CD

One of Greece's best-kept secrets, HATE MANIFESTO formed in 2003 but, so far, have an extremely sparse discography. However, what they lack in quantity, they more than double-up on in quality. To Those Who Glorified Death, their debut album from 2017 - which HELTER SKELTER rereleased on a worldwide scale in early 2018 - displayed the shockingly extreme force with which HATE MANIFESTO could create their whirlwind of martial black/death. But with the aptly titled Herald of Triumph do they fully display the armament of their potential. Comprising four fierce 'n' fiery tracks in a swift 'n' decisive 17 minutes, Herald of Triumph is full-on shock & awe - CRUSH, KILL, DESTROY - with HATE MANIFESTO's chosen weapons being the iron-fisted surge of black metal and the muscular swarm of death metal, all rendered in rich, devastating tones.

When PARADISE LOST guitarist Greg Mackintosh put to rest his VALLENFYRE side project in 2018, he closed a difficult, but an ultimately cathartic period in his life. Created as a tribute to his father John, who passed away in 2009, VALLENFYRE originally served as a sounding board for Greg’s grief, but then delved into his nihilistic take on the world. VALLENFYRE’s brief existence was intentional — the band always knew they could go no further than the three studio albums that bore their name. A mere few days after VALLENFYRE played its last live show in September 2018, Mackintosh announced the formation of a brand-new band, STRIGOI.Named after the troubled spirits in Romanian mythology who could rise from the grave and assume an entirely different form, STRIGOI's lineup is rounded out by former EXTREME NOISE TERROR and VALLENFYRE bass player Chris Casket, who was also responsible for the project's lyrics. Mackintosh gave him simple thematic guidelines: Attack organized religion, sparingly discuss grief and dive into the countless horrible things humanity continues to inflict upon itself.

The resultant 12-song-debut »Abandon All Faith« was recorded and mixed at Greg's Black Planet Studio between January and March 2019 and today, the English duo unveils a haunting music video directed by Ash Pears. Designed in the same black and white vein of the band's overall look, 'Phantoms' will clearly evoke some ghosts. Stream or download the new single here: https://nblast.de/Strigoi-Phantoms

The debut album will be available as jewelcase CD, black vinyl in gatefold 

Profetus - The Sadness of Time Passing (New Full Album) Profetus was formed under the heavy snows of Tampere, Finland in 2006, to perform solemn and mournful, crushing and captivating Funeral Doom - brought to existence by A. Mäkinen & S. Kujansuu. The musical idea was to bring forth their musical love for old Doom Metal and especially to affine the funeral ambience of classic Finnish Funeral Doom acts like Thergothon, Unholy and Skepticism. As a leading frame of their future work, they decided to create the sound without bass guitar and replaced it with organ which would give a monotonous and more majestic background to their slow march. Highly acclaimed by the followers of the funeral cult. The Sadness Of Time Passing is the third full-length studio album by the Finnish band, and is worth every single day of the five long years its creation took. Profetus's third studio album is a concept about time and mortality, a collection of bleak compositions to raise the awareness that everything is transient, all is impermanent. To express such idea, The Sadness Of Time Passing can be linked to the Japanese concept "mono no aware", and such link to the far east is sealed by its cover. The painting by Yuka Yoshihara, talented contemporary Japanese painter, was made using 19th century colors and old Japanese painting techniques to resemble a Finnish romantic, XVII century painting. The Sadness Of Time Passing was composed along a five-year span, a period which carried great personal losses for Mäkinen. Eventually, Profetus locked the door of their own studio, a wooden lodge in the middle of the Finnish woods, and recorded the album as a whole during one week only, in early 2018. The studio, said to be haunted by the spirits of the woods, gave a natural sound to the recordings.

This is a big album, with big songs and a big sound! Mandatory if you like: Solstice (UK), Candlemass, Solitude Aeternus, (old) Anathema

For nearly thirty years ESOTERIC have been pushing the limits of sonic intensity. From the mind-bending darkness of their 90’s double albums to the expansive epics found on their recent opuses, they have never compromised their initial aim; to unleash aural mayhem on unsuspecting listeners. Late 2019 sees the release of their most accomplished work to date, ‘A Pyrrhic Existence’. It is 98 minuts of new material, detailed and layered compositions and a high level of musicianship, foreboding production, and equal measures of utter darkness and melodic diversity.

Cold black metal from Unreqvited mastermind
Digipak CD

Six panels digipack CD 

Progetto norvegese/italiano con membri di Urarv, Dauden , Fides Inversa , Darvaza.

Mini album di debutto.

Black metal norvegese anni 90.

Anime deviate, spiriti sordidi... ma menti argute e lucide di fanatismo iconoclasta, per voi ed in vostra vece, 23 anni dopo 'Sursum Luna' torna a recitare Funeral Oration 

23/08/2019 in vinile rosso sangue o digipack con libretto di 16 pagine e rifiniture UV.

pro CD-R

"Dietro questo progetto c'è l'idea di supportare la scena, cercando di  unificare tutta la nostra penisola. Come è possibile vedere, si tratta di quattro gruppi di quattro posizioni geografiche ben differenti. - Veratrum di Bergamo a rappresentare il Nord Italia, - Ulfhednar di Roma a rappresentare Centro Italia, - AngrEnosT di Ossi (Sardegna) a rappresentare "le Isole" - Azog di Trani a rappresentare il Sud Italia."

After the acclaimed debut, THE NEGATIVE BIAS are ready to introduce the listeners to a deeper understanding of their unique musical vision, one that transcends the common idea of music as a mere sum of instruments dealing with melodies and patterns.
“Narcissus” has a visionary and majestic inspiration that prominently flows though the strings and the synth lines.
The evocative force of this new chapter is an exciting merging of 90’s Black Metal echoes and a genuine atmospheric attitude dealing with the dark side of the cosmos, where extreme vibrations are channeled into a vast world of emotions.
Someone may recall Limbonic Art’s early works, but the Wagnerian orchestral symbiosis takes distance from this immanent parallelism by crossing the genres’ borders and propitiating the co-existence of ambient and soundtrack-inspired layers.
Staying within the meaning of epic like a state of mind, opposed to the traditional understanding of this term, the time pattern moves towards a dimension where the fear to trespass the human point of view is a key factor.
Listening to “Narcissus” is like closing your eyes and mind-traveling through new forms of existence and the cruel perceptions that no human philosophy may affect.