: VG+
Media: VG – some surface dirt/marks.
This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.
As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).
Long-due official reissue!
Ships around June 5th 2026, limited to 250 copies.
Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!
First time on vinyl and digi-CD.
After releasing four demo tapes, Mithotyn finally put out their first full-length album in 1997. “In the Sign of the Ravens” might not quite reach the heights of the band’s later releases, but there’s still plenty here to enjoy. The album delivers a hard, cold take on Viking Metal, and at this early stage the band hadn’t yet fully embraced the stronger melodic elements that would become more prominent on later records.
If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.
Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
Lord Belial’s “Unholy Trinity” is a savage and intense blast of Black Metal brilliance!