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“Never Arrive, Never Return” marks a return to Cadaverous Condition‘s ferocious death metal roots. The album is a relentless assault on the senses, featuring a mix of epic tracks alongside haunting half-ballads, brutal eruptions and groove-laden songs interwoven with the band’s signature cryptic lyrics, all delivered with crisp production.
Formed in Austria during the early 90s, Cadaverous Condition carved a unique path in extreme metal. While their vocals remained rooted in death metal, they experimented with diverse influences, covering artists like The Sisters of Mercy and collaborating with acts like Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession) and Herr Lounge Corps. They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland. Despite these explorations, Cadaverous Condition never strayed from their core: extreme metal with a distinct and reflective style. They return in 2024 with “Never Arrive, Never Return“, a fitting title for a band known for their relentless sonic journey.

Re-issue of the legendary split album from '92 with swedish ALTAR and finnish CARTILAGE. Two killer Death Metal bands from the early 90's scene, with 2 bonus from each band

Hailing from the Basque country of Spain, the wretched entity called SEPULCHRAL crawled out of the coffin in 2016. Main composer, Dusk, gathered some ghouls to deliver an unrelentless form of putrid metal of death in the form of 2 demos and one EP. Now SEPULCHRAL arise from the tomb with their first full-length, packed with catchy, putrid, crusty death metal that will make you jump from your coffin!

Are you in for some time travelling? Legendary thrash/deathers Messiah from Switzerland invite you to their rehearsal space to listen to some original recordings from the years 1985-1987. ?Space Invaders? is a journey to the roots of Messiah and reflects their joy of experimentation at that time. All rehearsal recordings have not yet been released and represent some of the songs the way they sounded at the time of composition - and that is often quite different to what they sounded on Messiah?s much-loved debut albums ?Hymn to Abramelin? and ?Extreme Cold Weather?. The rehearsal recordings on ?Space Invaders? are on the one hand a historical document, and on the other hand the instrumental tracks "Maleus Maleficarum" and "The Urologue", which have not yet been released, show what might have happened to MESSIAH if they had not disbanded. Unfortunately, there were no more recordings of vocalist Tschösi's vocals/screams to be found. Nevertheless, the songs give a good impression of what their music would have sounded like after "Extreme Cold Weather". Uninfluenced by the rather sobering reviews of the "renowned metal press", Messiah at that time simply continued to play as they pleased. What is also important: These old recordings from the 80s and have nothing to do with the "noise line-up" of the 90s, with which Messiah are now active again. The restoration of the audio material was done by Patrick W. Engel at Temple of Disharmony and the artwork was realized by André Türoff, who has done cover artworks for many well-known bands, such as Exumer, Protector and Infernäl Mäjesty. Guitarist Brögi added some new liner-notes, which try to explain why Messiah were fated to disband ? but they are back! Messiah have freshly reunited and will play their first gig in ages in September 2019 ? but that?s a different story ...