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Printed on Gildan softstyle ring spun

SIZE XXL

TRISTITIA Biography 1992-2020
The band was founded by Chilean/Swedish guitarist Luis B. Galvez 1992, Halmstad, Sweden. His devotion for Doom Gothic Metal and dark sorrowful melodies brought him to form the band with Death/Gothic style vocalist Thomas Karlsson (Pagan Rites, Devil Lee Rot, Autopsy Torment) and Harri Juvonen(Pagan Rites) on bass.
They recorded their first demo in April ’93 entitled ”Winds of Sacrifice”. In January ’94 they released their second demo ”Reminiscences of the Mourner”. The receiving of this demo was even better than ”Winds of Sacrifice” and gave Tristitia a record deal with the French label Holy Records summer 1994. In march ’95 Tristitia released the CD album "One with Darkness" now with Bruno Nilsson behind the drums, Thomas on vocals and Luis recording all guitars, bass and keyboards,
Summer ’96 they recorded their second album ”Crucidiction” now with session drummer Alessio in Dan Swanös studio Unisound which was released December ’96. Tristitia’s third album ”The Last Grief” brought the band a new atmospheric Dark Doom Heavy Metal singing style with session singer Rickard Bengtsson from the Swedish band Last Tribe and with mixed doom riffs/classical guitar parts Tristitia found a new path beyond the labyrinth of Darkness. At the fall 2002 the band entered Darkside Studios in their hometown Halmstad to record their fourth CD ”Garden of Darkness” with session Death style vocalist Stefan Persson. Due to line-up difficulties between 2002-2017 the former member Luis B. Galvez now in the Mexican black/thrash/death metal underground label Atolinga Records in 2017 re-released Tristitia's two demos "Winds of Sacrifice" (1993) and "Reminiscences of the Mourner" (1994) on CD entitled "Lamentations from the Beginning" and could finally release in January 2020 the full-lengh album "Burial of the Sad" with Thomas Karlsson back on vocals. Tristitia is the word in Latin for sadness.

Vinyl (single sleeve, grey vinyl)

The final part of the «Night»-trilogy. From the words of the band: Natt til ende is the last and final conclusion in the trilogy about the "night". This last chapter is my manifest of the final ending of christianity and death of "Jesus", in both physical and mental shape. Naturally this also lifts the idea and concept of forces christianity calls evil. The same forces I would call natural and human. They may be described as in a dream or in a more harsh speech.

The final part of the «Night»-trilogy. From the words of the band: Natt til ende is the last and final conclusion in the trilogy about the "night". This last chapter is my manifest of the final ending of christianity and death of "Jesus", in both physical and mental shape. Naturally this also lifts the idea and concept of forces christianity calls evil. The same forces I would call natural and human. They may be described as in a dream or in a more harsh speech.

The second part of the Djevel trilogy, the 8th album.
With a new vitality, Djevel returned with last years acclaimed "Tanker som rir natten", a mesmerizing and epic piece of work, pushing the boundaries for the band and its new line-up. "Naa Skrider Natten Sort" is the natural continuation,
thematically its the second part of the trilogy about the night and all what it represents, but also a work with more contrast and variation.

Debut album from this super band from Stavanger (Norway)
 

Black vinyl, gatefold cover, 8 page booklet

3x LP

Herein are 6 songs of profound introspection and honesty, unbridled by norms or trends, adhering to tenents of belief that should resonate with the seeker, the curious, the outsider. ALTAR OF PERVERSION emerges from the void after twelve years of searching, reflection, shattering the known and invoking the unattainable in the quest for the numinous. Rather than scratching the surface, these songs reveal what lies beneath the surface and unravel the illustrious blackness within. This is the vision of Pan-European Satanism. This is timeless Black Metal as it was understood from it’s nascent core.

Solbrud is known for performing at unique locations, with special care for lights and props, which now results in ‘Levende I Brønshøj Vandtårn’; a carefully curated live double album and video. Recorded inside Brønshøj Water Tower in Copenhagen at two totally sold-out nights. The tower is known for its brutalist architecture and unique acoustics – 15 seconds of natural reverb, which creates a fitting atmospheric backdrop for the monumental sound of the band. On top of that, the tower was freezing cold, amplifying the nature of the music.

The full concert consists of 8 tracks, including songs from all three previous Solbrud albums. Some have been rearranged, taking the special acoustics into account, while others blast through in their original form. In addition to their set, the new song ‘Sjæleskrig’ was added to their setlist, which resonates hauntingly in the great tower’s reverberance.

‘Levende I Brønshøj Vandtårn’ was recorded on November 23rd and 24th 2019 and mixed by Marcus Ferreira Larsen (Demon Head) at No Master's Voice. Mastered by Flemming Rasmussen (Metallica, Morbid Angel, Rainbow, etc.) at Sweet Silence Studios.