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Back in stock - musica Black Metal e Dark estrema
Over 80 minutes worth of material. This album consists of multitracked and studio-enhanced live, mostly improvisational, rock and electronic soundscapes, 2/3 of which has never been heard before.
- cd Jewelcase
After "The Tunnels" (2011) and "The Purging" (2013) - two incredible, unreal albums internationally acclaimed for their amazingly strange singularity - TERRA TENEBROSA have pushed the boundaries of their thrilling approach to offer up a masterpiece, their finest work to date. "The Reverses" is a gloriously obscure compendium of chaotic styles, dark soundscapes and frantic elements, raised aloft to the Apocalypse.
White1 marks the fourth missive from the darkest regions of Sunn O)))’s distorted, drony netherworld. Greg Anderson and Stephen O’Malley’s newest long player follows a year after the excellent 3: Flight of the Behemoth, a record that broadened their sonic palette with contributions from Japanese noise guru Merzbow.
Altar is a collaboration album between Japanese doom band Boris and American drone doom duo Sunn O))),
The infamous MAYHEM return this year with an EP called “Atavistic Black Disorder / Kommando” that presents the band in a way that has never been heared before! The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways. For this goal, cover versions of bands like Discharge, Dead Kennedys, Rudimentary Peni and Ramones were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkenened sound. Nevertheless, MAYHEM would not be MAYHEM, if this musical creation would do without own composed songs. In addition to named cover versions, a brand new track called “Voces Ab Alta” was recorded to continue the musical journey alongside previously released tracks “Black Glass Communion” and “Everlasting Dying Flame”, which were used as bonus tracks for the 2019 album “Daemon”. The EP comes as a 180g LP format which features a two-sided cover artwork and two-page insert, as well as a Ltd. CD Digipak with sleeve and 12-page booklet.
- mastered for vinyl by Satanic Audio.
- clear 12" 180 gr. wax limited to 150 pcs.
- cover (350 gsm) with gold print and glossy finish
- 12-page insert 30x30cm with texts and photos
- CRYSTAL CLEAR Heavyweight (180gsm) Vinyl Limited to 150 copies
- Thick Sleeve (360gsm) with gold print and glossy UV varnish
- 8-page vinyl size booklet with lyrics and photos
- black poly-lined innersleeve
Most innovative and the most mysterious Black Metal band on Earth, always standing alone in their own, dark world of sounds. Mournful opus of five dark, majestic, infernal symphonies with no use of guitars or bass or any "typical" metal sound, but replacing it with symphonic orchestra instruments - like piano, violins.
Obscure, ambient touches added for a special dark effect - Ambiental Infernal Symphony.
Forming in 2022, Finland's Victimarum quickly set to work on upholding the sterling standards of their nation's underground black metal scene. A demo and an EP followed the next year, the latter including a Horna cover, which indeed underlines the lineage from which they spring: cold and yet intensely melodic, "freezing fire" of a most early 2000s vintage. Those who know already know the names, and it's a banner still worth raising.
And Victimarum raise it even higher with their full-length debut, Seitsemän soihdun valossa. With strength & honor and Satanic black devotion, the quartet here unload nine screeds of melancholic misery set to speeding stun. Incensed but not without a certain sense of ragged glory, Victimarum uphold that iron-clad template set out by their forebears and bolster it with strong songwriting and even-stronger execution. The sounds may be familiar, but as the album plays on, the Finns' personality shines through, with deft shifts in tempo and a slightly-more-pronounced propensity for the climatic coming to the fore. Likewise, Victimarum wisely locate a production style that's on the right side of polished, the grit coming not through the sound itself but rather through the playing: you FEEL this, every second of its 44-minute runtime.